Ivan Smith constructs electronic music at the intersection of genres, approaching each track as a conversation between sounds rather than a solitary experiment. Based in Omaha, Nebraska, Smith works methodically across production, refusing the common trap of treating electronic music as a locked room operation. His sensibility instead privileges
Ivan Smith constructs electronic music at the intersection of genres, approaching each track as a conversation between sounds rather than a solitary experiment. Based in Omaha, Nebraska, Smith works methodically across production, refusing the common trap of treating electronic music as a locked room operation. His sensibility instead privileges collaboration, building pieces that suggest dialogue as much as declaration.
The work moves fluidly between spaces that most producers cordon off from each other. Smith's production method centers on what he calls "the spaces between genres"—that territory where house breathing and ambient texture begin to share DNA with something harder to name. Every element sounds deliberate, placed with intention. There's no filler, no flourish for its own sake.
His approach to production mirrors a philosophy about the medium itself: electronic music doesn't require a fortress. It thrives when the walls come down, when ideas move between makers freely, when genre itself becomes less a gate and more a conversation. Smith's catalog reflects this openness, tracks that refuse neat categorization and instead ask listeners to follow him through unexpected sonic corridors.
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Credits
Interview with Ivan Smith
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Ivan Smith approaches electronic music production not as isolation but as a shared practice. Working from Omaha, Nebraska, he constructs compositions that refuse easy categorization—tracks that exist in the liminal spaces between house, techno, ambient, and electronica. Smith's strength lies in his technical precision and willingness to treat each production as a collaborative conversation, pulling influences and energy from the artists and musicians around him. His output spans platforms including SoundCloud, YouTube, and his personal website, where listeners can access an evolving catalog of original work. Smith's practice reflects a broader shift in how independent electronic musicians operate: less insular producer, more curator of sound and connection. He treats production as a means to explore ideas, collaborate with other artists, and build community around innovative electronic music. Based in the Midwest, Smith positions himself within a growing scene of genre-conscious electronic producers who reject algorithmic categorization in favor of genuine sonic experimentation. His work represents the methodical, collaborative spirit of contemporary independent electronic music.
Q: What was your career path? How long have you been doing this?
A: i have make music sense march 30 2023
Q: What type of music do you usually work on?
A: I am remixes
Q: Tell us about your studio setup.
A: Ivan Smith approaches electronic music production not as isolation but as a shared practice. Working from Omaha, Nebraska, he constructs compositions that refuse easy categorization—tracks that exist in the liminal spaces between house, techno, ambient, and electronica. Smith's strength lies in his technical precision and willingness to treat each production as a collaborative conversation, pulling influences and energy from the artists and musicians around him. His output spans platforms including SoundCloud, YouTube, and his personal website, where listeners can access an evolving catalog of original work. Smith's practice reflects a broader shift in how independent electronic musicians operate: less insular producer, more curator of sound and connection. He treats production as a means to explore ideas, collaborate with other artists, and build community around innovative electronic music. Based in the Midwest, Smith positions himself within a growing scene of genre-conscious electronic producers who reject algorithmic categorization in favor of genuine sonic experimentation. His work represents the methodical, collaborative spirit of contemporary independent electronic music.
Q: Describe the most common type of work you do for your clients.
A: Ivan Smith approaches electronic music production not as isolation but as a shared practice. Working from Omaha, Nebraska, he constructs compositions that refuse easy categorization—tracks that exist in the liminal spaces between house, techno, ambient, and electronica. Smith's strength lies in his technical precision and willingness to treat each production as a collaborative conversation, pulling influences and energy from the artists and musicians around him. His output spans platforms including SoundCloud, YouTube, and his personal website, where listeners can access an evolving catalog of original work. Smith's practice reflects a broader shift in how independent electronic musicians operate: less insular producer, more curator of sound and connection. He treats production as a means to explore ideas, collaborate with other artists, and build community around innovative electronic music. Based in the Midwest, Smith positions himself within a growing scene of genre-conscious electronic producers who reject algorithmic categorization in favor of genuine sonic experimentation. His work represents the methodical, collaborative spirit of contemporary independent electronic music.
I was the remixes in this production
- RemixingAverage price - $400 per song
- Beat MakerAverage price - $400 per song
Ivan Smith approaches electronic music production not as isolation but as a shared practice. Working from Omaha, Nebraska, he constructs compositions that refuse easy categorization—tracks that exist
- CG5
- RudyWade
- Dolly Parton
- remixes and pop
