Producer, mixer & keyboardist with credits including t.A.T.u., Jonathan Davis & Nuno Bettencourt. I deliver polished productions, authentic vintage keys, synth textures & mixes that bring songs to life — from intimate indie tracks to full pop productions.
Sven Martin is a producer and mixer with more than 30 years of studio and live experience. His credits include t.A.T.u., Jonathan Davis (Korn), Nuno Bettencourt (Extreme), Chris Shiflett (Foo Fighters), and Liz Phair. Drawing on his background as a musical director and keyboardist, Sven approaches every project with a focus on feel, dynamics, and emotional impact—always putting the song first.
In the studio, he creates productions that capture the right atmosphere for each artist, blending analog warmth with modern clarity and depth. His setup combines classic instruments such as the Wurlitzer, Rhodes, Juno, Moog, and Prophet with contemporary tools and software, resulting in cinematic, full-sounding, release-ready tracks.
From vocal enhancement and mix polishing to full-song production, Sven’s work emphasizes tone, texture, and balance while staying true to the artist’s intent. His decade of experience in broadcast audio adds a level of precision and translation that ensures every mix performs across platforms.
Based in Palm Springs and working remotely with artists worldwide, Sven delivers professional results with an emphasis on communication, collaboration, and musical integrity.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
3 Reviews
check_circleVerifiedSven delivered exactly what my track needed — tasteful synth layers and textures that felt like they belonged in the record. Super professional, fast turnaround, and great communication. Will definitely work with him again.
I heard a friend’s song played on NPRs All Songs Considered and the mix was so good I called her to find out who did it. She recommended Sven and he exceeded expectations in every way. He has great ears and his mixes really come to life. He offers helpful suggestions when he hears parts that can be strengthened. He’s also a consummate musician and a great guy too!
Sven recorded the piano parts for my EP, and it was a pleasure working with him. He arranged all the original songs as piano versions, and did an excellent job.
Interview with Sven Martin
Q: What type of music do you usually work on?
A: I usually work in the space between pop, electronic, and cinematic. From edgy pop hooks like my work with t.A.T.u., to retro-inspired synth textures in the vein of The Weeknd’s 80s-style productions and the pioneering sound of Giorgio Moroder, to atmospheric soundscapes reminiscent of M83 — I love blending performance and production to create music that’s both emotional and polished.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: t.A.T.u.’s “Show Me Love” Fabricated Remix. That one was super vibey and a lot of fun! Also we got to play this on stage while on tour and it really came alive then!
Q: What are you working on at the moment?
A: Mixing an unscripted TV show and producing new tracks under my chillout project Antares Lounge.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet — but I’m always happy to connect clients with the right collaborators.
Q: Analog or digital and why?
A: Both. Analog for instant inspiration and warmth, digital for precision and recall.
Q: What's your 'promise' to your clients?
A: Pro, musical results delivered on time — always keeping the song’s vision first.
Q: What do you like most about your job?
A: Helping artists hear their track come together and feel “finished.”
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: How fast can you turn things around? A: Usually within a few days, depending on complexity.
Q: What's the biggest misconception about what you do?
A: That I just “add some keys” or “fix the mix.” In reality, it’s creative decisions that shape the whole feel of the track.
Q: What questions do you ask prospective clients?
A: What vibe are you going for? Any references? What role should the keys/synths play?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Listen to credits and samples — and make sure the style and communication feel like a fit.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Roland Juno-60, Yamaha CS01II, Wurlitzer 200A, Macbook Pro, and interface.
Q: What was your career path? How long have you been doing this?
A: 20+ years as a touring keyboardist & MD (t.A.T.u., Jonathan Davis, Nuno Bettencourt, Liz Phair) and 10+ years as a re-recording mixer for TV/film.
Q: How would you describe your style?
A: Textured, vibey, and versatile — from subtle background layers to standout lead hooks.
Q: Which artist would you like to work with and why?
A: The War on Drugs — their blend of organic and electronic textures is inspiring.
Q: Can you share one music production tip?
A: Really craft and shape your reverb and delay trails — they define the space as much as the instruments.
Q: What's your strongest skill?
A: Blending performance and production. Knowing when to add, when to hold back, and creating catchy instrumental hooks.
Q: What do you bring to a song?
A: Tasteful textures, big hooks, vibe, and polish — always in service of the song, never overplayed.
Q: What's your typical work process?
A: I listen closely to the track, figure out what it needs, then add keys/synths or mix with focus on vibe, space, and balance. Communication throughout.
Q: Tell us about your studio setup.
A: Pro Tools–based hybrid rig with plugin synths, vintage keys, and analog/digital hardware (Juno, Moog, Rhodes, Wurly). Tracked through Arturia AudioFuse 16Rig, Avalon, and Amek/Neve preamps.
Q: What other musicians or music production professionals inspire you?
A: Trevor Horn, Max Martin, Trent Reznor, Kevin Parker (Tame Impala), Jack Antonoff, Reinhold Heil… and Roy Bittan on piano.
Q: Describe the most common type of work you do for your clients.
A: Keys/synth overdubs, production elements (loops, arps, fx, swooshes), and full-song mixes.
I was the Mix Engineer, Producer, all keys in this production
- Keyboards - SynthAverage price - $200 per song
- Mixing EngineerAverage price - $700 per song
- ProducerContact for pricing
3–5 day turnaround. 2 revisions included. Provide clean, labeled files. Standard Keys = 2 layers. Mix assumes prepped tracks; editing/tuning extra. Final WAV/AIFF delivered. Full production TBD.
- t.A.T.u.
- M83
- Kygo
- Roland Juno-60/106
- Moog Model D & Sub37
- Rhodes Suitcase 88
- Wurlitzer 200A
- Access Virus TI2
- JP-8000
- SH-101
- Yamaha CS01II (secret weapon)
- Korg Wavestate
- CX-3
- Prophet-style Pro-800
- boutique pedals
