Dolby Atmos Mixer, Mix & Master Engineer, Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: "Ella", my own single: I produced, sang, mixed and mastered it, and also mixed it in Dolby Atmos. It's the clearest example of my sound.

Q: What are you working on at the moment?

A: The All Santoz tour across Argentina, Chile and Uruguay (Nov-Dec 2026) and a collaborative album recorded on the road with a local artist from every city.

Q: What's your 'promise' to your clients?

A: Honest feedback, clear communication and a mix you're proud to release. If I think your song needs something else before mixing, I'll tell you.

Q: What questions do you ask prospective clients?

A: What are your references? Where will the song be released? What's your deadline? Do you need an Atmos version, instrumental or clean versions?

Q: What was your career path? How long have you been doing this?

A: I studied Music Production and Sound at EMBA (Buenos Aires, 2020-2023), got a certificate in mastering for streaming platforms at UNA with Pablo Rabinovich, worked as a music producer at Polo Cultural Saldias, and in 2026 I certified as a Dolby Atmos Music Mixer with Andres Mayo and Martin Muscatello. I also co-founded All Santoz, a creative community and label in Buenos Aires.

Q: How would you describe your style?

A: Warm, emotional and cinematic, with modern low end. Clean but never sterile.

Q: What type of music do you usually work on?

A: Trap, R&B, reggaeton, hip hop, Latin pop and Afro.

Q: What's your strongest skill?

A: Vocals. Making the voice sit in front, clear and emotional, over 808s that still hit hard.

Q: What do you bring to a song?

A: An artist's ear plus an engineer's method: I'm a singer and producer too, so I mix for the emotion of the song, not only for the meters.

Q: What's your typical work process?

A: You send stems, your rough mix and 1-2 references. I listen first and tell you what I hear, then deliver a first mix, take your notes, and finish with revisions until it feels right. Masters and alternate versions (instrumental, clean, a cappella) at the end.

Q: Tell us about your studio setup.

A: MacBook Pro M4 Pro with Ableton Live and Logic Pro (Dolby Atmos templates), SSL 2+ interface, Audio-Technica ATH-M50x headphones, studio monitors, Akai MPK Mini Plus. I check every mix on monitors, headphones and phone speakers.

Q: Describe the most common type of work you do for your clients.

A: Mixing and mastering urban and Latin songs (trap, R&B, reggaeton) for independent artists, Dolby Atmos versions of songs already released in stereo, and custom beats produced for the artist's voice.