World-Class Mixing for $75/song
I'm a 20-year veteran of the recording studio and have worked on hundreds of projects. I've noticed that many new artists can't affording mixing and are opting to do it themselves, often to the detriment of the project.
My goal is to offer great mixing at affordable rates so that everyone can present their music in it's best form.
Send me a note through the contact button above.
Credits
AllMusic verified credits for Dave Gerhart- Lili Añel
- Mell, Joanna
- Zydeco A-Go-Go
- Monnette Sudler
- Jim Rowland
- Jim Rowland
- Pat Wictor
- Stefanie Minatee
- Dan May
- Jill Shannon
- Jill Shannon
- Jill Shannon
- Inspirational Choral Ensemble
- Inspirational Choral Ensemble
- Two of a Kind
- Two of a Kind
- Lizanne Knott
- Lizanne Knott
- Wilmington Chester Mass Choir
- Katie Eagleson
- Katie Eagleson
- Lelia Broussard
- Lelia Broussard
- Francis X. Stagliano
- The Francis X. Stagliano Band
- Eternity Now
- Eternity Now
- Eternity Now
- Eternity Now
- Eternity Now
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Paul Scrimale
- Liz Longley
- Phil Roy
- Wings Of Heaven
- Wings Of Heaven
- Wings Of Heaven
- Wings Of Heaven
- Wings Of Heaven
- Wings Of Heaven
- Darren Keith
- Francis X. Stagliano
- The Francis X. Stagliano Band
- Melissa Nadel
- Dr. Guy's MusiQologY
- Jonathan Beedle
- Jonathan Beedle
- Antje Duvekot
- Karen Wilhelm
- Magenta
- Kelly Lynn
- G.O.
- Kelly Lynn
- G.O.
- Kelly Lynn
- G.O.
- Kelly Lynn
- G.O.
- Kelly Lynn
- G.O.
- Kelly Lynn
- G.O.
- Minister John W. Howard
- Minister John W. Howard
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Jeff Vitelli
- Lizanne Knott
- Lizanne Knott
- Lizanne Knott
- Melody Gardot
- Melody Gardot
- The Enablers
- Erik Mitchell
- Dan Harney
- Bishop's Choir
- Nora Whittaker
- D-For
- D-For
- Lelia Broussard
- Lelia Broussard
- Lelia Broussard
- Bobby Manriquez
- Jeff Darrohn
- The Breznicky Project
- Deacon Ezra Williams & Predestined Praise
- Deacon Ezra Williams & Predestined Praise
- Deacon Ezra Williams & Predestined Praise
- Deacon Ezra Williams & Predestined Praise
- David Kleiner
- Duncan & Rachelle
- Laura Shay
- Laura Shay
- Laura Shay
- Laura Shay
- The Governors
- Dr. Tommy Davis
- Gregory Silverman
- John Murray
- John Murray
- John Murray
- John Murray
- John Murray
- John Murray
- John Murray
- John Murray
- Eric Gambreill
- Allen Marks
- Drexel Universtiy Gospel Choir
- Hansoul
- Hansoul
- Jeffrey Vitelli
- Jeffrey Vitelli
- Jeffrey Vitelli
- Jeffrey Vitelli
- Jeffrey Vitelli
- Jeffrey Vitelli
- Jeffrey Vitelli
- Torrie Nicole
- Don Aliquo
- South Jersey Mass Choir
- South Jersey Mass Choir
- Otis Joseph
- Otis Joseph
- Otis Joseph
- Jim Ridl
- Phil Roy
- Luciano Russo
- Luciano Russo
- Luciano Russo
- Luciano Russo
- Luciano Russo
- Luciano Russo
- Luciano Russo
- Luciano Russo
- UR
- UR
- UR
- UR
- UR
- UR
- UR
- UR
- UR
- UR
- UR
- Catherine Tuttle
- John Larry Graham
- John Larry Graham
- Ezra Williams
- Ezra Williams
- Lizanne Knott
- Hansoul
- Hansoul
- Cynthia Biggs
- Kim Sledge
- Audubon Jazz Explosion
- Michael DeMontagnes
- Michael DeMontagnes
- Michael DeMontagnes
- Michael DeMontagnes
- Enon Tabernacle Mass Choir
- Ernest Wilson
- Lizanne Knott
- Cheryl Prashker
- Cheryl Prashker
- Susan Piper
- Katie Eagleson
- Katie Eagleson
- Michelle Christine Garza
- Jill Shannon
- Steven Walker
- Steve Kornicki
- Abstract Truth
1 Reviews
Endorse Dave Gerhart
check_circleVerifiedDave did an amazing job remixing one of my tracks. He brought the song to a whole other level and genre. I'd sent him the stems from the track and he came up with an entirely new instrumental that perfectly captured the spirit and mood of the song.
He had a very fast turnaround and was very communicative throughout the whole process. I can't wait to work with him again!
Interview with Dave Gerhart
Q: What type of music do you usually work on?
A: Anything and everything!
Q: Tell us about your studio setup.
A: Small production studio based around a 27" iMac. My interface is the Universal Audio Apollo Twin QUAD MKII running to ProTools Studio
Q: Describe the most common type of work you do for your clients.
A: Mixing
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked on a podcast that recently got to 12 million subscribers
Q: What are you working on at the moment?
A: Music for film and TV placement
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: me
Q: Analog or digital and why?
A: Digital. Better workflow.
Q: What's your 'promise' to your clients?
A: I'll do my very best to serve their vision
Q: What do you like most about your job?
A: Working with really creative people
Q: What questions do customers most commonly ask you? What's your answer?
A: "How will I know if it's a hit?" Nobody ever knows. It's the great paradox of the music industry.
Q: What's the biggest misconception about what you do?
A: That it's easy
Q: What questions do you ask prospective clients?
A: Do you have any mix references? Songs that you like the sound.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I don't have an ego. I'm not trying to put my stamp on anyone's song. Every song is different, and I want cater my approach to each song. To bring my best so that it can be its best.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1. Martin D-28 acoustic guitar 2. Neumann TLM-103 microphone 3. MacBook Air 4. Universal Audio Apollo Twin interface 5. MIDI keyboard
Q: What was your career path? How long have you been doing this?
A: I've been a producer for 20 years and have a long list of happy clients
Q: How would you describe your style?
A: melodic, contemporary, innovative, musical
Q: Which artist would you like to work with and why?
A: Timbaland. Because he's the GOAT
Q: Can you share one music production tip?
A: For really big vocal stacks, record 4 tracks of every vocal part.
Q: What's your strongest skill?
A: Knowing what the song needs...and what it doesn't.
Q: What do you bring to a song?
A: I can elevate the song by adding different sounds to fill out the sonic signature or create backing vocals to blend with the lead vocal.
Q: What's your typical work process?
A: Connect with client via e-mail to get an idea of what they're looking for, then I'll have them send the tracks.
Q: What other musicians or music production professionals inspire you?
A: Timbaland, Bob Clearmountain, Chris Lord Age,
- Mixing EngineerAverage price - $75 per song
1. full payment up front
2. must follow mixing prep procedure for audio files
3. up to 3 rounds of revisions included
- Kendrick Lamar
- Taylor Swift
- Apollo Twin
- ProTools Studio
