Electronic&Pop Music Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One of the projects I'm most proud of is the EP I created with Further. It gave me the opportunity to experiment with new styles, play different instruments, write lyrics and explore new production techniques while still building a cohesive sound across the entire project. I was involved in every stage of the process as a songwriter, musician, producer and mixer. It was one of those rare projects where I was able to grow creatively while helping shape a unique artistic identity from the ground up.

Q: What are you working on at the moment?

A: I recently wrapped up an album with Adam La Nuit and I'm currently co-producing new music for Cleo. Alongside artist projects, I've been developing a sonic logo for a Belgian company and producing music for several DJs. It's a nice balance between artist development, commercial work and modern electronic production.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Not as of now.

Q: Analog or digital and why?

A: Both. I lean more towards digital because it's flexible, efficient and allows me to work quickly. That said, some things are hard to replace: a real guitar, a great vocal performance, or a unique instrument often brings a character that software can't fully replicate.

Q: What's your 'promise' to your clients?

A: I'll bring honest feedback, clear communication, and my full creative attention to help turn your idea into the strongest possible record.

Q: What do you like most about your job?

A: I can write music every day.

Q: What questions do customers most commonly ask you? What's your answer?

A: Q: Can you make my track sound more professional? A: Yes, but first we need to identify what's actually holding it back. Q: Why doesn't my track hit as hard as the songs I reference? A: It's usually a combination of songwriting, arrangement, sound selection and dynamics. My job is to identify what's missing and help close that gap. Q: Can you work from a rough demo? A: Absolutely. Many of my favorite projects start as voice memos, toplines or unfinished ideas.

Q: What's the biggest misconception about what you do?

A: People often think a producer's job is just to make a track sound better. In reality, it's about figuring out what's missing and helping the artist bring their vision to life. Whether that's improving the lyrics, changing the arrangement, or making the chorus hit harder, my job is to help the song become the best version of itself.

Q: What questions do you ask prospective clients?

A: My first questions are usually: What are you trying to achieve? What's currently not working? And what artists or records inspire the direction you're aiming for? Understanding the vision behind the track helps me make better creative decisions throughout the production process.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Don't hire a producer based solely on genre credits or gear lists. Listen to their work and ask yourself whether their productions make you feel something. The best collaborations happen when there's trust, clear communication and a shared vision for the music. If possible, come with a demo, a few reference tracks and an open mind. The clearer your vision, the easier it is for a producer to help bring it to life.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Macbook, Ableton, Headphones and a guitar.

Q: What was your career path? How long have you been doing this?

A: I've been making music since my early teens and have been working professionally in audio and music production for over a decade. After studying Audio Engineering, I worked in post-production and dubbing facilities before founding my own creative music studio, where I spent the last 7 years producing and composing music for artists, brands and advertising campaigns. Today, I'm focused full-time on music production and composition, bringing together everything I've learned from commercial work, artist development and years of hands-on studio experience.

Q: How would you describe your style?

A: My style sits at the intersection of electronic music and modern pop. Give me hard-hitting drums, strong songwriting and a unique artistic vision, and I'm in my happy place.

Q: Which artist would you like to work with and why?

A: Charlie Puth for the songwriting and production deep-dives. Post Malone for the good vibes, a few beers and the chance to write an incredible song together.

Q: Can you share one music production tip?

A: Stop chasing new plugins. Learn your stock plugins inside and out before buying more tools. Great productions come from good decisions, not expensive plugin folders. Less is often more.

Q: What type of music do you usually work on?

A: Primarily work on electronic and pop music, ranging from alternative pop and melodic electronic to dance-driven productions. I also enjoy incorporating influences from hip-hop and indie.

Q: What's your strongest skill?

A: I'm highly adaptable as a producer. Whether a track starts as a voice memo, demo or finished song, I quickly identify what will elevate it and help bring the artist's vision to life.

Q: What do you bring to a song?

A: I help bridge the gap between a good idea and a finished record. I bring fresh perspective, strong arrangement instincts, modern sound design and an objective ear for what a song needs to connect with listeners. My focus is always on helping the artist's vision reach its full potential.

Q: What's your typical work process?

A: My process starts with understanding your vision. Before touching the production, I like to hear your demo, references, goals and any ideas you already have for the track. Once I understand where you want to go, I'll create a production and begin developing the song, whether that's full production, additional production or track finishing. Throughout the process, I share progress updates to make sure we're moving in the right direction before investing time in unnecessary revisions. After the main production is approved, we move into refinement, focusing on arrangement, sound design, vocal production and overall impact. Most projects go through 1–2 rounds of revisions before final delivery. My goal is to keep the process collaborative, efficient, and stress-free while helping you create a record that feels authentic to your vision and competitive with current releases.

Q: Tell us about your studio setup.

A: I work from a professional hybrid studio built around a Mac-based production setup with high-end monitoring, recording and processing tools. I use Ableton Live Suite 12.4. My studio includes Adam A8X monitors, an Antelope Orion Studio interface, Neumann TLM 103 and Shure SM7B microphones, as well as a selection of analog hardware including Warm Audio compressors and EQs. For composition and sound design, I regularly use instruments such as the Roland Juno-106 and Roland Juno Stage, piano, electric bass and acoustic/electric guitars. This setup allows me to handle everything from songwriting and vocal production to full-scale music production, sound design and final delivery with professional-quality results.

Q: What other musicians or music production professionals inspire you?

A: I'm inspired by artists and producers who blend strong songwriting with innovative production. From the vocal-driven pop craftsmanship of Post Malone, Justin Bieber and Charlie Puth, to the emotional electronic worlds of Fred again.., Flume, James Blake and Lido, I’m drawn to music that feels both personal and sonically distinctive. I also take inspiration from boundary-pushing producers like Skrillex, Noisia and Hudson Mohawke, whose sound design and creative risk-taking continue to shape modern music. Artists such as Stromae, Orelsan, BANKS, Mac Miller and Dayglow remind me of the importance of identity, storytelling and creating music that feels authentic. What connects all of these artists is their ability to combine emotion, originality and accessibility, something I always strive for in my own productions.

Q: Describe the most common type of work you do for your clients.

A: Most of my work involves helping artists take rough demos, toplines, voice memos or unfinished productions and turn them into release-ready electronic and pop records. This can range from full-track production and co-production to arrangement development, sound design, production upgrades and track finishing. I work closely with artists to strengthen the emotional impact, energy, and sonic identity of a song while keeping their original vision intact.