Tobin Jones on SoundBetter

I’m a UK-based mixing, recording and immersive Atmos engineer passionate about unique, creative music. With credits for Sony Music, XL, R&S, Mute, Robots + Humans, Diagonal and Phantasy, I craft sonically rich, emotionally resonant mixes that bring out each artist’s true essence. Ranked in the top 1% of Mixing & Mastering engineers on Muso.ai

Bridging the gap between emotion and engineering, I help artists create music that feels as powerful as it sounds, blending technical precision with creative instinct to reveal the emotional intent of each performance.

I’ve worked across an eclectic range of genres for artists including Dido, Powell, Not Waving, Avril Lavigne, Bo Ningen, Shakira, Britney Spears, LCO, Wolfgang Tillmans, PYTKO, Mara Simpson, The Pearl Harts, Snakehips, Sia, Swedish Death Candy and Odina.

My approach goes beyond technical precision, it’s about understanding the artist’s intent. Whether mixing a stripped-back vocal or a dense, immersive soundscape, I focus on warmth, depth, and texture to enhance the emotional connection with the listener. Using a blend of analogue character, digital clarity, and creative instinct, I help artists realise their sonic potential.

I believe mixing is a collaborative creative process, and I encourage artists to attend at least some of the mix session in person or remotely. I use high-quality audio streaming, video, and screen sharing to make remote sessions feel as close as possible to physically attending the session.

Music is an emotional journey, my role is to translate that feeling into sound that truly resonates. If you’re looking for a mix that captures not just your performance, but your emotion, I’d love to work with you.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Discogs verified credits for Tobin Jones

Swedish Death Candy
The Pearl Harts
Swedish Death Candy
Swedish Death Candy
Kamggarn
War Club
A History
Odina
Cold Specks
Sylver Tongue
Gaggle
Bo Ningen
Cold Specks
Cold Specks
Grass House
Cold Specks
Blood Music (2)
Powell (9)
A History
Powell (9)
Bronze Teeth
Bronze Teeth
Powell (9)
Blood Music (2)
Powell (9)
Not Waving
Primitive World
Hatcham Social
Swedish Death Candy
Powell (9)
Odina
Powell (9)
Not Waving
N.M.O.
Cecilia Ebba
Davide Shorty
Swedish Death Candy
Not Waving
Powell (9), Tillmans*
Cecilia Ebba
Odina
Swedish Death Candy
Swedish Death Candy
Powell (9)
Powell (9)
Powell (9), Michael Amstad, Marte Eknæs
Odina
Powell (9)
Pytko
Kamggarn
Mara Simpson
Powell (9)
Pytko
Blood Music (2)
War Club
Pytko
Powell (9) + LCO*
Cecilia Ebba
Cecilia Ebba
Bo Ningen
The Twilight Sad
Gaggle
Hatcham Social
The Twilight Sad
Cold Specks
Blood Music (2)
A History
Swedish Death Candy
Mônica Vasconcelos*
Swedish Death Candy
Alex Tyrrell
The Pearl Harts
Odina
Swedish Death Candy
Swedish Death Candy
Odina
Kamggarn
War Club
The Pearl Harts
Middle Name John
Avril Lavigne
Avril Lavigne
Sia
Britney Spears
Backstreet Boys
Various
Britney Spears
New Kids On The Block
Shakira
Blood Music (2)

Languages

English

Endorse Tobin Jones21 Reviews

by Mark Ardisson
Tobin worked on two of my albums and he's an absolute dream to work with. He's extremely knowledgeable, both technically and musically, and has elevated my sound to places I never thought possible before. On both occasions he worked really fast which allowed me to step in the studio feeling confident, knowing we won't run out of the time and quality will still be there. He also has an excellent ear for mixing and will make your song/ep/album sound AMAZING.

To top it all up, he is wonderful, funny and easy going person which makes spending long hours in the studio fly by.
by Lisa Murray
I've had the opportunity to work with Tobin across multiple projects over the past few years. I love his artist-first approach to mixing and recording, his creativity and his attention to detail. His dedication to his work is incredible and I can't recommend him enough!
by Lisa Murray
I've had the opportunity to work with Tobin across multiple projects over the past few years. I love his artist-first approach to mixing and recording, his creativity and his attention to detail. His dedication to his work is incredible and I can't recommend him enough!
by Julia
I’ve been working with Tobin for many years now, and he continues to impress me every time. He’s an incredibly talented and versatile mixing engineer with an amazing ear for detail. One of the things I value most about working with him is how effortless the communication always is. He’s open, flexible, and collaborative, never afraid to try new ideas or explore unexpected directions.

