Mixing is my passion
As a music lover I've been obsessed for many years in offering professional grade work at accessible rates. There are tons of great music out there that needs to see the light and most of this great musicians can't afford the treatment their music deserves to shine the way is supposed to. There is nothing that makes my heart beat faster than being part of a project full of seriously committed musicians and great songwriters full of passion. I'm convinced that great music lies in the independent front waiting for a strike of luck to find exposure and I want to be part of it helping them with my work.
Como amante de la música he estado obsesionado durante muchos años en ofrecer trabajo de talla profesional a tarifas accesibles. Existe mucha música genial afuera que necesita salir a la luz y muchos de estos grandes músicos no pueden pagar el servicio necesario para hacer que su música brille como es debido. No hay nada que me emocione mas que ser parte de un proyecto lleno de músicos serios y comprometidos, y grandes compositores llenos de pasión. Estoy convencido que la verdadera música se encuentra en el frente independiente esperando un golpe de suerte para encontrar exposición y yo quiero ser parte de eso ayudándolos con mi trabajo.
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Credits
3 Reviews
Endorse OMAR SAINZ MIX/MASTERI'm a music producer with many years of experience. Mixing is one of the things that I enjoy the most. I have mixed several professional big league artists but after working with Omar I'm never going to mix again. He has such an enormous talent that I'm putting my ego aside. I have found the mexican Serban Ghenea. No bull.....
It was a pleasure to work with Omar.The way he understands the needs and visions of their clients is something very hard to find these days.
Omar is a perfectionist but He is also an artist with tons of sensitivity and always worried about the details. On the technical side,Omar is always really updated of the trends in the music industryAs a musician, I can say that the best part to work with Omar is that he become on a member of the band, he totally cares to understand what are you trying to express and gives to you a different perspective of your idea, it's like a non-romantic view. But at the same time he gave us confidence and patience to make the best version of our single.
Interview with OMAR SAINZ MIX/MASTER
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Recently worked with a Regional Mexican music project which was completely new to me and the artist was really happy with the end result. He told me he had searched for years to find the right kind of sound for his music and i made it possible. It also seemed to make quite an impact among his peers sound wise wich made me very proud. I produced, tracked, mixed and mastered the project
Q: What are you working on at the moment?
A: Producing 3 albums
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: i can't find the search option to check for this persons.
Q: Analog or digital and why?
A: Digital. I have worked in several top notch studios with class A gear and the inflexibility of analog it's not worth the sonic difference to digital which (if used properly) to professional ears is every day harder to notice.
Q: What's your 'promise' to your clients?
A: I will pass trough walls to make it happen.
Q: What do you like most about your job?
A: the satisfaction of taking this raw idea or piece of music and take it to the next level.
Q: What questions do customers most commonly ask you? What's your answer?
A: can you make it sound better than this? i would need to check the WAV files of your raw tracking to see what we can do.
Q: What's the biggest misconception about what you do?
A: How much hard work it takes to achieve the desired goal.
Q: What questions do you ask prospective clients?
A: what is the concept or idea behind your project? what do you expect to achieve with this particular recording? how would you like it to sound?
Q: What advice do you have for a customer looking to hire a provider like you?
A: use your ears, not your eyes to choose wisely.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A DAW, a SM57 an audio interface, a cable and a Guitar.
Q: What was your career path? How long have you been doing this?
A: i started about 15 years ago. I'm an active musician and always been really addicted to the recording process. it wasn't enough for me to go to a studio and let somebody else do the work, it was inevitable for me to end doing this.
Q: How would you describe your style?
A: passionate
Q: Which artist would you like to work with and why?
A: Someone completely different and unexpected to what i have done before, i love to get my self out of my comfort zone and be challenged.
Q: Can you share one music production tip?
A: Give enough confidence to your artist and they will find their way to the shore. It takes a lot of patience but its the only way to make it happen.
Q: What type of music do you usually work on?
A: rock, pop rock.
Q: What's your strongest skill?
A: mixing
Q: What do you bring to a song?
A: As a producer to make the song flow and explode where it has to. The right balance between tension and release so the story can travel and deliver. As a mixer i give my soul every time i work in a song, i always take the challenge really seriously to push it as far as possible and then a little more.
Q: What's your typical work process?
A: Production wise i hear the whole band idea for the record and as a project. Listen to their dreams, fears, motivations, etc. Sitdown make the most killer demo ever and when everything seems to fit in the right place start the tracking process and push the band as far as possible sonic and arrangement wise. As a mixer also hear the bands ideas and their sonic goals. Work really hard to present them the most stellar mix proposal ever and then work with the band inch by inch trying to set the boat in the precise direction desired until we finally nail it.
Q: Tell us about your studio setup.
A: A Bunch of sm57s, 7Bs, Beta52, Audix i5s, studio projects OHs, Shure KSM 44A, Cubase, The whole Steven Slate plugins arsenal.
Q: Describe the most common type of work you do for your clients.
A: production and mixing.
Q: What other musicians or music production professionals inspire you?
A: Mattias IA Eklundh, Ron Thal, Silvia Massy, Chris Lord Alge, Dave Pensado, Mutt Lange, Max Martin, Bob Rock, Terry Date, Robi Draco Rosa, Adrian Belew, Brad Paisley, and many many more.
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song