Universal & Sony Music credits. All-inclusive mixing with full support (revisions, deliverables and fast turnaround).
🏆 Track Record & Achievements:
• Major Label Credits: Engineering credits for Universal Music and Sony spanning millions of streams worldwide.
• Peer Validation: Ranked Top 2 twice in global mix competitions from Mix Collective — a 13k-member community.
• Chart Success: Engineered for Top-3 Eurovision National Selection finalists.
• Elite Mentorship: Mentored by Platinum-certified engineers.
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🌐 The Systems & Pricing Advantage:
By merging music with tech, I’ve developed ITB workflows that automate typical studio bottlenecks. Operating from a cost-efficient European base, I also bypass the massive overhead of traditional studios.
This allows me to offer a completely frictionless, all-inclusive rate. All revisions, alternative passes, and full stems are included at zero extra cost.
Furthermore, my mixes are engineered to sound finished within the mixing stage, giving me total control over the sonic trade-offs of mastering. They arrive release-ready—saving you the extra time and expense of a separate mastering stage.
You are paying for what you get, not operational overhead.
Contact me through the green button above and let's get to work.
Interview with Pedro Rafael
Q: Analog or digital and why?
A: I’m far more interested in the fundamentals of what makes something sound and feel good — and why. Once you understand the destination and what it takes to get there, you can make almost any tool work in your favor. Serban Ghenea, arguably the most in-demand mixer of all time, works entirely in the digital domain—and that says something!
Q: What's the biggest misconception about what you do?
A: The biggest misconception is that we are simply engineers. A good mixer is primarily a musician, not an engineer. Sure, we need to have a working knowledge of the technique. However, many mixers stop there; they fail to evolve into deeper methods, where the true focus lies: emotion and intention.
Q: What do you bring to a song?
A: Michelangelo once said, "I saw the angel in the marble and carved until I set him free." Our job is not to create the sculpture, but to reveal it. As a mixer, you are only as good as your ability to understand the art in front of you—once you grasp that, you can bridge the gap between what you’re given and the final intended vision.
Q: Tell us about your studio setup.
A: ProAC Studio 100, good acoustics, clean amplification, conversion and reference-grade headphones.
- Mixing EngineerAverage price - $50 per song
No hidden costs — all-inclusive mixing (revisions, alt passes, stems), with a 48-hour turnaround once all necessary files have been received.
- ProAC Studio 100 in a good room
- and reference-grade headphones.
