muz on SoundBetter

I help serious artists translate their ideas into original, fully custom records without messy workflows

I’m a music producer focused on original, keyboard-driven production for artists who take their craft seriously.
My work emphasizes musicality, clarity, and records that translate in real-world release environments. All production is created from scratch — no sourced loops — with attention to arrangement, performance, and artist identity.
How I work:
• You share references, demos, or direction
• I build production around vocals or concepts
• We agree on scope, timeline, and compensation before starting
I only commit to projects where expectations are clear on both sides. Once agreed, we work within the defined timeline until the record is complete.
Mixing and mastering can be handled by your preferred engineer if needed.
I work best with artists who have a clear vision and long-term intent.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Discogs verified credits for Mongorillo Dreams

Various
Various

Languages

English

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Interview with muz

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I’m most proud of projects where the process was clear and the record moved smoothly from idea to release. My role was handling the production end-to-end and ensuring everything was ready for distribution.
Q: What are you working on at the moment?
A: I’m currently working on several exclusive records intended for upcoming releases.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I’m open to recommending engineers or collaborators when a project calls for it, depending on the artist’s needs.
Q: What questions do you ask prospective clients?
A: I ask about their goals for the record, where it’s being released, timeline expectations, and how decisions will be made.
Q: What was your career path? How long have you been doing this?
A: I’ve been producing for several years, developing my sound through consistent practice, independent projects, and direct collaboration with artists. My focus has increasingly shifted toward structured, release-ready work.
Q: Which artist would you like to work with and why?
A: I’m less focused on specific names and more interested in working with artists who have a clear direction and are actively releasing music.
Q: What's your typical work process?
A: We start by aligning on direction, references, and scope. Once expectations, timeline, and compensation are agreed upon, I produce within that framework and deliver iterations until the record is complete.
Q: Tell us about your studio setup.
A: My setup is intentionally simple and efficient, centered around a keyboard-based workflow. It’s designed for writing, arrangement, and clean delivery rather than collecting gear.
Q: Analog or digital and why?
A: Digital, for flexibility and efficiency. The results matter more than the tools.
Q: What's your 'promise' to your clients?
A: Clear communication, original production, and a process that respects their time and goals.
Q: What do you like most about your job?
A: Helping artists turn abstract ideas into finished records that can actually be released.
Q: What questions do customers most commonly ask you? What's your answer?
A: Clients usually ask about timelines and revisions. My answer is that both are agreed upon upfront so the process stays focused and efficient.
Q: What's the biggest misconception about what you do?
A: That production is about adding complexity. In reality, it’s often about making disciplined decisions and knowing when to stop.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone who communicates clearly, understands release requirements, and respects timelines as much as creativity.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A keyboard, a laptop, a reliable DAW, headphones, and an audio interface — enough to write and finish records without distractions.
Q: How would you describe your style?
A: Original, musical, and restrained. The goal is to make records that hold up over time, not just in the moment.
Q: Can you share one music production tip?
A: Melody is the only thing anyone will remember.
Q: What type of music do you usually work on?
A: I work across contemporary styles, primarily in lanes where musicality, rhythm, and vocal-forward production matter. The exact genre is secondary to the artist and the record’s purpose.
Q: What's your strongest skill?
A: Translating an artist’s idea or emotion into a finished, usable record without overcomplicating the process.
Q: What do you bring to a song?
A: Clarity. I focus on structure, musical coherence, and making sure the production supports the artist rather than competing with them.
Q: What other musicians or music production professionals inspire you?
A: I’m more influenced by producers and artists who prioritize longevity, restraint, and strong musical foundations rather than trends. I pay close attention to how records are structured and finished, not just how they sound initially.So Max Martin,Rod Temperton,Bary Gibb.
Q: Describe the most common type of work you do for your clients.
A: I primarily produce original records for artists, either building production around existing vocals or developing instrumentals tailored to a specific sound or project. Most work is exclusive and intended for release.
Q: Analog or digital and why?
A: Does't matter if it's a hit.
Q: What's your 'promise' to your clients?
A: A hit.
Q: What do you like most about your job?
A: It's not work.
Q: What questions do customers most commonly ask you? What's your answer?
A: "How are you able to do it all so well?" "I'm the shit"
Q: What's the biggest misconception about what you do?
A: That I'm god.
Q: What advice do you have for a customer looking to hire a provider like you?
A: you're about to get your first hit.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Keyboard,computer,mic,headphones,soundcard.
Q: How would you describe your style?
A: Different,unconventional.
Q: Can you share one music production tip?
A: Melody is the only thing anyone will remember.
Q: What type of music do you usually work on?
A: Hiphop
Q: What's your strongest skill?
A: The beat
Q: What do you bring to a song?
A: timelessness
Q: What other musicians or music production professionals inspire you?
A: max martin
Q: Describe the most common type of work you do for your clients.
A: production and writing hooks
Q: Analog or digital and why?
A: Does't matter if it's a hit.
Q: What's your 'promise' to your clients?
A: A hit.
Q: What do you like most about your job?
A: It's not work.
Q: What questions do customers most commonly ask you? What's your answer?
A: "How are yoy able to do it all so good?" "I'm the shit"
Q: What's the biggest misconception about what you do?
A: That I'm god.
Q: What advice do you have for a customer looking to hire a provider like you?
A: you're about to get your first hit.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Keyboard,computer,mic,headphones,soundcard.
Q: How would you describe your style?
A: Different,unconventional.
Q: Can you share one music production tip?
A: Melody is the only thing anyone will remember.
Q: What type of music do you usually work on?
A: Hiphop
Q: What's your strongest skill?
A: The beat
Q: What do you bring to a song?
A: timelessness
Q: What other musicians or music production professionals inspire you?
A: max martin
Q: Describe the most common type of work you do for your clients.
A: production and writing hooks
Q: Analog or digital and why?
A: Does't matter if it's a hit.
Q: What's your 'promise' to your clients?
A: A hit.
Q: What do you like most about your job?
A: It's not work.
Q: What questions do customers most commonly ask you? What's your answer?
A: "How are yoy able to do it all so good?" "I'm the shit"
Q: What's the biggest misconception about what you do?
A: That I'm god.
Q: What advice do you have for a customer looking to hire a provider like you?
A: you're about to get your first hit.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Keyboard,computer,mic,headphones,soundcard.
Q: How would you describe your style?
A: Different,unconventional.
Q: Can you share one music production tip?
A: Melody is the only thing anyone will remember.
Q: What type of music do you usually work on?
A: Hiphop
Q: What's your strongest skill?
A: The beat
Q: What do you bring to a song?
A: timelessness
Q: What other musicians or music production professionals inspire you?
A: max martin
Q: Describe the most common type of work you do for your clients.
A: production and writing hooks