Hybrid Analog-Digital mixing and mastering at affordable rates with a weird ear for anything delightfully artful; from bluegrass and singer-songwriters, to post-punk, krautrock and more. Using a digital/analog approach, Graham has over 10 years of experience mixing and mastering albums and film soundtracks for artists and bands around the country.
One-third of Chicago art/space-rockers Fotosputnik, Graham Grochocinski has served as the group's recording/mixing/mastering engineer since day one, utilizing the studio as an important tool in part of the band's experimental sound and workflow. He has since mixed and mastered for other indie, ambient and experimental artists around the country who share his vision for all things oddly hypnotic. Using a hybrid digital-analog mixing and mastering approach, Graham embraces the limitations and happy accidents of working with analog consoles while deploying efficient digital techniques when surgically precise edits are necessary. When not mixing or mastering in his home studio, Graham operates a mobile digital recording rig, preferring to track bands outside of professionally treated recording studio live rooms and instead where they're most comfortable or in unique and interesting spaces that fit the artist's needs.
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6 Reviews - 1 Repeat ClientEndorse Graham Grochocinski
Graham is an incredible engineer who communicates well and delivered AMAZING mixes and ideas for my project. I will absolutely be requesting his services again in the future and I recommend anyone who wants their record to be given a professional mix and mastering use Graham. You don't get multiple five star reviews for being serviceable, and in my experience Graham went above and beyond to deliver a quality product. What else can I say? Just look at the other 5 star reviews! They're accurate!
It was a real pleasure having Graham mixed/mastered my tracks and also helped editing album artwork.Graham is very professional, responsive and easy to work with.What really make Graham stands out is his unique taste,deep,thorough understanding of different genres of music in my album such as progressive electronics,synthwave,industrial and applying techniques to express different layers of emotions organically. Def made magic to my music.Looking forward to collab in the future!
On top of being highly responsive, reasonable, knowledgeable, talented, and just a downright nice dude, Graham has a beautifully authentic approach to mastering that's really refreshing. He's a joy to work with, don't hesitate to contact him!
I really enjoy working with Graham, his approach to mixing and mastering brings both an artistic feel for the creative process and an engineers ear to the recording. He often has thoughts and ideas to improve the overall quality of my music for instance acoustics, frequencies and refining the sound. He also takes a hybrid approach to mix and mastering between analogue and digital which I realled liked and which gave the track an analogue lo fi but sonically clear quality.
Graham did an excellent job mixing and mastering two songs for us. He was extremely responsive, creative and professional. We would definitely work with him again.
Graham is responsive and his mastering of our 2 cassette compilation is fantastic. He's great to work with and I highly recommend him.
Interview with Graham Grochocinski
Q: What other musicians or music production professionals inspire you?
A: Conny Plank, Brian Eno, Ty Segall, Nick Cave, Chris Thile, Wire, Can, Throbbing Gristle, Tortoise, Neu!, BADBADNOTGOOD, Califone, Field Music, David Bowie
Q: Analog or digital and why?
A: Both! Analog and digital both offer their own benefits and limitations. In life, everything is best left to a fine balance. I approach music production in the same way. Though analog may or may not sound "better," I feel that it sounds "different" enough to warrant its use and allows me certain creative limitations which put the focus on the vibe, mood and feeling of a track rather than waveforms on a computer screen.
Q: What was your career path? How long have you been doing this?
A: A journalist and marketer by trade, I've been in bands since I was 11 years old. After taking on recording for my own bands, I fell in love with the art and began sitting in on sessions whenever possible in college (Univ of Illinois), Chicago and even in France.
Q: Can you share one music production tip?
A: Beware over-production and spending too much time on one thing. There's a reason why your first rough mixes generally have some "magic" to them.