
Music Producer, Mix Engineer & Pianist | Pop • Electronic • Cinematic | 10+ Years Experience | Music Featured Worldwide on TV, Ads & Streaming
I began my musical journey as a classical pianist, earning a bachelor’s degree in classical piano performance before moving into jazz and pop, where I completed my master’s degree in piano. After touring with various bands, I transitioned into music production, creating music for TV, commercials, and artists worldwide.
I’ve produced numerous tracks for commercials and TV shows, many of which have been featured in global campaigns for brands such as AT&T, BBC, Fabletics, Genesis, Nissan, Netflix, Skechers, and Škoda, among others. While I enjoy the creative world of sync, my greatest passion is producing songs for artists. Over the past five years, I’ve collaborated with leading pop artists across Eastern Europe, including Anna Asti, one of the region’s Top 10 charting artists.
My sound blends modern pop energy, disco-funk grooves, electronic textures, and cinematic depth - crafted to create the right atmosphere for every project, from radio hits to film cues. I focus on music that feels alive, personal, and dynamic, combining lush synths and driving drums with warm pianos and spacious, polished mixes.
Versatility is at the core of my work - from emotional piano pieces to dance-pop anthems and cinematic scores. Whatever the vision, I bring emotion, precision, and a modern sound to every project.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Endorse Konstantin Garbuzyuk5 Reviews

Konstantin's, first of all, character is the rarest thing in the industry. He promises and delivers, all with wonderful talent, experience, honesty and precision. I recorded 9 tracks with him so far, and plan on doing more. Pro in every level. Dude is the real deal.

Konstantin's, first of all, character is the rarest thing in the industry. He promises and delivers, all with wonderful talent, experience, honesty and precision. I recorded 9 tracks with him so far, and plan on doing more. Pro in every level. Dude is the real deal.

Great experience working with Konstantin. He did an amazing job from start to finish and really nailed the vibe I needed for my song.

Konstantin was great to work with! We’ve been working together for more than couple of years, and he’s handled the recording and mixing for mine YouTube podcast channels, always delivering clean, professional sound. Super easy communication, quick turnaround, and he really knows his stuff. Definitely recommend!

Been working with Konstantin for a while now - we’ve done 4 songs for my album. Super easy to work with, great communication, and the mixes sound amazing. He really understands the vision and delivers every time. Highly recommend.
Interview with Konstantin Garbuzyuk
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I’m especially proud of a collaboration I did for a movie trailer, where we “trailerized” the song Amazing Grace and recorded an incredible vocalist. I co-produced and mixed the whole track, and the final result went beyond all expectations -it was such a cool project!
Q: What are you working on at the moment?
A: Right now I’m working on a song for a movie trailer, doing full production, and at the same time I’m making music for a TurboTax commercial -definitely keeping busy (not bragging, I promise!)
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes
Q: Analog or digital and why?
A: Give me both!
Q: What's your 'promise' to your clients?
A: My promise is to always give my best effort and treat every project with care, attention, and respect -no matter the size :D
Q: What do you like most about your job?
A: The most valuable part of this job is the people. Music and collaboration have a way of bringing people together in unexpected ways you’d never imagine, and that’s something I really love.
Q: What's the biggest misconception about what you do?
A: A common misconception is that producers can work for free. Creating music takes real time, focus, and energy, and I value working with clients where there’s mutual respect for each other’s time!
Q: What advice do you have for a customer looking to hire a provider like you?
A: The best results come when clients are clear about their vision but open to collaboration and new ideas. Communication and trust go a long way.
Q: What questions do you ask prospective clients?
A: I usually ask a lot of questions- sometimes it feels like thousands -to really understand what the client needs. I ask about references, the mood, the genre we’re aiming for, and I always encourage them to be as specific as possible so I can deliver exactly what they’re looking for.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Power source, Macbook, Interface, Keyboard, Microphone.
Q: What was your career path? How long have you been doing this?
A: I started out studying classical piano in college and then completed a master’s degree in pop and jazz. For the past 10 years, I’ve been producing music for commercials, brands, and pop artists, blending my classical training with modern production techniques.
Q: How would you describe your style?
A: My style is a blend of electronic, pop, and cinematic textures -catchy and modern, but with a sense of depth and emotion.
Q: Which artist would you like to work with and why?
A: If we’re dreaming, I’d love to work with Dua Lipa - her voice is so unique and stands out from everyone else. I’d also love to collaborate with someone like Post Malone- you never know what to expect from him, one day it’s trap, the next it’s country, and that kind of versatility is inspiring.
Q: Can you share one music production tip?
A: Know your core tools inside out -using what you really understand beats having hundreds of plugins you don’t.
Q: What type of music do you usually work on?
A: I mostly work across a variety of pop styles, creating music for commercials, TV shows, and pop artists.
Q: What's your strongest skill?
A: I’d say my biggest strength is being both a producer and a musician in one. I can play, create, and shape the track myself, which makes the whole process feel more musical and natural.
Q: What do you bring to a song?
A: I make songs sound radio/chart-ready while adding my own touch. Everyone brings a mix of skills and experiences, and my goal isn’t to copy anyone’s sound -it’s to create something I truly enjoy and feel proud of.
Q: What's your typical work process?
A: My process usually starts with creating the right atmosphere. I often begin on piano, coming up with chords and melodies that inspire me - but it can be any synth or instrument.I like to add effects early so I can really hear the vibe while producing.From there, I shape the track toward the genre, or for commercial projects, I focus on matching the music to the video.
Q: Tell us about your studio setup.
A: My setup is really geared toward flexibility and getting the best sound anywhere I need to work.I run a MacBook Pro with UA Audio Mk2, a bunch of plugins and synths, and keyboards. I track on high-end monitors and headphones like ATC SCM25 Pro, Neumann KH 120, and Audeze LCD-X. For instruments, I have a Fender P Bass, Fender Stratocaster, and Taylor Acoustic.
Q: What other musicians or music production professionals inspire you?
A: I get a lot of inspiration from watching how top producers actually work behind the scenes. Seeing their process really pushes me creatively. People like Ian Kirkpatrick, Pharrell, Zedd, Benny Blanco, and Mark Ronson are big inspirations for me.
Q: Describe the most common type of work you do for your clients.
A: Most of my work is music production for commercials, brands, and pop artists. For commercial projects, I’m used to fast turnarounds and tight deadlines -sometimes creating custom music for a 30-sec spot within 24 hours, which can get pretty crazy!

I was the Producer and Mixer in this production
- ProducerAverage price - $1500 per song
- Beat MakerContact for pricing
- Mixing EngineerContact for pricing
- Full instrumental productionContact for pricing
- PianoAverage price - $200 per song
- Keyboards - SynthAverage price - $200 per song
Contact for in depth details. Turn-arounds are generally quick!
- SHAED
- Kali Uchis
- Sabrina Carpenter
- ATC Scm25
- Audeze LCD-X
- UA Apollo
- Logic Pro
- Fender P-Bass
- Fender Stratocaster
- Taylor Acoustic
- Tons of plugins and VST



