O.M.O MUSIC

MIXING & MASTERING

O.M.O MUSIC on SoundBetter

If your looking for mixing and mastering I am your guy. I have 20+ plus years in mixing and mastering. I use an array of tools to get the job done. Indie Artist are my favorite to work with.

My focus is to get that BIG clean sound that's equal to radio play.

2TRK and Vocal Mixing $100
- available for the artist who doesn't have stems
- mixed to open the 2TRK up to give room for vocals
- Added plugins: UAD, SLATE, WAVES, FABFILTER, SOUNDTOYS, and etc!
- 2 Revisions
- Wav, Mp3, and Performance TRK
- 48-hour turnaround

FULL MIX with Stems $200
- You get that BIG Sound with Lush Textures
- Mixed to hear all sounds
- Added plugins: UAD, SLATE, WAVES, FABFILTER, SOUNDTOYS, and etc!
- Vocal Editing and Tuning
- 2 Revisions
- Wav, Mp3, and Performance TRK
- 72-hour turnaround

MASTERING $150 / Song
- Added Punch and Clarity
- Space and Definition for fullness
- Added plugins: UAD, SLATE, WAVES, FABFILTER, SOUNDTOYS, and etc!
- Added Hardware: Warm Audio!
- Compete to industry standard volume without sacrificing punch and clarity
- 48 turnaround

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Interview with O.M.O MUSIC

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I released a project with artist QuietAzKept which showed a lot of diversity. The album can be streamed on Spotify and purchased through all streaming platforms. "N.A.M.E nothing after me exists" - QuietAzKept and Oddmanoutmusic

  3. Q: What are you working on at the moment?

  4. A: I am completing JMATKILLSBEATS album which is set to be released in late October'.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: N/A

  7. Q: Analog or digital and why?

  8. A: I think both are essential to our everyday recording processes. I started with analog gear which still to this day I use. Nothing can match the ability to have tangible 2" reels or vinyl records, but nothing like having a computer and some software to quickly sketch out something in your head on the road.

  9. Q: What's your 'promise' to your clients?

  10. A: My promise to the client is to be able to give them the same quality that they would expect if they were going to a well-known studio. I think it's my responsibility to give them my best at all times for whatever service is offered to them.

  11. Q: What do you like most about your job?

  12. A: What I like most about doing what I do is being able to create something out of nothing or turning a demo into a polished project.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: The most common question I hear from customers is, "will this be expensive ?" Maybe

  15. Q: What's the biggest misconception about what you do?

  16. A: The biggest misconception about what I do is, anyone can do what I do. So they think.

  17. Q: What questions do you ask prospective clients?

  18. A: The first question I ask a lot of my prospective clients is, "do you like what you have already?" The second question I ask is, "how can I make you love what you have?"

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: The biggest advice I can give a customer looking to hire someone like me is to have your music business in order.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: 1 TECHNIC TURNTABLE 1 MIXER 1 CRATE OF RECORDS 1 COMPUTER 1 APOLLO TWIN

  23. Q: What was your career path? How long have you been doing this?

  24. A: My career path was to be an architect but it wasn't my passion. I have always been surrounded by the arts all my life, but the music was always my first love. I tried the architect thing in school and even on a corporate level but it didn't give me the joy music gave me. Now I am a different kind of architect, a producer.

  25. Q: How would you describe your style?

  26. A: I would describe my style as eclectic and dirty. I try to keep a grit to anything I do. This allows me a different edge over my competition.

  27. Q: Which artist would you like to work with and why?

  28. A: I would love to work with the Rolling Stones. I think putting them on a real dirty hip hop track would be crazy.

  29. Q: Can you share one music production tip?

  30. A: One production tip I would give is to learn how to mix in mono. This will allow you a better master in the end and a better overview of what your music would sound like on different social media and streaming platforms.

  31. Q: What type of music do you usually work on?

  32. A: I work on a lot of hip-hop. I am also starting to venture off into other audio mediums such as design and developing of audio plugins.

  33. Q: What's your strongest skill?

  34. A: I feel one of my strongest skills is having the ability to create great masters.

  35. Q: What do you bring to a song?

  36. A: What I bring to a song is a sense of quality and professional sound. Not all songs require the same style of mixing or mastering. I feel each song I mix, master, or even produce deserve the ability to breathe on its own. I am not afraid to do something different.

  37. Q: What's your typical work process?

  38. A: My typical work process is to just be focused and decompressed. Sometimes life can get in the way of a great song. I usually work by myself or maybe 1 or 2 people in the room. I do not like to be cluttered by anything when being creative.

  39. Q: Tell us about your studio setup.

  40. A: My studio setup is very simple now because I'm moving around so much. I use an apollo twin quad, UAD Satellite Quad, Macbook Pro 2012 16 GIGS, MacPro 2013 64 GIGS, Maschine Mikro, SoftTube, Korg NanoKey, etc...and a lot of software... Pro Tools, Reason, Cubase, UAD, Slate Digital, Waves, FabFilter, etc...

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Im inspired by people that are not afraid to be creative. I like so many styles of production from so many it's too many to name. What really gave me the inspiration to get behind the board was Dave Pensado. I was able to connect with him and get some pointers on his style of mixing and mastering which were very helpful.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I do a lot of mixing and producing for different independent artist. I feel the independent route is the way to go nowadays because of so many of the components to create a record is independently available to the common man.

Terms Of Service

Turn-around time is 2-3 days Mixing or Mastering usually sooner 2 Revisions

Gear Highlights
  • Pro Tools 10
  • Reason 9.5
  • Cubase 5.2
  • UAD
  • SoundToys
  • Waves Platinum Bundle
  • FabFilter
  • Ozone 7
  • just to name a few of the plug ins. Also available are some vintage items.
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