Film & Game Sound Designer

Sound designer and composer for film and games. Recent credits: Make Me Feel (German indie feature) and Outside, winner of Best Sound Design at the Jugendfilmpreis Baden-Württemberg. Full post chain from dialogue repair to final mix, plus Wwise and Unreal implementation for games.

I'm Marius Zeeb — sound designer and composer for film and games, based in Germany.

FILM — the full post chain: dialogue repair, ambiences, foley, SFX and score. Recent credits include Make Me Feel (German indie feature, sound design, foley, dialogue repair) and Outside, winner of Best Sound Design at the Jugendfilmpreis Baden-Württemberg.

GAMES — I work inside Wwise and Unreal, not around them. For Project: RAZ.LOG (action-RPG, showcased at Gamescom 2026) I built the entire sonic identity: technical implementation, foley, real-time mixing, and an adaptive score that scales from ambient exploration to full combat. You get a game that sounds finished in engine, not a folder of WAVs for someone else to wire up.

Composing isn't a side offer. I score most of what I design, which means the sound and the music are built to sit together instead of fighting over the same frequencies.

Tools: Pro Tools, Ableton Live, Wwise, Unreal Engine.
Studio background: Tonbüro Berlin (sound design) and Hansa Studios Berlin (music).

How I work: I ask about deadline, format and reference before quoting. You get a first pass early, so you're never guessing. Revisions included. Delivery in whatever format you need, from a simple stereo mix to Atmos or an in-engine implementation.

Sound design only makes sense with picture. Full scenes are at plotnoise.de and available on request.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Credits

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