Custom Producer & Mix/Master

Q: What's your 'promise' to your clients?

A: I want every project to feel like a collaboration, not just a service. I'll respect your vision, but I'll also give you honest creative input when I think something can make the song better. My goal is to help you finish something that actually feels like your music.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Choose someone whose work already sounds close to what you want. Good communication is important, but the portfolio should always come first. I also recommend sending references and being clear about what you like and dislike about them.

Q: What was your career path? How long have you been doing this?

A: Music has been part of my life since childhood. I've spent years developing as an artist, producer and engineer, learning the different parts of the process by actually making music myself. Being an artist has taught me to look at a song from both sides — as the person creating it and as the person shaping the final sou

Q: How would you describe your style?

A: My style is modern, atmospheric and experimental, with a strong focus on production and the overall identity of a song. I can work within a specific sound or reference, but I also enjoy creating something that feels unique to the artist.

Q: Can you share one music production tip?

A: Don't try to fix everything with plugins. Good production starts with choosing the right sounds, arrangement and performance. If the foundation works, mixing becomes much easier.

Q: What type of music do you usually work on?

A: My main focus is rap, hip-hop, trap and modern vocal music, but I don't like limiting myself to one genre. I enjoy projects that mix different influences, especially when the production can move between genres or take an unexpected direction.

Q: What's your strongest skill?

A: My strongest skill is connecting the creative and technical sides of music. I can move from writing and playing instruments, to building a beat, arranging a song, working with vocals and finishing the mix. This helps me make decisions based on the song as a whole rather than treating every part separate

Q: What do you bring to a song?

A: I bring a musician's perspective. I'm not only thinking about EQ, compression or levels — I'm thinking about the song, arrangement, harmony, rhythm, sound selection and how everything works together. I can follow an artist's vision, but I can also bring my own ideas and creative direction when they want something different.

Q: What's your typical work process?

A: It depends on the project. Sometimes I start with vocals and build the production around them, sometimes the artist already has an instrumental and needs production, editing or mixing. I usually start by understanding the idea and references, then work on the arrangement, sound selection and performance before moving into the final mix and master. I like being involved in the creative process, not just the technical side.

Q: Tell us about your studio setup.

A: I work from my own home studio, built around a Universal Audio Apollo Solo, Sony C-80 microphone, KRK Rokit 5 G4 monitors, Beyerdynamic DT 770 Pro and Audio-Technica ATH-M50x headphones. For production I also use an Arturia KeyLab 88, Akai MPK Mini, MPC and other MIDI controllers and instruments.

Q: Describe the most common type of work you do for your clients.

A: I mostly work on rap, hip-hop and modern vocal music, often starting from an idea, a vocal or a rough demo and building the production around it. I can create the instrumental, work on the arrangement and sound selection, edit and produce the vocals, then mix and master the finished track.