Mix engineer and keyboardist focused on powerful rock and metal productions with emotion, precision and attitude.
I am a mix engineer and keyboardist from Brazil working across Hard Rock, AOR, Melodic Rock, eighties inspired Rock, Heavy Metal, Power Metal and Progressive Metal. My goal is always to deliver mixes with definition and impact while respecting the identity of each band.
As a keyboardist, I create parts that blend atmosphere, harmony and energy without overplaying. Even though I have deep roots in eighties production, I also work comfortably with modern metal aesthetics, from tight low end to aggressive width.
If your track needs a clean punch, strong musicality and keyboards that reinforce the emotion of the song, I can help you get there.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Discogs verified credits for Ronaldo Junior- Mythologyca
- Motor Black
- Motor Black
- Motorocker
- Motor Black
- Mythologyca
- Motor Black
- Motorocker
- Naghost
- Naghost
- Naghost
- The ShiftShaders
- Dragonheart (3)
- Nomine (2)
- Carlos Machado (12)
- Carlos Machado (12)
- Carlos Machado (12)
- Rhandu Lopez
- Landfall (5)
- Rhandu Lopez
- Motor Black
- Landfall (5)
- Mythologyca
- Motor Black
- Thou Shall Not
- Motorocker
- Naghost
- Naghost
- Naghost
- The ShiftShaders
- Braia
Languages
- English
- Portuguese
- Mixing EngineerContact for pricing
- Keyboards - SynthContact for pricing
- PianoContact for pricing
- YouTube Cover RecordingContact for pricing
- EditingContact for pricing
- Vocal TuningContact for pricing
Work starts once funds are secured. Includes 3 revisions per song. Send clean, well labeled stems. Extra edits may add cost. Any change in project scope requires a new agreement before continuing
- Journey
- ANGRA
- Symphony X
- MacBook Pro
- Logic Pro
- Waves Platinum plugin bundle
- IK Multimedia Total Studio 5 Max plugin bundle
- Izotope Ozone 11 Advanced Suite
- UAD Plugins
- wide range of virtual instruments and modern rock and metal processing tools.
