
Italian mastering engineer with 20+ years of experience, trusted by major and independent artists. I craft sonically rich, hi-end masters with warmth, depth, musicality and clarity. Every release is polished to perfection, translating flawlessly across analog and digital formats, making your music truly stand out.
Tommy Bianchi began his professional career as a mastering engineer in 2006, following many years as a musician and music producer. A trained saxophonist, he brings a refined musical ear and artistic sensitivity to every project. Based in the countryside of Florence, Italy, he has mastered over 100,000 tracks for artists, labels, and companies worldwide.
Working with high-end analog mastering equipment, premium converters, and reference-grade monitoring systems, Tommy delivers powerful, detailed, and emotionally engaging masters across electronic, pop, hip-hop, rap, urban, rock, jazz, folk, and acoustic music. His hybrid analog workflow allows him to achieve warmth, depth, cohesion, and sonic precision while preserving the integrity and intention of the original mix.
With more than 20 years of experience in music, he combines advanced technical expertise with deep musical understanding. Respect for the mix is the foundation of his philosophy: enhance without compromising. Known for his reliability and consistently high success rate, Tommy ensures every master translates flawlessly across streaming platforms, CD, and vinyl, helping artists release music that truly stands out.
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Credits
- Irene Grandi
- Elio e Le Storie Tese
- Max Pezzali
- Patty Pravo
- Dirotta su Cuba
- Finley
- Funk Off
- Loredana Errore
- Matteo Becucci
- Marco Masini
- Alessandro Finaz
- Stylophonic
- Thomas Bocchimpani
- Reset!
- Diaframma
- Paolo Vallesi
- Marco Parente
- Fabrizio Moro & Ultimo
- Annalisa
- PUPO
- Post- CSI
- Marlene Kuntz
- Francesco Di Giacomo
- Alexander Robotnick
- Francesco Farfa
- Alex Neri
- Filippo Nardi
- Gianni Maroccolo
- Paolo Fresu
- Vacca
- Rondo Da Sosa
- venerus
- Biba Band
- Perigeo
- Paolo Benvegnù
- Tommaso Novi
- Sting
- The Stickmen
- Raf
- K'Un Experience
- K'Un Experience / Blade From Jestofunk*
- Velvet Score
- Metùo
- Bobby Joe Long's Friendship Party
- K'Un Experience
- K'Un Experience / Blade From Jestofunk*
- Velvet Score
- Metùo
- Irene Grandi
- unePassante
- Monnalisa (2)
- Carlot-ta
- Carlot-ta
- Annalisa*
- Colossius
- Rio Mezzanino
- Ragazzi Scimmia
- Sine Code
- Inventionis Mater
- Celluloid Jam
- Inventionis Mater
- Millelemmi
- Antonio Aiazzi
- Carlo Mercadante
- Bobby Joe Long's Friendship Party
- Paolo Benvegnù
- Bobby Joe Long's Friendship Party
- Ether (3)
- Germano Seggio
- 16 Barre, Watch The Dog
- Edible Woman
- unePassante
- Edible Woman
- Opus Dei (2)
- Sancta Sanctorum
- Color Swing Trio
- Ether (3)
- Carlot-ta
- Unmade Bed
- Tomviolence
- Carlot-ta
- Camillocromo
- Colossius
- Annalisa*
- Finaz
- L'Armata Brancaleone (2)
- Martinicca Boison
- The Venkmans (2)
- Rio Mezzanino
- Annalisa*
- Marlene Kuntz
- Pezzone
- Funk Off
- unePassante
- Edipo E Il Suo Complesso
- Ragazzi Scimmia
- Alessio Menconi
- La Notte Dei Lunghi Coltelli
- Diaframma
- Tanks And Tears
- Herrera*
- The Bad Mexican
- Sine Code
- Unmade Bed, Lips Against The Glass
- Duccio Bertini, Rainbow Jazz Orchestra
- Inventionis Mater
- Episcopio Vistarama
- Hand (10)
- The Clover
- Amycanbe
- Volume Sick + Ultimarata
- Daniele Baldelli
- Daniele Baldelli
- Funk Off
- Elisa Montaldo
- Fenix Tales
- The Nico Gori Quartet*
- Nadie
- John Princekin
- Spettri*
- Hero Shima (2)
- Ozmotic | Fennesz
- Post-CSI
- Del Sangre
- Inventionis Mater
- Duccio Bertini & Susana Sheiman
- Trio Bobo
- ⁄handlogic
- Silent People (2)
- Elio E Le Storie Tese
- Daniele Baldelli
- Daniele Baldelli
- Duo Bucolico
- Karl Marx Was A Broker
- Death SS
- Millelemmi
- The Panicles
- Daniele Baldelli
- Marco Masini
- SPO
- Malasuerte Fi★Sud*
- Lska
- Marco Parente
- Daniele Baldelli
- Daniele Baldelli
- Antonio Aiazzi
- Godblesscomputers
- Altre Di B
- YOUAREHERE
- Out Of The Edge
- Mala (17)
- Malasuerte Fi-sud
- Colossius
- Tony Esposito
- Cervello
- Leonardo Radicchi Arcadia Trio
- Paolo Tarsi
- Il Solito Dandy
- Adele Pardi
- Fabio Orsi
- I Gassman
- Woof (6)
- Dj Myke
- Mario Acquaviva
- Dirotta Su Cuba
- Riccardo Giagni
- Bobby Joe Long's Friendship Party
- Trio Bobo
- Pepe Maina
- Bobby Joe Long's Friendship Party
- Various
- Il Vuoto Elettrico
- Paolo Benvegnù
- Gente Vergine
- Fresu* • Magoni* • Petrella* • Diodati* • Ponticelli* • Meyer*
- Fresu* • Magoni* • Petrella* • Diodati* • Ponticelli* • Meyer*
- Paolo Fresu
- Ginevra (6)
- Elisa Montaldo
- Dj Aladyn feat. DJ Gruff
- Krishna Biswas | Giovanni Vannoni
- Bobby Joe Long's Friendship Party
- Perigeo
- Krishna Biswas
- Capanni*
- Inventionis Mater Feat. Napoleon Murphy Brock*
- Giovanni Vannoni
- La Femme (4)
- Paolo Fresu
- Bob Robert
- Gianni Bini
- Biba Band
- Krishna Biswas
- The Pepiband
Languages
- English
Endorse TOMMY BIANCHI6 Reviews
check_circleVerifiedGreat master! Such an amazing job, very clean sound and kept the original mix flavor intact

