Tom Ellis Hall

Abbey Road Mastering Engineer

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6 Reviews
Tom Ellis Hall on SoundBetter

Abbey Road Mastering Engineer - Jordan Rakei, Kelli-Leigh, Kristen Hersh, The Beatles, Elton John and The Sex Pistols, plus many more legacy acts.

Tom is known for combining a musician’s ear with meticulous technical detail. His recent mastering projects include Jordan Rakei, Kelli-Leigh, Kristen Hersh and Dexys, alongside remastering work for Girls Aloud and Cass McCombs. He has also been integral to projects for The Beatles, Elton John and The Sex Pistols, plus many more legacy acts.

Tom’s path began as a bassist, later moving into the studio to collaborate with artists such as Adam Levine, Greg Alexander and The Overtones. Joining Abbey Road in 2016 as an assistant engineer, he soon made the move into the mastering team. With a particular appreciation for the depth and character of analogue workflows, Tom blends classic techniques with modern precision to create masters that bring out the full clarity, energy and emotion in every record.

Photo:@Louis Clackett

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Credits

Discogs verified credits for Tom Hall (34)
  • Axwell Λ Ingrosso
  • Axwell Λ Ingrosso
  • Polar Youth Feat. Georgie Allen (2)
  • Cid, Bahary, The Flying Lizards
  • Depeche Mode
  • Depeche Mode
  • Jay Pryor (2)
  • Chvrches
  • Depeche Mode
  • Robert Johnson (21)
  • Depeche Mode
  • Jay Pryor (2)
  • Depeche Mode
  • Depeche Mode
  • Syn Cole
  • Jay Pryor (2) + Steve James (23)
  • Jonas Blue & Retrovision (3)
  • Shaan (3) & Axel Johansson (4) Feat. Emelie Cyréus
  • Steve Void & Louisa*
  • Ten Ven
  • Sub Focus
  • The Shires
  • Jack Back
  • Alok (4), Martin Jensen & Jason Derulo
  • Joy Club
  • Love Legend & Alex Gaudino
  • Frequency Disasters
  • M-22, Lorne (5)
  • Depeche Mode
  • Depeche Mode
  • M-22 Feat. Rhea Melvin
  • M-22
  • Pig
  • Mike Oldfield
  • Dexys*
  • Rick Astley
  • Kestrels
  • Pig
  • Pig
  • Lisa Germano
  • Rick Astley

6 Reviews

Endorse Tom Ellis Hall
  1. Review by Emily Theodora
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    by Emily Theodora

    Tom was recommended to me by a friend to master my song ‘Anybody’. He made the process so enjoyable with easy communication and a can-do attitude. I felt comfortable to ask him for tweaks and he was quick to reply/send over files. Overall such a positive experience and I will be contacting him again for future songs! 100% recommend.

  2. Review by Alex Gordon - Audio Engineer
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    Tom has mastered a whole host of projects Iv mixed over the years, all varying in genre and have come back consistently elevated every time. He really knows how to get the best out of a mix and his approach is always tailored to the track. He’s also amazing when it comes to revisions and always happy to make some tweaks. Always a great experience from start to finish!

  3. Review by Luke Bluemink
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    by Luke Bluemink

    Tom has become my go to mastering engineer over the last couple years. Professional, good communication and great overall service.

  4. Review by Alex Evans
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    by Alex Evans

    Tom makes every track sound that extra bit better. I had the privilege to attend a mastering session with him and one of the tracks we were mastering called the Tinman had problems with harsh frequencies in the mid range. Tom very quickly worked his magic and made it sound amazing. Also we had other tracks which were a different range of styles and dynamics which he also did such a great job on. It was great to see his adaptability and see his attention to detail for each track.

  5. Review by Bethany Nelson
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    by Bethany Nelson

    Tom mastered my upcoming EP, ‘An Ode to Time Misspent’ and did a fabulous job. He works very efficiently and has great attention to deal with. In addition to this he is incredibly easy to communicate with and was set on getting the best results. Highly recommend

  6. Review by Justin
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    by Justin

    I always recommend Tom to my clients for mastering services. As a producer and mixing engineer, I get to work across many genres and different artists, and I can always rely on Tom's ear and careful consideration to really bring out the best in the song at the crucial final step. Tom's masters always retain their dynamics whilst still being loud enough to hit. Tom's track record is enough proof needed to know your music is in safe hands with him. 5/5 would recommend

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