Producer & mix engineer

Q: What questions do customers most commonly ask you? What's your answer?

A: If I use AI. I am completely against the use of AI for creative purposes on music, specially general creation like Suno and Udio. I understand general AI can be useful sometimes with creative and analytic purposes (even though I am against creating lyrics with chat-GPT, I understand it can be used in some ways to ASSESS in YOUR own songwriting process), and, while I don’t use them, I understand that there are music AI tools that help with the process while not doing the creative work that is supposed to be human. My main use of AI is for general assistance, planning and experimenting. I don’t trust it for music creation by far.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Miriam Sanjoan’s music is where I put more of myself as a producer, both in creativity and composition and in genre blending. I have been his producer since we produced our first song “Flores”. I am honored to work with such an amazing singer and songwriter and grateful to know she always chooses me to bring her music to life.

Q: What are you working on at the moment?

A: Several productions with artists, a few electronic remixes of my own music and doing recording and mixing sessions with singers.

Q: Analog or digital and why?

A: Digital. It is by far more controllable after the processing and most professional emulations serve the purpose.

Q: What's your 'promise' to your clients?

A: I will do everything it takes to make your song feel yours and put all my knowledge and emotion to build something that honors the original idea and songwriting.

Q: What do you like most about your job?

A: Being able to hear and know artists I wouldn’t probably be able to if I were not prepared to solve their musical needs, and knowing I have a part in their musical career and I can help them move forward and be more confident with their identity and way of expressing.

Q: What's the biggest misconception about what you do?

A: I am not the one who decides which way the song has to go. Most times what defines the song is the artist vision and the specific storytelling behind musical decisions. The artists always sets some lines, but the song itself sets its own.

Q: What questions do you ask prospective clients?

A: In which point of your music career are you? How has your music path have been until now? Are you used to or more comfortable with a specific way of work? What feeling do you want to provoke with your song and what is the meaning behind it - why did you write it?

Q: What advice do you have for a customer looking to hire a provider like you?

A: You don’t need someone who makes exactly the kind of music you want to make, but someone who has the ability to work through different styles and emotions.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Acoustic guitar, MacBook, Neumann mic, headphones and a SSL mixer. Assuming we have electric power. If not, just an acoustic guitar and lots of strings and picks just in case.

Q: What was your career path? How long have you been doing this?

A: I have been making songs for more than 10 years, even though it took some years to find my style as an artist, finding it as a rock singer and guitarist. I started learning music production on COVID times, and started working with artists as soon as I could. I worked for a year as main producer in a music studio, which gave me the skills and knowledge to build my own studio on 2025.

Q: How would you describe your style?

A: Very influenced by electronic music, versatile across different genres and always emotional in some way.

Q: Which artist would you like to work with and why?

A: Emerging artists that want to build their sound and bring their music to a professional level, even if it is for the first time.

Q: Can you share one music production tip?

A: Build your song first with as much as you feel it needs. Only after that, erase parts and create voids. Do not mix the creative with the critique as each have their own working process.

Q: What type of music do you usually work on?

A: Pop, rock, dance, drum&bass

Q: What's your strongest skill?

A: My vocal production and my cross-genre flexibility and curiosity.

Q: What do you bring to a song?

A: Creative vision, respect for the artist energy and understanding of its craft. I often provide harmonic and arrangement solutions to make the sound feel complete and evolving.

Q: What's your typical work process?

A: I usually work from a demo to build the instrumental with the artist, keep developing it on private and going on any needed sessions with the artist to set guidelines, references and advise the sound selection until it’s ready for vocals, and then polish the arrangement to suit these vocals. Then I finish the mix - which I usually work through the production process - and prepare it for the mastering process whether I do it or send it to an external engineer.

Q: Tell us about your studio setup.

A: I have an acoustically treated studio ready to mix and record vocals and instruments. I work with Logic Pro, SSL mixer, midi keyboard and Adam monitors.

Q: What other musicians or music production professionals inspire you?

A: Singers and performers, instrument session players

Q: Describe the most common type of work you do for your clients.

A: Full production from artists demo recording, including recording of electronic guitars and different kind of arrangements, also connecting and managing other musicians work for the project.