I am a music maker from Melbourne, Australia. I love EDM, house, hip-hop, hip-house, techno, trance, etc... I put the music, you put the vocals.
I spent most of my childhood and adolescence in Valencia (Spain). I was highly influenced by Valencia's clubs, Barraca, Chocolate, Pacha, Puzzle, ACTV, Spook, Espiral, etc... Started studying classical at age 6. I love Trance, Techno, House, and Hip-Hop mainly.
Send me a note through the contact button above.
Interview with ELECTRYLIS
Q: Can you share one music production tip?
A: When mixing forget about adding any effects to each track. First build the entire song with all tracks without any effect, just play with the volumes and panning. Make it sound as good as you can, only then apply the effects such as EQ and compression if needed. If it sounds good on any device, don't touch it. Before master I try to have a -6db. Be careful with the Dynamics, they have to exist! it is the bread of music!, piano (p) and loud (forte)
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I listened to a girl's song on a website and I really liked the acoustic based guitar track. I contacted her and I asked for permission to do a trance-pop remix. I then collaborated with another friend of mine who made all the new guitar samples. The song was played on the radio in Melbourne, Australia, for a while. I was proud because I made that beautiful song to get to people experience the feeling.
Q: What are you working on at the moment?
A: a hip-hop beat.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I am new, I know nobody yet
Q: Analog or digital and why?
A: The people who (today) can hear the difference between analogue and digital while listening to a song for a particular baseline, are lying to you.
Q: What's your 'promise' to your clients?
A: I can't make a promise but I can work on a project and get the best result I can.
Q: What do you like most about your job?
A: I love making music because when you start at age 6, it is then in your blood.
Q: What questions do customers most commonly ask you? What's your answer?
A: that's private
Q: What's the biggest misconception about what you do?
A: People think it is easy to make music with all tools there is now available in 2026, maybe it is, but making good music that has never been made before....that's the challenge. People think I am buying a laptop and I am going to start music because it is cool. These people have no idea, no knowledge of what a do note, or re, or mi note means, yet they would produce something audible because today it is easy to make. It is like a lego, get a sample loop from here, a sample vocal from there, etc... put it all together and will sound ok, but that's not the way and the result is soulless, bland, and it sounds like everyone's else. It is not easy to make music if you are thinking of doing it, the best tools will not give you the power to construct a good song, instead limitation will.
Q: What questions do you ask prospective clients?
A: I only as questions based on requirements specific to particular projects.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure you know exactly what you want and have everything clear from the start, no surprises.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: my Clarett+ 2pre, a laptop, headphones, a phone, and a sauce pan.
Q: What was your career path? How long have you been doing this?
A: I started studying classical music at age 6. I played the clarinet for about 20 years. I am also a degree qualified IT guy so I was interested in machines helping me to make the music it was coming out of my brain, so that wasn't too difficult to do as I know music theory and computers.
Q: How would you describe your style?
A: I try to "run away" from genres, but it seems impossible because if you do something too experimental it doesn't sit with anyone's taste.
Q: Which artist would you like to work with and why?
A: I am not too fussy about that, I think when the moment comes in regards to collaboration, any experience is good. Don't need to be big names.
Q: What type of music do you usually work on?
A: I am not 2 picky about what to work on, depends on what it comes to my head, I always decide later on the best genre that should apply to
Q: What's your strongest skill?
A: picking up details in a mix that others find difficult to listen to, for example identifying an out of key bass note playing along with other 50 tracks at the same time.
Q: What do you bring to a song?
A: I tried to produce a feeling, a moment, not notes.
Q: What's your typical work process?
A: As opposed to many artists who start with the drums, I work first on a melody that comes to my head played with a piano, from there I build everything around, progression chords, drums,arrangement, etc...
Q: Tell us about your studio setup.
A: It is very simple though, a pair of Beyerdynamic DT 770 PRO 250 ohm headphones, Presonus Eris E8 XT studio Monitors, Desktop computer i7-1400k with 64GB memory, Focusrite Clarett+ 2PRE audio interface, Rode NT1 microphone, M-Audio Keystation mini 32 MK3 midi keyboard,DAW Studio One Pro, and lots of plugins from Native Instruments, Arturia, Soundtoys, Izotope, XFer, SSL, etc...
Q: What other musicians or music production professionals inspire you?
A: I tried not to be inspired by anyone, as these days the word "inspired" means COPY others, and I don't like that. It feels like Genres exist to classify those copies into music categories.
Q: Describe the most common type of work you do for your clients.
A: I write & produce the songs.
I was the Producer in this production
- Ghost ProducerAverage price - $5000 per song
- RemixingContact for pricing
- Songwriter - MusicContact for pricing
- Beat MakerContact for pricing
- ProducerContact for pricing
Collabs can be totally free both ways depending on project. If you as a singer are looking for music, and I am looking for vocals. That would be the case.