He brings a playful, creative energy to every project, and he’s always willing to experiment and push boundaries in the best possible way!
by Ale
Tobin is an incredibly versatile engineer, with over two decades of experience as a recorder, mixer, producer, and more recently Atmos mixer. His understanding of depth, dynamics and attention to details rank him among the best sound engineers in the world.
Having run his own studio for over 10 years, Tobin also knows perfectly how delicate an artist’s work can feel, and how to support it and enhance it without ever getting in the way.
He’s also great at maintaining a fun and relaxed atmosphere in the studio, Highly recommended!
by Marco
I’ve worked with Tobin on several occasions, and I’ve known him since a really long time. I’ve always had a deep admiration for his work and after having worked with him on a number of sessions I have got nothing but praises for workflow as well as for the final results he achieves.
From live sessions to EP to full length works, Tobin has the unique ability of putting everyone at ease while still being critical and managing to understand the artistic intent of each artist he works with, extrapolating the best out of the takes and crafting a coherent and creative effort. Totally recommended!
by Lucas Polo Music
I have known Tobin Jones for over a decade and I've always considered him one of the most skilled, wisest but most importantly kindest and most empathetic engineers I have ever worked with. His breadth of knowledge is astounding and his taste and people skills are some of the best I've witnessed. I have always admired his work on heavy music particularly, capturing and mixing fuzzy guitars and huge drums and bass like no one I know. I can recommend Tobin for any job, as I'm confident he will excel at it
by Lucas Polo Music
I have known Tobin Jones for over a decade and I've always considered him one of the most skilled, wisest but most importantly kindest and most empathetic engineers I have ever worked with. His breadth of knowledge is astounding and his taste and people skills are some of the best I've witnessed. I have always admired his work on heavy music particularly, capturing and mixing fuzzy guitars and huge drums and bass like no one I know. I can recommend Tobin for any job, as I'm confident he will excel at it
by Lou
Working with Tobin has always been an absolute pleasure. Not only is he a top engineer/producer, but an all round great person to be around. It goes without saying that creating great art requires good vibes, Tobin provides this in abundance. I’ve worked with Tobin on a number of projects over the last 10 years, I’m very proud of what we’ve created and I’ll cherish the memories. Can’t recommend this guy enough!
by Cecilia Ebba
I’ve worked with Tobin for over 10 years across four EP releases, and I absolutely love working with him. He’s genuine, friendly, and always puts the music first. He’s supported me with both recording and mixing, and he’s the first person I recommend whenever someone asks for an engineer. I always feel comfortable in our sessions. He makes me feel seen and heard, and he takes the time to truly understand my vision while also adding his own expertise and judgement to elevate the music. Can’t recommend him enough!
by Nix Bakx
Tobin has been one of my favourite people to work with over 15+ years of being active in the London music scene. Not only does he have an incredible ear for music, and a wealth of knowledge and experience, Tobin is also just a lovely person who will make you feel inspired and at ease in any recording or mixing session. He knows exactly when to make suggestions, and when not to, and is great at knowing when and where to nudge you forward a bit to get that magic take you're chasing. Very grateful I've had the pleasure of working with Tobin and would heartily recommend him to anyone!
by Mara Simpson
I've worked with Tobin over the last 8+ years on a range of projects- from my own albums to remixes to soundtrack work for AppleTV series SILO and immersive soundscape installations. I know any project I bring will be in safe hands and as an artist I will be heard. Working together has been a true joy which has shaped my creative career. I would always seek to work a project's timeline around Tobin's availability and couldn't recommend him more to anyone.
by Alex
I have had the pleasure of recording with Tobin Jones many times. I've also asked him to mix or master existing recordings. Whenever asked for a referral for such services by others, he is always suggest him first and foremost. He's quite simply my favourite producer I've worked with and look forward to the next time we can work together. A true professional who is very easy to get along with on any type of session.
by Phil Joannides
Tobin Jones, in my opinion is one of the best recording and mixing engineers in the industry. His level of expertise and dedication is mind-blowing. His range of skills, kind personality and humanity towards the job is a privilege to experience.

