I will give your tracks a polished and well-balanced mix or master and ready them for radio play. I can tune and edit your vocals, replace and program your drums and deliver alternate versions for sync and publishing.
Hi, I'm Kurt. I'm a Producer, Recording Engineer and Mixer based in London, UK.
I work from a number of well-known studios across London including Sarm, Metropolis, Blue Box and Westpoint where I have cut my teeth with some of the most talented and sought after engineers and producers from both sides of the Atlantic.
I engineered the Platinum selling single ‘Rain’ by Aitch & AJ Tracey, and have worked with other major label artists including Burna Boy, Disciples, Ina Wroldsen, Au/Ra, Fleur East, Tokio Myers, Alice Chater, Young T & Bugsey and comedian Jack Whitehall.
I have also played the role of assistant engineer on sessions for artists such as Jess Glynne, Sam Fender, Celeste, Tom Grennan, Plan B, Birdy, Stefflon Don, Louise Redknapp, WSTRN and Nasty Cherry to name a few.
I am available for online mixing and mastering. If you would like to discuss a project then please feel free to get in touch. I look forward to hearing from you.
Would love to hear from you. Click the contact button above to get in touch.
Credits
- WSTRN
- Au/Ra
- Ina Wroldsen
- AJ Tracey
- Aitch
- Alice Chater
- As If Kid
- avelino
- Blossom Caldarone
- burna boy
- Disciples
- Esha Maria
- Esther
- fleur east
- Hamzaa
- Ivorian Doll
- Jack Whitehall
- Jackie Apostel
- Jamule
- King Grizz
- LZee
- Ricky Hil
- Santhosh Narayanan
- S1mba
- Shaima
- Sunship
- Tokio Myers
- Universal Production Music
- Young T & Bugsey
- Yungen
- Yxng Bane
- 5EB
- James Mills
- Jess Young
- Oz
- Simon James
- V0ID
2 Reviews
Endorse Kurt Martinez
Interview with Kurt Martinez
Q: Can you share one music production tip?
A: I actually contributed towards an article on music production tips recently for AudioSkills.com. You can find that article here: https://audioskills.com/tips/music-production/
Q: Analog or digital and why?
A: I'm a huge fan of analogue warmth but we do live in a digital age. I work primarily in the box, but if there's outboard available at the studio I'm working from then I will certainly make use of it.
Q: Describe the most common type of work you do for your clients.
A: Day to day I work between a number of studios across London as a recording engineer for major label artists.
Q: What do you like most about your job?
A: No two projects are ever the same. Everyone writes and produces differently. Every mix goes in a different direction to the last. That's what keeps things fun and interesting.
Q: What questions do you ask prospective clients?
A: Do you have a demo or recording of a live version so I can get a feel for the project? Do you have a song or artist you'd like to use as a reference?
Q: What's your 'promise' to your clients?
A: The project isn't finished until you're completely happy.
I was the Recording Engineer in this production
- Mixing EngineerContact for pricing
- Mastering EngineerContact for pricing
- EditingContact for pricing
- Vocal TuningContact for pricing
3 revisions included. A charge may be added for any additional revisions. Turnaround dependant on length of project. Timeframe will be discussed in full with client. Maintain communication throughout.
- AJ Tracey
- Ina Wroldsen
- Pro Tools 12 / Audient iD14 Interface / Softube Console 1 MKII (SSL 4000 E) / Warm Audio WA-47 / Blackstar Artist 15 / Genelec 8010A and KRK RP8 Studio Monitors / Plugins from Waves
- SoundToys
- Fabfilter
- Softube and Valhalla.
- BBC Radio Nottingham InterviewFeb 15, 2021
I had a chat with Mark Dennison this morning on BBC Radio Nottingham about my role as a recording engineer, adapting to restrictions and what it means to have worked on a platinum-selling record.
If you missed it you can hear our conversation on BBC Sounds here at 23:30 for the next 29 days.
