Tell us about a project you worked on you are especially proud of and why. What was your role?
In 2015 I mastered a couple of tracks for the Eurovision Song Contest. The prospect of having 200 million people listening to my work was incredible.
What's your 'promise' to your clients?
If I can't make your tracks sound better, then I haven't done my job properly and you don't pay!
What's the biggest misconception about what you do?
That a bad mix can be fixed with good mastering.
What advice do you have for a customer looking to hire a provider like you?
It is essential to get the tonal balance of a mix right before sending it to a mastering engineer.
What was your career path? How long have you been doing this?
I have been running my own mastering studio since 2009.
How would you describe your style?
My goal as a mastering engineer is to improve the sound of my clients' work and not to put my own stamp on it.
Can you share one music production tip?
Don't compress the hell out of your mix, as it will make it sound boring and lifeless.
What type of music do you usually work on?
I don't specialise in any genre of music. I enjoy the variety of work that comes along.
What do you bring to a song?
The perspective of a neutral outsider who can hear the strengths and weaknesses of a mix and has the expertise to bring out its best elements.