
Mastering & Mixing Engineer With a trusted ear bringing clarity, punch, and polish to every mix that crosses the desk. From stadium-ready pop to gritty post-punk. Fast turnarounds, transparent communication, and a great final master. No ego — just a focus on making the music sound its absolute best.
Mastering & Mixing Engineer | 30+ Years in the Industry | From Front of House to Final Master
With over three decades of experience spanning live sound, mixing, and mastering, I bring a full-circle perspective to every project. What started behind the board as a front of house engineer — reading rooms, taming feedback, and mixing for real crowds in real time — evolved into a career in live recording, studio mixing, and mastering across every genre imaginable.
That live sound foundation shows in the work: masters that translate honestly across systems, mixes with punch and presence, and an instinct for what actually sounds good to a human ear, not just a meter. Decades of trust from A-list artists have sharpened that instinct further — an ability to protect an artist’s vision while delivering a final product that’s radio-ready, stage-ready, and streaming-ready all at once.
Genre-agnostic. No ego. Just 30+ years of getting it right, from soundcheck to final master
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Discogs verified credits for Necker Anvil- Franz Ferdinand
- Faithless
- Faithless
- Faithless
- Faithless
- Faithless
- Faithless
- Haircut One Hundred
- Nina Nesbitt
- Holly Johnson
- Peter Hook & The Light*
- Peter Hook & The Light*
- UNKLE:LIVE*
- OMD*
- OMD*
- Erasure
- Light of Eternity
- Various
- The Soul Avengers (3) & Hardy Shrub
- Erasure
- Depeche Mode
- Franz Ferdinand
- Depeche Mode
- Peter Hook's The Light*
- Faithless
- LCD Soundsystem / Hot Chip
- Faithless
- Faithless
- Faithless
- Faithless
- Faithless
- Higelin*
- J. Spaceman
- Haircut One Hundred
- 雅-MIYAVI-*
- Moby
- Blur
- Status Quo
- Status Quo
- Status Quo
- Yann Tiersen
- Nina Nesbitt
- Steve Rothery
- Depeche Mode
- Erasure
- Peter Hook & The Light*
- Peter Hook & The Light*
- Peter Hook & The Light*
- Die Krupps
- New Order
- Depeche Mode
- Johnny Marr
- Johnny Marr
- The Mission
- The Darkness
- OMD*
- Bananarama
- Frank Carter & The Rattlesnakes
- Peter Hook & The Light*
- Erasure
- Killing Joke
- Killing Joke
- UNKLE:LIVE*
- Peter Hook & The Light*
- Susanne Sundfør
- OMD*
- Fever Ray
- OMD*
- Snarky Puppy
- OMD*
- Modern English
- Peter Hook And The Light
- The Mission
- OMD*
- Erasure
- Soft Cell
- Soft Cell
- The Damned
- Sleaford Mods
- Nadine Shah
- Light of Eternity
- Peter Hook & The Light*
- Peter Hook & The Light*
- Depeche Mode
- Die Krupps
Interview with Neckercube
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm genuinely proud of all my work as I like doing it.
Q: What are you working on at the moment?
A: 2 Live albums and a studio project of R&B songs
Q: Analog or digital and why?
A: Yes, because they both are awesome.
Q: What's your 'promise' to your clients?
A: To get it right for them
Q: What do you like most about your job?
A: Music
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you make it louder? Yes if you want me to, But I quite like it nice and dynamic.
Q: What's the biggest misconception about what you do?
A: That streaming levels are the future of music
Q: What advice do you have for a customer looking to hire a provider like you?
A: Communication is key with hiring professionals, make sure you both know what's going on and mean the same things when you talk about the songs.
Q: Can you share one music production tip?
A: If you like it someone else will to
Q: What type of music do you usually work on?
A: Any Genre
Q: What's your strongest skill?
A: Ability to listen and translate others ideas
Q: What do you bring to a song?
A: My ears
Q: What's your typical work process?
A: Song comes in, make it sound as good as possible, send the finished version back
Q: Describe the most common type of work you do for your clients.
A: Recording, Mixing, Mastering, Editing

I was the Mastering Engineer in this production
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- RemixingAverage price - $300 per song
- Production Sound MixerAverage price - $300 per day
- Live SoundAverage price - $300 per concert
- EditingAverage price - $50 per track
1 Revision included, turned around within 3 days.



