Berklee-trained keyboardist delivering soulful Hammond B3, Rhodes, Wurlitzer & piano that elevate your songs. I’ve recorded at Electric Lady, The Magic Shop & Power Station, and worked with artists like Ron Pope & Casey Shea. Sync credits include 13 Reasons Why, Arrow, and Seven Seconds.
🎹 Berklee-trained keyboardist specializing in Hammond B3, Rhodes, Wurlitzer & piano
Experience & Credits
• Recorded/performed with: Ron Pope, Casey Shea, Great Elk, Zack Berkman, Matt Lenny, Bucky Hayes
• Recorded at legendary studios: Electric Lady, The Magic Shop, Power Station
• Music synced in: 13 Reasons Why, Arrow, Seven Seconds
• Performed on major stages across the U.S.
Studio & Gear
• Keys: 1955 Hammond B3 w/ Leslie, Rhodes Mark I, Boston by Steinway baby grand
• Mics: Neumann U87, U47, Shure SM7B, Sennheiser 421, RE20, Line Audio CM3, more
• Preamps: 1073s, API, SSL
• Outboard: LA-2A, 1176, SSL Buss Comp
• DAWs/Conversion: Pro Tools & Logic w/ Black Lion converters
• Full suites of plugins & synths
What I Deliver
• 🎶 Authentic, mix-ready keyboard tracks
• 🕐 Fast turnaround — 1 week per song
• 💬 Open communication & revisions
• Styles: rock, indie, soul, gospel, jazz, pop, cinematic
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Interview with Fletcher Scott
Q: Tell us about your studio setup.
A: My studio is built around vintage instruments and high-end recording gear. I track a 1955 Hammond B3 w/ Leslie, Rhodes Mark I, and Steinway baby grand through Neve, API, and SSL preamps, into LA-2A/1176/SSL Buss compressors and Black Lion converters. Sessions run in Pro Tools and Logic, with a full suite of plugins and synths.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by players like Billy Preston, Benmont Tench, Ray Charles, and Chuck Leavell — musicians who bring taste, soul, and restraint, always playing in service of the song.
Q: Describe the most common type of work you do for your clients.
A: Most often I record Hammond B3, Rhodes, Wurlitzer, and piano parts that add depth, feel, and soul to a track. I deliver clean, mix-ready stems that support the song without getting in the way.
I was the Keyboardist, Engineer in this production
- play_arrowGreat Elk - Two Weeks
- Keyboards - SynthAverage price - $150 per song
- PianoAverage price - $150 per song
- Electric GuitarAverage price - $150 per song
- Acoustic GuitarAverage price - $150 per song
1-week turnaround. Includes 1 revision per song. 50% deposit, balance on delivery. Full rights granted upon payment. Stems delivered as high-quality WAV/AIFF.
- Zach Bryan
- Ryan Adams
- Chris Stapleton
- 1955 Hammond B3 w/ Leslie
- Rhodes Mark I
- Steinway baby grand
- U87-style and U47-style condensers
- Shure SM7B
- Sennheiser 421
- RE20
- API preamps
- Neve 1073s
- SSL preamps
- LA-2A
- 1176
- SSL Buss Comp
- Black Lion converters
- Pro Tools
- Logic