Whenever complex issues arise in my studio, I can't help but turn to Tommy. Besides having been my teacher for many years, he's a supreme professional, always available and attentive to detail. He has a refined musical taste that I don't find in other colleagues. Anyone who cares about their musical project, in my opinion, can't help but trust a professional like Tommy.

The best choice ever for my production. Since my very first experience with Tommy I realized how lucky I was meeting someone so skilled and with such amount of expertise. Since my discography included variously and different genres, I was really shook about his great versatility. He's also such a true and genuine "good Music" lover, and he helped me very often with my mixing with precious feedback. He's a superb musician, too. Tommy Bianchi is highly recommended.

Best italian mastering engineer !!!

I work with Tommy since 10 years on different types of music and he always can get out the best from tour mix. He has great gear and deep musical consciousness

My favourite mastering engineer
Interview with TOMMY BIANCHI
Q: What are you working on at the moment?
A: Jazz and pop music vinyl albums
Q: Analog or digital and why?
A: hybrid is the best choice. DIGITAL COMPLEMENTS THE LIMITS OF ANALOGUE AND ANALOGUE COMPLEMENTS DIGITAL.
Q: What do you like most about your job?
A: Save terrifying sounding mixes
Q: What questions do customers most commonly ask you? What's your answer?
A: How much might it costs an album mastering? Not cheap, I'm one of the last sound quality craftsman.
Q: What's the biggest misconception about what you do?
A: Mastering ever can correct mixing mistakes
Q: What advice do you have for a customer looking to hire a provider like you?
A: Respect for the mix, clean, balanced and musically very beautiful sound
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MASELEC MLA 3, TUBETECH CL1B, PENDULUM PL2, MANLEY BACKBONE, LAVRY MX122HD
Q: What was your career path? How long have you been doing this?
A: From 2006
Q: How would you describe your style?
A: musical and prefect
Q: Which artist would you like to work with and why?
A: Donald Fagen, Daft Punk, Depeche Mode, Drake
Q: Can you share one music production tip?
A: Send the AD converter on RED ZONE!
Q: What type of music do you usually work on?
A: Jazz, electronic music, house, techno, pop, acoustic, drum'n'bass, urban, hip hop, rap, rock, classical
Q: What's your strongest skill?
A: Vinyl cutting optimization
Q: What do you bring to a song?
A: Depth, 3D sound, musical frequencies balance, glue, warm, sculpted details, de-harsh and de-muddy sound, satin and smoothed high frequencies, hi and low end shaped, high loudness.
Q: What's your typical work process?
A: My typical work process is to eleiminate every harsh or muddy frequencies from the mix in order to rebalance e redistribute energy at the sound where is needed. High LUFS loudness values as mastering result is not a problem.
Q: Tell us about your studio setup.
A: The studio setup is based on hi end mastering grade analog outboards as Maselec, Thermionic Culture and Manley, Lavry MX 122 HD, Lavry Blue and Lynx converters. Pro Tools Ultimate in HDX domain iks the DAW. I often use some audio digital plugins for a very effective hybrid mastering session as Fab Filter, Ozone, Acustica Audio, Eventide and more.
Q: What other musicians or music production professionals inspire you?
A: Donald Fagen, Chemical Brothers, Depeche Mode, Massive Attack, Peter Gabriel, Billie Eilish, Daft Punk
Q: Describe the most common type of work you do for your clients.
A: Audio mastering for digital streaming platforms, digital distribution, CD and Vinyl

I was the Mastering Engineer in this production
- Mastering EngineerAverage price - $125 per song
Tommy allows 2 free revision for song, every else revision costs 40 Euro.
- Depeche Mode
- Daft Punk
- The Chemical Brothers
- MASELEC
- TUBETECH
- THERMIONIC CULTURE
- MANLEY
- LAVRY
- LYNX
- DANGEROUS MUSIC
- PENDULUM AUDIO
Special discount for SoundBetter Visitors: for more than 7 songs to be mastered, Tommy applies a 15% discount.



