Neckercube

Sound Engineer

Neckercube on SoundBetter

Mastering & Mixing Engineer With a trusted ear bringing clarity, punch, and polish to every mix that crosses the desk. From stadium-ready pop to gritty post-punk. Fast turnarounds, transparent communication, and a great final master. No ego — just a focus on making the music sound its absolute best.

Mastering & Mixing Engineer | 30+ Years in the Industry | From Front of House to Final Master

With over three decades of experience spanning live sound, mixing, and mastering, I bring a full-circle perspective to every project. What started behind the board as a front of house engineer — reading rooms, taming feedback, and mixing for real crowds in real time — evolved into a career in live recording, studio mixing, and mastering across every genre imaginable.

That live sound foundation shows in the work: masters that translate honestly across systems, mixes with punch and presence, and an instinct for what actually sounds good to a human ear, not just a meter. Decades of trust from A-list artists have sharpened that instinct further — an ability to protect an artist’s vision while delivering a final product that’s radio-ready, stage-ready, and streaming-ready all at once.

Genre-agnostic. No ego. Just 30+ years of getting it right, from soundcheck to final master

Tell me about your project and how I can help, through the 'Contact' button above.

Credits

Discogs verified credits for Necker Anvil
  • Franz Ferdinand
  • Faithless
  • Faithless
  • Faithless
  • Faithless
  • Faithless
  • Faithless
  • Haircut One Hundred
  • Nina Nesbitt
  • Holly Johnson
  • Peter Hook & The Light*
  • Peter Hook & The Light*
  • UNKLE:LIVE*
  • OMD*
  • OMD*
  • Erasure
  • Light of Eternity
  • Various
  • The Soul Avengers (3) & Hardy Shrub
  • Erasure
  • Depeche Mode
  • Franz Ferdinand
  • Depeche Mode
  • Peter Hook's The Light*
  • Faithless
  • LCD Soundsystem / Hot Chip
  • Faithless
  • Faithless
  • Faithless
  • Faithless
  • Faithless
  • Higelin*
  • J. Spaceman
  • Haircut One Hundred
  • 雅-MIYAVI-*
  • Moby
  • Blur
  • Status Quo
  • Status Quo
  • Status Quo
  • Yann Tiersen
  • Nina Nesbitt
  • Steve Rothery
  • Depeche Mode
  • Erasure
  • Peter Hook & The Light*
  • Peter Hook & The Light*
  • Peter Hook & The Light*
  • Die Krupps
  • New Order
  • Depeche Mode
  • Johnny Marr
  • Johnny Marr
  • The Mission
  • The Darkness
  • OMD*
  • Bananarama
  • Frank Carter & The Rattlesnakes
  • Peter Hook & The Light*
  • Erasure
  • Killing Joke
  • Killing Joke
  • UNKLE:LIVE*
  • Peter Hook & The Light*
  • Susanne Sundfør
  • OMD*
  • Fever Ray
  • OMD*
  • Snarky Puppy
  • OMD*
  • Modern English
  • Peter Hook And The Light
  • The Mission
  • OMD*
  • Erasure
  • Soft Cell
  • Soft Cell
  • The Damned
  • Sleaford Mods
  • Nadine Shah
  • Light of Eternity
  • Peter Hook & The Light*
  • Peter Hook & The Light*
  • Depeche Mode
  • Die Krupps

Interview with Neckercube

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I'm genuinely proud of all my work as I like doing it.

  3. Q: What are you working on at the moment?

  4. A: 2 Live albums and a studio project of R&B songs

  5. Q: Analog or digital and why?

  6. A: Yes, because they both are awesome.

  7. Q: What's your 'promise' to your clients?

  8. A: To get it right for them

  9. Q: What do you like most about your job?

  10. A: Music

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: Can you make it louder? Yes if you want me to, But I quite like it nice and dynamic.

  13. Q: What's the biggest misconception about what you do?

  14. A: That streaming levels are the future of music

  15. Q: What advice do you have for a customer looking to hire a provider like you?

  16. A: Communication is key with hiring professionals, make sure you both know what's going on and mean the same things when you talk about the songs.

  17. Q: Can you share one music production tip?

  18. A: If you like it someone else will to

  19. Q: What type of music do you usually work on?

  20. A: Any Genre

  21. Q: What's your strongest skill?

  22. A: Ability to listen and translate others ideas

  23. Q: What do you bring to a song?

  24. A: My ears

  25. Q: What's your typical work process?

  26. A: Song comes in, make it sound as good as possible, send the finished version back

  27. Q: Describe the most common type of work you do for your clients.

  28. A: Recording, Mixing, Mastering, Editing

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Peter Hook & The Light Love Will Tear Us Apart

I was the Mastering Engineer in this production

Terms Of Service

1 Revision included, turned around within 3 days.

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