Veteran music engineer and multi-instrumentalist with over fifteen years in the industry and multiple iTunes chart number ones. I’ve worked with professional musicians worldwide as a remote specialist, handling production, mixing, and full instrumentation to help clients bring their vision to life from first note to final master.
I grew up surrounded by music, going to gigs and live shows with my family from a young age. That early exposure turned into a love for playing guitar, and I spent my twenties performing professionally in a rock band. I eventually fell in love with the studio side of things, getting hands-on with Logic Pro X and finding real joy in helping other artists bring their music to life. Seeing that moment when it all clicks for someone is what keeps me doing it.
I offer full production from a blank page, starting with just an acoustic version of your song and building a full band arrangement around it. I also specialize in mixing and mastering to give your tracks a polished, professional sound when you feel like what you’ve got isn’t quite there yet. With experience across country, folk, pop, rock, and indie, I bring over fifteen years in the industry and a remote-first approach to help artists at any stage sound their best.
Send me an email through 'Contact' button above and I'll get back to you asap.
Endorse Jack Andrews6 Reviews
I’ve worked with Jack from the very beginning, and he’s been instrumental in shaping my music and bringing it to life. Whether it’s started as an idea in my head, a few chords on an acoustic guitar or even a terrible voice note, Jack has an incredible ability to take those initial ideas and turn them into something far beyond what I originally imagined.
He’s an absolute pleasure to work with, makes the whole creative process so much fun, and genuinely cares about getting the best possible result.
I've been working with Jack for over 10 years across a number of different projects. He's the most hands on producer ever - multi-instrumentalist, harmonies, production, song structures, mixing, mastering. I've turned up with acoustic demos or even just a voice note and in no time we have a full track and he's brought to life whatever was in my head and then some. Beautiful bloke, couldn't recommend him more.
I’ve had the privilege of working with Jack on several studio projects over the last two years. He’s a brilliant engineer and musician, really knows his stuff, and is someone I can always rely on. I trust him with all my vocal tuning work, and always delivers high end results and quickly , I’d highly recommend Jack to anyone looking for production, mixing or mastering.
I worked with Jack tracking guitars for a country duo album. He was very easy to work with, super enthusiastic and competent with the recording process. There was an element of writing the tunes too and Jack had a knack for steering the ship without ruining the flow of things. Highly recommended.
I’ve worked with Jack on five or six songs over the years, even before he joined SoundBetter. We’ve done it all: in-person and online sessions, songwriting, vocal recording, mixing, sending stems, working against deadlines, and finishing projects.
Jack is an exceptional human being and an incredible musical problem solver. He knows how to take your vision and give you something you didn’t even know you needed. Creative, reliable, and genuinely invested in making great music. Plus, he’s a cool-ass dude. 100% recommend!
Jack is a legend! Excellent musician and all round good guy! I have had the pleasure of working with Jack on a number of different projects. Good times were had by all 👌🏻
Interview with Jack Andrews
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked on a country pop song with a really nice guy that I met in Portugal. He is such a pleasure to work with and he is so hard-working his name is Jonathan Haller
Q: What are you working on at the moment?
A: I’m working with some great artists from R&B Soul to country to rock.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No right now but I’d like to in the future
Q: Analog or digital and why?
A: Digital allows me and the artist to stay fluid during the production process as I like to mix and get the sound as I go. With digital plug-ins becoming better and better every year it is the way of the future and I wholeheartedly understand this way of working.
Q: What's your 'promise' to your clients?
A: promise to listen to you first so I truly understand what you need. I’ll be clear and honest with you at every step, no surprises and no confusing jargon. I’m committed to delivering on what I say and doing it with care and respect for your time and goals.
Q: What do you like most about your job?
A: Seeing the smile on my clients face when they start to hear the song come together.
Q: What questions do customers most commonly ask you? What's your answer?
A: How long will it take?: 1 to 2 weeks a track depending on style and how intricate the song is If I want something changed, can we do that?: of course! I normally allow three or four amendments on certain things as long as it obviously doesn’t go on and on.
Q: What's the biggest misconception about what you do?
A: Just because I work fast, It doesn’t mean I’m cutting corners. It’s taken a long time for me to get good enough to work this efficiently.