I have had the pleasure of working with Tobin on multiple projects over the years and is always the first person I recommend to others when asked.

A truly unique and wonderful person that treats every project with the upmost respect.

I'd give a rating of 6 stars if it was possible.
by Antonio Lepore
I’ve worked with Tobin on several projects, and he’s incredibly professional He is one of the most talented audio engineers I’ve ever met. He’s extremely accurate with details and really helps artists reach the exact sound they’re aiming for.

What also sets him apart is his friendly spirit — every session feels welcoming, easy, and genuinely fun, while still staying focused ,productive and professional.

I fully recommend Tobin to anyone looking for a skilled, professional engineer who brings both top-quality work and a great atmosphere.
by Elliot Coombs
Tobin is an incredibly talented mix engineer. His sensitivity to the music, whatever the genre, sets him above the majority. Add to that the fact that he's a great communicator and easy to work with, and you have someone you can trust to deliver on every mix. I can't recommend him highly enough.
by Blanca Romeo (Odina)
It’s quite rare to find a collaborator that combines technical knowledge with feel, emotion and passion for music in the same way that Tobin does. Super happy with all the mixes and additional production he did on my EPs and my debut album. I always felt very confortable in the sessions, and like I could be a part of the mixing process creatively, feeling like my voice was truly being heard as an artist, but also ultimately feeling like I could rely on Tobin’s judgement to take the tracks to a whole new level in the mix. You won't regret trusting your mixes with him, highly recommend!
by Blanca Romeo (Odina)
It’s quite rare to find a collaborator that combines technical knowledge with feel, emotion and passion for music in the same way that Tobin does. Super happy with all the mixes and additional production he did on my EPs and my debut album. I always felt very confortable in the sessions, and like I could be a part of the mixing process creatively, feeling like my voice was truly being heard as an artist, but also ultimately feeling like I could rely on Tobin’s judgement to take the tracks to a whole new level in the mix. You won't regret trusting your mixes with him, highly recommend!
by BLOOD MUSIC
Tobin is the most gifted audio engineer I have ever worked with. Meticulous in his approach to working through sonic details, intelligent and wise technically in the mix and in a variety of recording techniques, his deep sense of listening and emotion elevates every session I have ever had with him. I often call him the 'Silent Partner of Blood Music', since through Tobin's ears some of my best work has been recorded and mixeds. Tobin is a whole studio unto himself: you MUST work with him; he will augment your musical dreams!!!
by Christopher Marshall
Tobin has always facilitated an open and supportive environment to create. He has a genuine love and intrigue for his craft, enabling him to give space to whatever he turns his ear to. Having worked with Tobin for close to a decade across a broad spectrum of material, his prowess as an engineer has always led me to make more informed creative decisions.

