I want your music to sound perfect.
Hello! I'm trained in Pro Tools, I use excellent gear, and I absolutely love the art of making music. I've worked with many different genres of music to broaden and generalize my craft.
I've produced music as a side hustle for almost 10 years. I've produced my own work as well as other artists'. In live FOH engineering, I've mixed for The Digital Age, Bellarive, The Michael Farren Band, Matt Papa, Rush of Fools, Liberty Worship Collective, and more.
Please scroll down for more of my studio reel!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Interview with Kyle Packard
Q: What's your 'promise' to your clients?
A: I know what sounds great, and I know how to make your track sound great. On top of that, I can give you great quality for a lower-than-average rate.
Q: What do you bring to a song?
A: I excel at making virtual instruments sound like the real thing. I can tweak tracks by doubling, EQ & comp tricks, and reverb tricks to give artificiality a sonic texture and tangibility.
Q: What other musicians or music production professionals inspire you?
A: Musicians: Bon Iver, Sufjan Stevens Production Professionals: Ryan Nichols, Bryce Dessner, Chris Messina, Charlie Peacock
Q: Describe the most common type of work you do for your clients.
A: I can take studio tracks from raw to mastered, I can install and system tech a PA system, and be a FOH engineer for a music production.
I was the Mixing & Mastering Engineer in this production
- Mixing EngineerAverage price - $50 per song
- Live SoundAverage price - $300 per concert
- EditingAverage price - $40 per track
- Mastering EngineerAverage price - $70 per song
- Vocal compingAverage price - $40 per track
- Acoustic GuitarAverage price - $70 per song
- Electric GuitarAverage price - $70 per song
- The National
- Bon Iver
- The Lone Bellow
- Pro Tools 12
- Beyerdynamic DT 880 Pro Headphones
- PreSonus Audiobox
- MPK Mini mkII