
London based Recording, Mixing and Mastering Engineer with 100M+ streams worldwide. Expertise in Jazz, Soul, Hip-Hop, R&B, Indie records. Working out of major studios in London with analog and hybrid mixing/mastering suites.
I’m a London-based recording, mixing, and mastering engineer working across music, film, TV, and commercial projects, with credits on releases surpassing 100 million streams globally. With degrees in both Computer Engineering and Music Production & Sound Engineering, I combine technical precision with a deep sensitivity to musical performance and storytelling.
My work spans independent and major commercial projects, and I’ve collaborated with artists including Tom Misch, Hendrix Harris, Hako, Miss Blanche, Gulzar, and Ustad Zakir Hussain, among others. I began my career in Mumbai assisting on professional studio sessions for film, television, and recorded music, before relocating to London where I now work freelance with artists across jazz, soul, R&B, indie, hip-hop, and alternative music.
I regularly record and engineer sessions in professional studio environments and work primarily in Pro Tools and Logic Pro, with extensive analog consoles and outboard gear. I’m collaborative, detail-driven, and always focused on serving the song first, creating a process where artists feel comfortable, supported, and creatively free.
Whether you’re finishing a single, an album, or a sync-focused project, I aim to deliver mixes and masters that translate emotionally and technically across all platforms.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
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Interview with Dheer Modi
Q: What advice do you have for a customer looking to hire a provider like you?
A: Focus on quality and experience, over cheaper rates.
Q: Can you share one music production tip?
A: My one production tip is: Follow the feeling, not the numbers.
Q: What type of music do you usually work on?
A: I primarily work with RnB/Soul, Jazz and Indie Pop/Rock, but also have extensive experience with Hip-Hop, Punk Rock, Indian Classical, Classical/Orchestral music.
Q: What's your strongest skill?
A: My strongest skill would be Mixing and Mastering.
Q: What do you bring to a song?
A: I have about 7 years of professional industry experience, with a well developed ear and attention to detail. I myself am a professional performing and recording musician and artist, and understand the perspectives of the artists as well as the engineer. What I bring to a song is primarily my deep love for music, which helps me connect to the artist and their song and always prioritize what is best for the music.
Q: Tell us about your studio setup.
A: I work from multiple studios in London, with access to analog mixing desks like the SSL 6032 E Series, full analog outboard with custom 1176s, LA-2A, Fairchild 670, Neve 1073 OPX and DPX preamps, AMEK Mastering EQ, Manley Vari-Mu Tube Compressor, and many more, with PMC, ATC and Yamaha monitors. Additionally, I use industry standard plugins and software processing from Waves, Izotope, Plugin Alliance, UAD and more. I also have access to a wide collection of Condenser, Tubes, Ribbon and Dynamic microphones from Neumann, FLEA, Schoeps, AKG, United Technologies, Manley, Shure etc.
Q: Describe the most common type of work you do for your clients.
A: Vocal Recordings, Full Band Recordings, Music Production, Analog/Hybrid based Mixing and Mastering.

I was the Mixing and Mastering Engineer in this production
- Mixing EngineerAverage price - $400 per song
- Mastering EngineerAverage price - $70 per song
- Recording StudioAverage price - $500 per day
- Vocal compingAverage price - $50 per track
- Vocal TuningAverage price - $50 per track
- SSL 6000 E Series
- Manley VariMU Compressor
- Teletronix LA-2A
- 1176
- Custom Fairchild 670
- Distressor
- Neve 1073OPX Preamps
- Waves Bundle
- Izotope
- Plugin Alliance
- UAD



