Maik Styrnol | Audio Engineer

Bringing your music to life!

Maik Styrnol | Audio Engineer on SoundBetter

I prefer to mix live albums, so send a multitrack recording of your latest best gig and let's make an album with more energy than any studio record can have!

With my film & audio studio "punchline studio" in South Germany I produce tour trailers for stars like URIAH HEEP, NAZARETH, WISHBONE ASH but also concert films and live albums for newcomers like OIL, VON WELT, NO AUTHORITY and DOMINIK BÜCHELE.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Interview with Maik Styrnol | Audio Engineer

  1. Q: What are you working on at the moment?

  2. A: I produce a concert film festival:

  3. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  4. A: My coffee machine and a guitar. Who needs 5 pieces of gear..?

  5. Q: What do you bring to a song?

  6. A: Life and more Bass ;-)

  7. Q: What's your typical work process?

  8. A: Since I work with a lot of live recordings I usually have a really good idea of how the band wants to sound and the energy they transport. So I just double down on that and take their energy to a new level.

  9. Q: Tell us about your studio setup.

  10. A: I have a small (48m2) project studio for my own compositions. In there I have a concert grand, some guitars, a lot of microphones and my mixing desk with some ourboard gear. I mix with Genelec Speakers because I work a lot with broadcasting and in Germany they are basically the standard in most radio and TV stations. My Setup: iMac, Focusrite 8PreX, Pro Tools, a lot of plugins and virtual instruments), Warm Audio EQP-WA, WA76, DBX...... and more. ;-) My Mics: Sennheiser, Oktava, Neumann, Røde, Avantone...

  11. Q: Describe the most common type of work you do for your clients.

  12. A: I mix and master the audio for concert films for "small" bands from all over Germany but also produced tour trailers for bands like URIAH HEEP, NAZARETH and WISHBONE ASH.

  13. Q: Analog or digital and why?

  14. A: Both. Analog for some instruments and genres. Digital for big film projects because bouncing for 140 minutes is not much fun... ;-)

  15. Q: Can you share one music production tip?

  16. A: If you're in a low, start a collaboration! And coffee...

  17. Q: What type of music do you usually work on?

  18. A: classical, jazz, rock, folk, blues...

  19. Q: What's your strongest skill?

  20. A: Listening. Not only to music, but also to the vision of the other people involved.

Heat Is On by Jo Samuels

I was the Producer, Mixing Engineer & mastering Engineer in this production

Terms Of Service

Up to 2 revisions, time for mixing ca. 6 hours per song, mastering 2-3 hours per song, producing/composition and other services depend on the deadline. Delivery never on the same day.

GenresSounds Like
  • Jack Johnson
  • Thirty Seconds To Mars
  • Southern Avenue
Gear Highlights
  • Focusrite
  • SPL
  • Warm Audio
  • Genelec
  • Sennheiser
  • Grotrian Steinweg
  • Gibson
  • Neumann
  • Yamaha
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More Samples