Q: What questions do you ask prospective clients?
A: I usually start by asking what genre or vibe they’re going for, who they’ve worked with before, and what the goal is for the project.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I’d tell a customer to look for someone who’s versatile across genres and easy to work with. Make sure they’re fast without cutting corners and can get you a professional sound. And pick someone who builds trust quickly so you feel comfortable and can collaborate well right away.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My Mac, interface, acoustic guitar and mic and keyboard
Q: What was your career path? How long have you been doing this?
A: I grew up in a family full of musicians and people in the industry. I was in a professional band in my twenties, and I grew to love working in the studio. I’ve been doing this for over fifteen years.
Q: How would you describe your style?
A: I’m quite versatile and fluid working across all kinds of genres and people. I’m fast without cutting corners and I always get a professional sound. For me it’s really important to build a good relationship quickly so trust is there and we can work together well.
Q: Which artist would you like to work with and why?
A: I’d love to work with Luke Combs. I really respect the kind of person he is, he comes across as genuine and easy to collaborate with. On top of that, his voice is incredible and his band is top notch. I think our styles would click and it would be an amazing creative experience.
Q: Can you share one music production tip?
A: Don’t get caught up in the tiny details. If the song is good, it’ll work. The most important thing is getting your music out there, moving on to the next one, and building your sound. Try not to get tangled in your own web.
Q: What type of music do you usually work on?
A: Country, singer song writing, pop, pop rock. Indie
Q: What's your strongest skill?
A: My strongest skill is being able to listen to a song and instantly know what it needs and what direction it should go in. On top of that I can pick up an instrument quickly and get the ideas down fast. Vocals are very important to me, so getting the best out of a vocal take and making it sound the best it possibly can is a big focus for me.
Q: What do you bring to a song?
A: bring fifteen years of expertise, knowledge and experience to every track. My goal is to bring the best out of the artist and the song, and making my client happy is the most important thing to me. I put a lot of love, time and effort into making sure the track is the best version of itself.
Q: What's your typical work process?
A: I start by getting to know the artist and building a good relationship. I’m a people person, so it doesn’t take long to build trust. From there we dive into tracking the song, usually starting with a rough demo to lay the foundation. Then I build the instruments around it based on what the client wants. And if they’d like me to take it through mixing and mastering, I can handle that start to finish too.
Q: Tell us about your studio setup.
A: have a great relationship with KRK monitors. I run everything through a Universal Audio Apollo interface, along with a wide range of high-end instruments. For plugins I use a lot from Universal Audio, Waves, FabFilter, Steve Slate, and much much more.
Q: What other musicians or music production professionals inspire you?
A: Quincy Jones for the all around genius and genre blending, Rick Rubin for his less is more, let the artist breathe approach, and Max Martin for the pop hit machine.
Q: Describe the most common type of work you do for your clients.
A: I work mostly with singer songwriters to build a full sound around their demos. I specialize in taking already recorded songs and making them sound better, more professional, and ready to release. I’m a multi instrumentalist and vocalist, so I can add instruments, harmonies, and help refine vocal melodies. I’m also easy to work with remotely and love collaborating to make the song the best version of itself. I handle the whole process from start to finish with professional mixing and mastering.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked on a country pop song with a really nice guy that I met in Portugal. He is such a pleasure to work with and he is so hard-working his name is Jonathan Haller
Q: What are you working on at the moment?
A: I’m working with some great artists from R&B Soul to country to rock.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No right now but I’d like to in the future
Q: Analog or digital and why?
A: Digital allows me and the artist to stay fluid during the production process as I like to mix and get the sound as I go. With digital plug-ins becoming better and better every year it is the way of the future and I wholeheartedly understand this way of working.
Q: What's your 'promise' to your clients?
A: promise to listen to you first so I truly understand what you need. I’ll be clear and honest with you at every step, no surprises and no confusing jargon. I’m committed to delivering on what I say and doing it with care and respect for your time and goals.
Q: What do you like most about your job?
A: Seeing the smile on my clients face when they start to hear the song come together.
Q: What questions do customers most commonly ask you? What's your answer?
