Singer and Topline writer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: My solo concert with Oslo Politiorkester in 2022. I performed 10 songs, including one of my own compositions, which they arranged and played. It was a powerful moment where my songwriting and performance came together on stage with a full orchestra.

Q: What are you working on at the moment?

A: I’m preparing new performances with Tryllefløytene, developing original children’s songs, and collaborating with producers on fresh pop material.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Not yet personally, but I enjoy exploring the network of professionals here.

Q: Analog or digital and why?

A: Digital – for flexibility and creativity. It allows me to work quickly, experiment, and deliver polished results from my home studio.

Q: What's your 'promise' to your clients?

A: I will always deliver with dedication, honesty, and care. My goal is that you feel proud of the final result and that your song shines.

Q: What do you like most about your job?

A: That moment when an idea becomes music – when a melody or lyric clicks into place, or when a client hears their track complete for the first time.

Q: What questions do customers most commonly ask you? What's your answer?

A: They often ask: “Can you adapt your voice to my style of music?” My answer: yes – I’ve worked across genres and can tailor my tone and delivery to fit your vision.

Q: What's the biggest misconception about what you do?

A: That singing is just pressing record and performing once. Professional vocals require layers, consistency, and careful editing to fit perfectly into a production.

Q: What questions do you ask prospective clients?

A: I ask about the story they want to tell, references for style, vocal range preferences, and whether they want harmonies or just lead vocals.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Listen to how a vocalist conveys emotion, not just technical skill. A strong voice is important, but what connects with the listener is authenticity.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A good condenser mic, audio interface, laptop with Logic, piano keyboard, and quality headphones. With those five, I could keep creating anywhere.

Q: What was your career path? How long have you been doing this?

A: I started violin at Barratt Due Institute of Music, then studied Music, Dance and Drama at Manglerud VGS. I trained with vocal coaches, completed songwriting and production courses, and since 2019 I’ve performed with the ensemble Tryllefløytene. I also had a solo concert with Oslo Politiorkester, where they arranged and performed one of my original songs. Music has been central to my life since childhood.

Q: How would you describe your style?

A: Melodic, emotional, and versatile. I combine the clarity of classical training with the expression and edge of pop.

Q: Which artist would you like to work with and why?

A: Andrew Lloyd Webber – his works inspired me to sing in the first place. I would also love to collaborate with Scandinavian producers who create cinematic pop, because that’s where I feel my voice and writing thrive.

Q: Can you share one music production tip?

A: Build around the vocal. A strong song needs space for the vocal to breathe. Don’t crowd the arrangement – let melody and voice carry the emotion.

Q: What type of music do you usually work on?

A: I move between pop, musical theatre, classical crossover, and children’s music. My background allows me to adapt quickly and deliver what the project needs.

Q: What's your strongest skill?

A: Melody and vocal delivery. I’ve been creating melodies since childhood, and I have a strong ear for harmonies and arrangements that enhance the lead vocal.

Q: What do you bring to a song?

A: Authenticity, storytelling, and a clear soprano voice that can shift from powerful and theatrical to soft and intimate. What's your s

Q: What's your typical work process?

A: I start by understanding the story and emotion behind the project. If I’m writing, I sketch melody ideas first, then lyrics and harmonies. If I’m recording, I deliver multiple takes, harmonies, and ad-libs so the producer has a rich palette to work with.

Q: Tell us about your studio setup.

A: I work from a home studio equipped with a condenser microphone, vocal booth setup, audio interface, and Logic Pro for recording and arranging. For writing and arranging I also use piano as my main instrument

Q: What other musicians or music production professionals inspire you?

A: Andrew Lloyd Webber has shaped much of my vocal journey, but I also draw inspiration from artists like Christina Aguilera, Celine Dion, and contemporary Scandinavian pop writers who master melody and emotion.

Q: Describe the most common type of work you do for your clients.

A: I provide professional vocals and topline writing. That includes lead vocals, harmonies, and custom-written melodies – whether for pop tracks, musical theatre, or more intimate projects such as weddings and memorials.