
Not ready for work right now.
composition work, songwriting, orchestral compositions, arranging, multi-instrumentalist, various string instruments: mandolin, guitar, banjo, bass, romantic guitar, classical guitar, country-blues guitar, autio harp, bowed psaltry, harmonicas.
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Languages
- English
Interview with not guitar george
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: i made it to put people off because i was young and for some reason it seemed like a good idea. people liked it a lot.
Q: What are you working on at the moment?
A: catalog management of my own work.
Q: Analog or digital and why?
A: analog, I like working with high power and high voltage.
Q: What's the biggest misconception about what you do?
A: that its not serious work
Q: What questions do you ask prospective clients?
A: can i see the lyrics, what happened that made you produce or want to produce this work?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: an acoustic guitar, infinite strings, infinite paper, a pen, infinite ink,
Q: Can you share one music production tip?
A: make as many finished mixes as you can.
Q: What type of music do you usually work on?
A: rock
Q: What's your strongest skill?
A: accompaniment with electric guitar
Q: What's your typical work process?
A: I either examine the lyrics first, or the context of the work: where it is coming from, where it is going, the bigger picture behind it.
Q: Tell us about your studio setup.
A: send a message

I was the everything aside from bongos on this track, which is entirely improvised, from the live recorded rhythm backing track to the single acoustic overdub 14 years ago, and i did everything in the second half with a squier bass and tascam interface in this production



