Mixing Engineer

Q: Analog or digital and why?

A: There's no denying what analog brings to a sound. However, I find the flexibility of digital allows me to work more expeditiously, and sometimes I dare say more creatively.

Q: What's your 'promise' to your clients?

A: Promised on time.

Q: What do you like most about your job?

A: Music has been in my family for generations and being allowed to earn a living honoring that tradition is the greatest gift.

Q: What's the biggest misconception about what you do?

A: I just push the faders.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Finding a producer/engineer can be a lot like dating and it isn't always going to be a match. Find someone that you experience joy in collaborating with who sees your vision, and always be open to growth.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Assuming Roy Hinkley has devised a way to supply power: Laptop, Audio Interface, Headphones, Acoustic/Electric Guitar, Dynamic Microphone

Q: What was your career path? How long have you been doing this?

A: I started playing guitar when I was 16, and have been serving as an engineer/producer since 2002.

Q: Can you share one music production tip?

A: Save often. Back up always.

Q: What other musicians or music production professionals inspire you?

A: Steve Lillywhite

Q: Describe the most common type of work you do for your clients.

A: Mixing, editing, and mastering.