A: How long will it take?: 1 to 2 weeks a track depending on style and how intricate the song is If I want something changed, can we do that?: of course! I normally allow three or four amendments on certain things as long as it obviously doesn’t go on and on.
Q: What's the biggest misconception about what you do?
A: Just because I work fast, It doesn’t mean I’m cutting corners. It’s taken a long time for me to get good enough to work this efficiently.
Q: What questions do you ask prospective clients?
A: I usually start by asking what genre or vibe they’re going for, who they’ve worked with before, and what the goal is for the project.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I’d tell a customer to look for someone who’s versatile across genres and easy to work with. Make sure they’re fast without cutting corners and can get you a professional sound. And pick someone who builds trust quickly so you feel comfortable and can collaborate well right away.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My Mac, interface, acoustic guitar and mic and keyboard
Q: What was your career path? How long have you been doing this?
A: I grew up in a family full of musicians and people in the industry. I was in a professional band in my twenties, and I grew to love working in the studio. I’ve been doing this for over fifteen years.
Q: How would you describe your style?
A: I’m quite versatile and fluid working across all kinds of genres and people. I’m fast without cutting corners and I always get a professional sound. For me it’s really important to build a good relationship quickly so trust is there and we can work together well.
Q: Which artist would you like to work with and why?
A: I’d love to work with Luke Combs. I really respect the kind of person he is, he comes across as genuine and easy to collaborate with. On top of that, his voice is incredible and his band is top notch. I think our styles would click and it would be an amazing creative experience.
Q: Can you share one music production tip?
A: Don’t get caught up in the tiny details. If the song is good, it’ll work. The most important thing is getting your music out there, moving on to the next one, and building your sound. Try not to get tangled in your own web.
Q: What type of music do you usually work on?
A: Country, singer song writing, pop, pop rock. Indie
Q: What's your strongest skill?
A: My strongest skill is being able to listen to a song and instantly know what it needs and what direction it should go in. On top of that I can pick up an instrument quickly and get the ideas down fast. Vocals are very important to me, so getting the best out of a vocal take and making it sound the best it possibly can is a big focus for me.
Q: What do you bring to a song?
A: bring fifteen years of expertise, knowledge and experience to every track. My goal is to bring the best out of the artist and the song, and making my client happy is the most important thing to me. I put a lot of love, time and effort into making sure the track is the best version of itself.
Q: What's your typical work process?
A: I start by getting to know the artist and building a good relationship. I’m a people person, so it doesn’t take long to build trust. From there we dive into tracking the song, usually starting with a rough demo to lay the foundation. Then I build the instruments around it based on what the client wants. And if they’d like me to take it through mixing and mastering, I can handle that start to finish too.
Q: Tell us about your studio setup.
A: have a great relationship with KRK monitors. I run everything through a Universal Audio Apollo interface, along with a wide range of high-end instruments. For plugins I use a lot from Universal Audio, Waves, FabFilter, Steve Slate, and much much more.
Q: What other musicians or music production professionals inspire you?
A: Quincy Jones for the all around genius and genre blending, Rick Rubin for his less is more, let the artist breathe approach, and Max Martin for the pop hit machine.
Q: Describe the most common type of work you do for your clients.
A: I work mostly with singer songwriters to build a full sound around their demos. I specialize in taking already recorded songs and making them sound better, more professional, and ready to release. I’m a multi instrumentalist and vocalist, so I can add instruments, harmonies, and help refine vocal melodies. I’m also easy to work with remotely and love collaborating to make the song the best version of itself. I handle the whole process from start to finish with professional mixing and mastering.
- play_arrowJonatan Haller -
- ProducerAverage price - $500 per song
- Production Sound MixerAverage price - $600 per day
- Mixing EngineerAverage price - $400 per song
- Acoustic GuitarAverage price - $100 per song
- Electric GuitarAverage price - $100 per song
- Vocal TuningAverage price - $75 per track
- Vocal compingAverage price - $75 per track
I typically include two to three rounds of revisions, depending on the package and project scope. Turnaround time is usually between two days and two weeks per song, depending on how complex the arra
- Luke Combs
- Ed Sheeran
- Alter Bridge
- UA Apollo interface
- Logic Pro X
- multiple high end instruments
- 30k worth of pro plugin
Let’s talk and we can always work something out