Interview with Tobin Jones

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently remixed Dido's iconic debut "No Angel" for Sony Music, The album was remixed for Dolby Atmos using raw multitrack tape transfers. I meticulously reconstructed the original stereo mix, carefully reviewing and editing every take to ensure accuracy before rebuilding the instrument balance, tone, dynamics, and effects from the ground up, preserving the intent and integrity of the original production, providing the foundation to craft a uniquely immersive Dolby Atmos listening experience. I also recently mixed Living Matter, an immersive deep-listening experience using D&B Soundscape for artist Mara Simpson. I mixed the 40-minute work completely without a front or stage location, which was incredibly liberating and forced me to approach the mix in a new way. It changed how I thought about immersive sound in general.
Q: Analog or digital and why?
A: Both. I love analogue equipment—the sound, the tactile workflow, and the way it can influence creative decisions. Digital, however, is incredibly powerful, fast, and flexible. It allows for remote sessions, fast revisions, organised stems exporting, and more time to be creative.
Q: What's your 'promise' to your clients?
A: That the client comes first, and I will do everything I can to ensure they are happy with the sound of the music we work on together.
Q: What do you like most about your job?
A: Talking with artists and helping them articulate and enhance their creative vision.
Q: What questions do customers most commonly ask you? What's your answer?
A: Often, I get asked whether to send stems wet or dry. If possible, I prefer both.
Q: What's the biggest misconception about what you do?
A: That it’s just a technical exercise.
Q: What questions do you ask prospective clients?
A: I usually ask them to write a short sentence about why they wrote the song, how they felt when they wrote it, and how they want listeners to feel. That gives me context for the sonic direction. I also like to know how the track was recorded and whether the space influenced the artistic choices. I’ll also ask if they’d like to attend the mix, either remotely or in person. I encourage it—mixing is a creative process, and artists should be involved if they want to be.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be clear about what your music means to you and how you want other people to feel when they hear it.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A WEM Copicat, Roland Space Echo, my Neve 1081 preamps and EQs, an LA-2A compressor, and my 1950s Silvertone guitar amp.
Q: What was your career path? How long have you been doing this?
A: I’ve been doing this for 21 years. I started at 16 recording rappers in my bedroom, then moved to London in 2014 to study audio engineering at SAE Institute. I later worked in the tech and mastering departments at Metropolis Studios, then assisted producer Jim Adderson before running my own studio in Wembley for 12 years. After that I moved on to Sony Music, where I’ve been a senior engineer for the past six years.
Q: How would you describe your style?
A: Powerful, sonically interesting, and emotionally resonant.
Q: Which artist would you like to work with and why?
A: One that comes to mind is Tanya Tagaq, a Canadian Inuk throat singer. She blends throat singing with electronic music, brass, and band arrangements in a way that’s unlike anything I’ve heard. She has an incredibly creative approach to sound, able to move from beautiful sung notes to powerful, resonant throat drones. Her book Split Tooth is also inspiring. When I hear music that sounds unlike anything else—something I don’t fully understand—I want to know why, and I want to get behind it.
Q: Can you share one music production tip?
A: There are no real rules except this: music is about emotion. If you don’t connect emotionally with what you’re working on, how can a listener be expected to? Also, the space around a sound is just as important as the sound itself.
Q: What type of music do you usually work on?
A: I’ve worked across many styles—from major label pop to heavy rock, experimental electronics, and everything in between. Most of my freelance work has been electronic, experimental, soundscape-driven, psychedelic rock, heavy rock, and singer-songwriter projects.
Q: What's your strongest skill?
A: Attention to detail, a creative ear and being a friendly and approachable human
Q: What do you bring to a song?
A: I’d like to think I bring emotional sensitivity and a creative ear that connects with the musical and emotional intention of the track. Combined with years of technical and practical experience in mixing and production, I try to draw out or enhance that narrative to create something that resonates with listeners.
Q: What's your typical work process?
A: For any mix or production, the most important thing is understanding where the artist is coming from and what they are trying to say. I usually don’t ask for references. People can tell me what records they’ve enjoyed, but what I really want to know is why they wrote the song, how they felt at the time, and how they want listeners to feel. A reference track can tell me what someone likes, but it doesn’t always tell me anything about the emotional intention behind their music. Asking artists to reconnect with their original intention often helps them hear the music fresh again. When starting a mix, I’ll first listen to the rough or premix to understand the vision and how it aligns with the notes I’ve been given. Then I’ll start building the mix from the drums upward.
Q: Tell us about your studio setup.
A: I mix out of a studio in the countryside just north of Bath in the UK, surrounded by rolling green fields and natural daylight. My main monitors are ATC SCM25A with smaller speakers for reference, and I also use Audeze LCD-2 closed-back headphones. I run mixes and elements through analogue gear, including Neve 1081 preamps on the main mix bus and an SSL bus compressor. I also have equipment that adds character, such as a Thermionic Culture Vulture, WEM Copicat delay, Roland Space Echo units, and a collection of pedals. I often re-amp through vintage guitar and bass amps, including a 1950s Silvertone and an Ampeg B-15N, which are great for adding analogue warmth and giving soft synths life. In the same facility, I have access to a dedicated Atmos room with Focal speakers for immersive mixing, as well as a fantastic live room with an SSL Orion console for recording anything from full bands to small string ensembles.
Q: What other musicians or music production professionals inspire you?
A: Most of the people who inspire me don’t necessarily do the same job I do. I’ve been inspired by artists because they’ve let me in on their creative process. For example, I’d mention Powell, who I’ve worked with for over a decade. The records we’ve made together have shaped the way I approach other projects. Working with someone who does something unique or experimental changes how you hear records, no matter the genre.
Q: Describe the most common type of work you do for your clients.
A: My most common work is stereo mixing and recording live bands and instruments, with Atmos mixes becoming more and more of a mainstay. A lot of the artists I work with are trying to create something new—something that makes an artistic or emotional statement.