fori on SoundBetter

I mix and master tracks so they sound finished, slap, and are ready to release.

I don't run a big commercial studio, and I'm not going to pretend that's what makes a mix good. What makes a mix good is knowing what a track needs, having the ears to hear it, and not wasting your time getting there. I've been DJing full-time for about five years, so I know firsthand what a track needs to slap - both on headphones and on a club system. That's what I bring: solid technical work, a fast turnaround, and pricing that respects both your budget and my time.

I specialize in electronic music, with a strong focus on bass, and I'm equally comfortable polishing a rough demo or fine-tuning a track that's almost ready. You'll get clear communication, realistic timelines, and revisions until it actually sounds right - not just "good enough."

Pricing:

Mastering only (1 file, -12dB headroom): €30
Mix + Master, up to 5 stems: €75
Mix + Master, up to 30 stems: €125
Mixing only, up to 15 stems: €65
Mixing only, up to 30 stems: €110
Full song production or ghost production: contact for pricing

Not sure which option fits your project? Send me your stems and I'll tell you straight - no upselling, just what actually makes sense for your track.

Music I've worked on: https://open.spotify.com/playlist/6qIJer9PUBIQ03bu0XP8RI?si=7ae5df324e8d4720

If you want a mix that sounds professional and someone who's straightforward to work with, let's talk.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Languages

English

Endorse fori

Interview with fori

Q: What advice do you have for a customer looking to hire a provider like you?
A: Figure out if my sound and approach actually match what you're going for - listen to the samples first, not just the price.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Honestly? A laptop and a pair of AirPods get you further than most people expect - everything else is a bonus.
Q: What was your career path? How long have you been doing this?
A: 10 years in production and DJing, and I moved into mixing after years of hands-on practice and experience.
Q: How would you describe your style?
A: DIY, a bit unconventional, not always by the book - but it gets results.
Q: Which artist would you like to work with and why?
A: Fresh, up-and-coming talent - artists building their sound who need a mix that helps them stand out, not just sound "finished."
Q: Can you share one music production tip?
A: F*ck rules. If it sounds good, it is good.
Q: What type of music do you usually work on?
A: Electronic, drum & bass, house, and bass music in general.
Q: What's your strongest skill?
A: Translating a track across systems - making sure it hits on a club rig and still sounds right on AirPods, without compromising either.
Q: What do you bring to a song?
A: I know how to get the most out of a track for both the club and casual listening, and I deliver on that - no fluff, no overselling, just a mix that does its job.
Q: What's your typical work process?
A: I start by getting the stems organized and gain-staged properly, then move into general balance and arrangement decisions, followed by detail work - EQ, dynamics, spatial elements - and finish with mastering to bring it all together as one cohesive, release-ready track.
Q: Tell us about your studio setup.
A: I work out of a home studio - no big commercial room, and I don't think you need one to make a track hit. What matters more is knowing exactly how a mix should look on the meters and feel in the room, whether that's a club system or a pair of AirPods, which is how most people are actually going to hear it. I mix and master for both realities, not just one.
Q: What other musicians or music production professionals inspire you?
A: SOTA, K Motionz, Camo & Krooked, Mau P, Cloonee - all people who care about how a track actually lands, not just how it looks on paper.
Q: Describe the most common type of work you do for your clients.
A: Stem mixing and mastering. You send me the stems, I turn them into a finished, release-ready track.