I've been mixing and mastering for a couple years now and know how to make your song sound like it came from the heavens.
If you send me the vocal stems/tracks, I can mix them into the song. For just $5, I will make your song sound like it came out of a professional studio. I usually take up to 3 days to get the finished product. I have executive produced a tape with my friend which we did in 2015 and I've been working on the craft since so I know what I'm doing when it comes to mixing and mastering. I also produce instrumentals. P.S - Im not the one on the track, I just mixed and mastered it for the artist "Andre Jeanson". I would like to do my business on Fiverr: https://www.fiverr.com/aidanbatz#!
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Interview with Aidan Batzel
Q: Tell us about your studio setup.
A: I have an Audio Technica condenser mic, with acoustic foam around the area. The vocal signal gets processed through a Scarlett 2i sound card and I mix in Logic Pro X.
Q: What's your typical work process?
A: I ask what the artist would like to do that day, and start from there. Can take anywhere from 30 minutes, to a couple days depending on what theyre looking for.
Q: What do you bring to a song?
A: I bring clean vocals and a professionally sounding product.
Q: What's your strongest skill?
A: I'd probably say Mastering at this point.
Q: What type of music do you usually work on?
Q: Can you share one music production tip?
A: Really learn how a compressor works and what kinds there are, like one you'd use on a master, or one you'd use on a kick. A well compressed song makes a huge difference.
Q: Which artist would you like to work with and why?
A: Post Malone, because he has great instrumentals and hooks. Very "emotional" yet hard hitting.
Q: How would you describe your style?
A: Im pretty dark when I produce tracks, or really funky whenever I hear people describe my productions.
Q: Describe the most common type of work you do for your clients.
A: I usually record artists and mix them into the song to their liking.
Q: What other musicians or music production professionals inspire you?
A: Metro Boomin, Isaiah Rashad
Q: What was your career path? How long have you been doing this?
A: Im into business right now, studying. But since high school, me and my friend wanted to get into music. Started with garageband and worked with it until I felt I could use Logic well, which Ive been using since early 2016.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A mic, Soundcard, radio/transmitter, DAW, vinyl player
Q: What advice do you have for a customer looking to hire a provider like you?
A: There are a lot of "engineers" out there, but many, not all, don't put in the actual hard work to make a song sound nice.
Q: What questions do you ask prospective clients?
A: What kind of sound are you looking for? Anything in particular, and if so, reference the track.
Q: What's the biggest misconception about what you do?
A: I can just turn on auto tune and the vocal is golden when in reality, I have to mess with the vibrato of it and all that so the auto tune doesn't make it sound crazy.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you make this sound? Yes I can, time will depend on how familiar I am with it.
Q: What do you like most about your job?
A: Always learning new methods of production.
Q: What's your 'promise' to your clients?
A: That the finished product will sound like it's supposed to be on the radio.
Q: Analog or digital and why?
A: Digital right now, don't have the funds. But I'd probably go analog, probably because you're sending a physical signal through a physical state of hardware, unlike digital.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Just got on here.
Q: What are you working on at the moment?
A: Making fire instrumentals.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: When I first talked about how me and my friend wanted to try music, we did a project where he was the lyracist with the actual tape, and I was the producer on the tape, producing 85% of the instrumentals. This was fun because my friend actually had a concept with what he wanted to do and that made the tape a lot more interesting than just getting "lit" on a track.