Joël Dollié is a multi genre mixing and mastering engineer who specializes in cinematic, orchestral and classical music. He works with Trailer/Production music artists as well as orchestras. He mixed and mastered Mozart Symphony 40 and 41 by the Danube Symphony Orchestra in Hungary, conducted and produced by Gavin Fraser.
I have worked with many cinematic/trailer and production music artists, as well as pop, rap, rock, metal and world music artists.
I also have experience mixing real orchestras, and soundtracks for movies and even video games.
Orchestral music mixing definitely is my speciality.
Depth, width and contrast are words that come to mind when it comes to my sound. My goal is to make your music sound how you want it to sound, but most of all, impressive. Nobody likes a boring stale mix, things need to be interesting and grab the listener's attention.
The average price is only indicative. Prices can vary a lot depending on the project. Please contact me for a quote. I will reply asap.
The typical turn-around time is under a week for a single, but it can vary depending on the size of your project. Please contact me for more details.
Would love to hear from you. Click the contact button above to get in touch.
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Interview with Joël Dollié
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I am very proud of my work on Gavin Fraser's versions of Mozart Symphonies 40 and 41 as i think they are the most beautiful and most pristine sounding versions out there. I was the mixing and mastering engineer.
Q: What's your 'promise' to your clients?
A: That they will be satisfied with the result. I haven't had a single dissatisfied client since i started mixing and mastering professionally. It's something i'm really proud of.
Q: Can you share one music production tip?
A: The biggest most important tip, practice, you'll naturally start hearing more details and things you didn't realize you could hear, and that's how you'll get better at mixing.
Q: What type of music do you usually work on?
A: Trailer/Scores/Production music.
Q: What's your strongest skill?
A: I think my strongest skill is that i can understand the composer's or producer's intent and emphasize the emotions they were trying to create with mixing.
Q: What do you bring to a song?
Q: What's your typical work process?
A: Every project is different. I don't have a set starting point. I tend to start the mix with what i like the most about the track.
Q: What other musicians or music production professionals inspire you?
A: Alan Meyerson
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering. Most of the time, sounds from high quality kontakt libraries as the majority of my clients work in trailer and production music.