
music is what makes me believe we are infinite.
I love working with artists:
- for the future.
- from the future.
Send me an email through 'Contact' button above and I'll get back to you asap.
Languages
- English
Interview with Janice Lagata
Q: Analog or digital and why?
A: Digital. It allows so much flexibility for recall and collaboration.
Q: What's your 'promise' to your clients?
A: I promise to treat your music with care, communicate clearly, meet deadlines, and deliver a mix that feels true to your intent—not generic or overproduced.
Q: What questions do you ask prospective clients?
A: I usually ask what they love most about the song. And if they have any vibe references -- positive and/or negative.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Trust the vibes. Don't be over-impressed or underwhelmed by a gear list.
Q: How would you describe your style?
A: Clean, emotional, and intentional. I favor clarity over hype, balance over excess, and mixes that feel natural while still sounding polished and complete.
Q: What type of music do you usually work on?
A: Indie pop, singer-songwriter, and alternative projects, along with film- and musical-adjacent work where emotion, lyrics, and arrangement are central. I gravitate toward music that’s meant to say something.
Q: What's your strongest skill?
A: Hearing what matters most in a song and prioritizing it in the mix—especially vocals, lyrics, and emotional arc—without overprocessing or crowding the arrangement.
Q: What do you bring to a song?
A: Perspective. I listen for what the song is trying to communicate and make technical choices that support that goal. I bring clarity, restraint, and an outside ear that respects the artist’s vision.
Q: What's your typical work process?
A: I start by understanding the client’s goals, references, and emotional intent. From there I focus on balance, vocal clarity, and translation, sharing a first pass and refining through collaborative revisions until the mix feels finished and intentional.
Q: Describe the most common type of work you do for your clients.
A: I most often mix and master vocal-forward songs for indie artists, as well as narrative-driven projects for film and musical storytelling. Many clients come to me with strong beginnings that need enhancement and/or fine-tuning without losing personality.

I was the Producer / Mixing Engineer in this production
- Mixing EngineerAverage price - $50 per song
- ProducerAverage price - $100 per song
- Singer - FemaleAverage price - $25 per song
- Songwriter - LyricAverage price - $200 per song
- Songwriter - MusicAverage price - $200 per song
- Mastering EngineerAverage price - $30 per song
Includes up to 2 revisions. Typical turnaround 3–5 days per song. Rush delivery and additional revisions available for an added fee.
- Janice Lagata
- Logic Pro
- Pro Tools
- Focusrite Scarlett interface
- professional vocal microphones (dynamic and condenser)
- studio monitors
- in-the-box processing
You miss 100% of the mixes you don't book. - Michael Scott (So reach out. Can't hurt to ask.)



