Professional and affordable analog mastering for various music genres, electronic musics are my main clients as I also work as... sound engineer in an electronic music club (C12) where I can try and listen to the masterings I do.
I recently started my own mastering studio alongside my job in an electronic music club in Brussels (C12).
This two experiences allows me to have a direct approach on the result of my masterings in real conditions.
I did mastering for electronic music labels like Temet Music or more acoustic works with the live sessions of "Exit presents", streaming or physical (vinyl, CD, tape...) mastering available. I worked with Ambient, Experimental, Techno, House, Progressive, EBM, Drum and Bass, IDM... and more live acoustic genres like Jazz, Soul, Funk, Rock...
I work with professional mastering equipments such as PMC Speakers and Audeze MM-500 Headphones, also using SSL, Bettermaker and Elysia and Antelope analog gears.
Contact me through the green button above and let's get to work.
Credits
5 Reviews
Endorse Odea Mastering
Paul is extremely meticulous and detail-oriented. He has the perfect gear for mastering in 2025 - exactly what you need to get outstanding results on your track. Go for it!
Highly recommended! I’ve had the chance to work with him on several projects and I’m always super happy with the results. The mastering quality is top-notch.
Great result ! my song sounds much better and more professional, really good job !
Great result ! my song sounds much better and more professional, really good job !
Amazing work on my EP ! We can really hear the difference before and after the mastering. thx a lot !
Interview with Odea Mastering
Q: What was your career path? How long have you been doing this?
A: I've been sound engineer for 4 years now after graduating from a sound engineer school where I've tried many aspects of sound related jobs. After working for radios and other mastering studios, I started my own studio while keeping a job as sound engineer in an electronic music club in Brussels called C12.
Q: How would you describe your style?
A: Trying to respect the mix as much as possible by adding or cutting what only needs to be.
Q: Can you share one music production tip?
A: Try to find a balance between the bass frequencies and the rest of the sound spectrum, sometimes everything works better by cutting just a bit of bass than adding everything else.
Q: What type of music do you usually work on?
A: Electronic music
Q: What's your strongest skill?
A: Listening and paying attention to details might be the things I care the more about
Q: What do you bring to a song?
A: I work trying to find a sound that is equal in all frequency ranges, to make the different parts of the sound express themselves.
Q: Tell us about your studio setup.
A: Monitoring : PMC Result 6, Audeze MM-500 Hardwares : SSL Fusion, Bettermaker Mastering Equalizer, Elysia xpressor, Antelope Pure 2 Softwares : Fabfilter plugins, Izotope RX, Ozone
Q: Describe the most common type of work you do for your clients.
A: Doing mastering for electronic music.
I was the Mastering Engineer in this production
- Mastering EngineerAverage price - $50 per song
No limit of revisions, discussion is always the key.
1-2 days for one track and up to 7 days for EPs and albums.
Vinyl, Cassette, Streaming and CD (DDP) masters available.
- Rodrigue Dubois
- Onohno
- TOGO
- PMC Result 6
- Audeze MM-500
- SSL Fusion
- Bettermaker Mastering Equalizer
- Elysia xpressor
- Antelope Pure 2
- Fabfilter plugins
- Izotope RX
- Ozone
Affordable 50$ per track mastering
