Mixing and Mastering engineer focused on electronic music: give it an extra kick, I'm here for this!
My life has always been heavily influenced by music thanks to my father, who introduced me pretty early to bands and artists such as Black Sabbath, Blind Guardian, Yanni, Jean Michel Jarre, Scopece, Suzanne Ciani, Tangerine Dream, Steve Roach, and many others.
Then, it all changed thanks to Wipeout 2097's OST — a video game for PlayStation 1 released in 1997 — who had a particular influence on me. Future Sound of London, Prodigy, Underworld, Chemical Brothers, Photek, Cold Storage, and Daft Punk were the artists featured in this video game as part of the main soundtrack. After this approach to electronic/dance/rave music from the UK, I became obsessed with electronic music in general, and I still am.
I moved to London for studying purposes in 2016. I graduated in 2019 with First class honors in Music Technology (Mixing and Mastering) at the London College of Music. My thesis is entitled “Synesthetic Implications for Experimental Electronica: Mirroring Visual Concepts for Mixing and Mastering Electronic Music”, as I found a workflow which involves Synesthesia as the main part of the process.
I am specialised in electronic music, from EDM to experimental.
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