I offer mixing and mastering of your songs and a great price point. You can expect great communication and a level of commitment to achieve the best sound possible.
I am a mixing and mastering engineer from Brighton, England. I offer everything from the mixes and masters to vocal comping, tuning and editing of your songs.
Coming to the production industry as a musician and songwriter has given me a great understanding of what musicians want and how to work in tandem, to create the best sounding music possible. My heavy handed, hard hitting approach to making music is perfectly suited to the pop and rock genres and will make your music practically jump out of the speakers at you.
Tell me about your project and how I can help, through the 'Contact' button above.
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Interview with Luke Piziura
Q: What other musicians or music production professionals inspire you?
A: My big inspirations in mixing have been from Chris Lord-Alge, Andrew Scheps and Neal Avron to name a few.
Q: Tell us about your studio setup.
A: My setup is using Studio One 3 as my DAW, JBL LSR 308s for monitoring and an assortment of plugins including emulations of such piece of studio gear as the Distressor compressor and the classic SSL EQs.
Q: What do you bring to a song?
A: I bring an added layer of energy and life to a song. What you'll hear is slamming drums, a solid bass tone that sits tightly in the mix and aggressive guitar and vocals that feel as though they're jumping out of the speakers at you.
Q: What's your strongest skill?
A: My strongest skill is in the way I mix drums. Drums to me are what make or break a mix, if you can get the kick and snare sounding right, the rest of the mix just falls into place.
Q: Can you share one music production tip?
A: The knob goes to 10, use it!
Q: Which artist would you like to work with and why?
A: Green Day, they're the band that really got my into playing and writing music and trying to get the same production values in my own music is what got me into recording and mixing.
Q: What questions do you ask prospective clients?
A: I'll usually ask for 2 or 3 reference mixes and ask what it is in particular they like about them, whether it's just the way the vocal sits with the guitars or how the snare sound carries the song through. It's all part of the process in seeing the artists vision for the end product.
Q: Analog or digital and why?
A: I mix in the digital domain because the instant recall of a project is so easy and I can bring my mixes anywhere I go. I love that classic analogue distortion and warmth you get from all the vintage hardware and I think the modern plugin emulations are doing an outstanding job of simulating that in the digital world.