Credits incl.: Scooter, Harris & Ford, Reinier Zonneveld, Joost Klein, Blasterjaxx, Jerome, BOVSKI, Paul Elstak, YAMAS, WITH U, ...
Hey there, I'm an Engineer from Germany, currently based in Hamburg.
I've worked on hundreds and hundreds of tracks, mainly falling under the Genres of Techno, Afro-House, Hardstyle, UK-Garage and deeper House Styles. Those Tracks have been signed to every major Label as well as a broad selection of independent Labels.
Overall, my works have generated well over 300 million Streams, have been represented in the Billboard Top 10 and Spotify/Beatport/Airplay Charts, as well as being placed in curated playlists on all streaming Platforms every month.
I'd love to have a listen to your track and work out the best sound to stand against the international competition before publishing :)
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Interview with Emil Dietrich
Q: Analog or digital and why?
A: Mhhh, a good mixture, it really depends on what the project needs. Many tracks profit from that little bit of different color, but some others just work better with keeping it digital. Now wrongs/rights
Q: What do you like most about your job?
A: New projects and cool tracks every single day!
Q: What questions do customers most commonly ask you? What's your answer?
A: How to export Stems! The answer would be to take all clipping/limiting and compression (as well as automatic EQs) off your master and then export all individual stems through the group- and remaining master-processing in 32 Bit floating point. Keeping the samplerate as whatever the project is set to :)
Q: What was your career path? How long have you been doing this?
A: I've played the piano since I was a little kid, then studied audio-engineering in Berlin, always working as a producer/engineer on the side. Full-Time I've been happily working on music for the last 4 years :)
Q: Can you share one music production tip?
A: Work as quietly as you can and always take references/old tracks (that you know sound well) into the project to check against all the time.
Q: What type of music do you usually work on?
A: Mostly electronic productions, but the genres vary a lot from project to project. Feel free to check out my Spotify playlist for a better look into my references!
Q: What do you bring to a song?
A: A release-ready and competitive sound, standing well with your references :)
Q: Describe the most common type of work you do for your clients.
A: Stem-Mastering, as I feel it hits just the right balance of control and still being able to keep the integrity of the mix :)
I was the Mixing/Mastering Engineer in this production
- Mastering EngineerAverage price - $200 per song
I provide up to 5 revisions, as well as the Extended Mix and an Acapella/Instrumental version, free of charge.
In the LC, I have to be credited as a Mixing/Mastering Engineer on the specific project.
- Scooter
- Jerome
- BOVSKI
