I am a digital music composer specializing in orchestral soundtracks for video games and film.
While mostly doing freelance side jobs for little groups here and there, I am now looking to branch out and find new opportunities to make music for people who are looking for that natural orchestral sound.
Contact me through the green button above and let's get to work.
Interview with Symphonix Rex
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: There is a little game called "Kingdom Life" on a platform called Roblox and I made the most songs with that project.
Q: What are you working on at the moment?
A: I am currently trying to refine my skills in drums and the usage of drums in the style that I use.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I am new to this site, so I don't know anyone yet.
Q: Analog or digital and why?
A: Digital, having to hire and entire orchestra would be VERY pricey, and I want my music to be available to many.
Q: What's your 'promise' to your clients?
A: That I will always take your feedback and apply it to the best of my ability.
Q: What do you like most about your job?
A: Being able to fit my music into someone's project. It's neat to watch or play something and I can go "That's my music!"
Q: What questions do customers most commonly ask you? What's your answer?
A: Do you use a real orchestra for your music? I do not, I use libraries from mostly Spitfire BBC
Q: What's the biggest misconception about what you do?
A: People think I can only do Orchestral soundtracks, but I am well versed in making music other than Orchestral
Q: What questions do you ask prospective clients?
A: What is the feel of your project you are trying to go for and does my style fit?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Use constructive criticism, composers want what you want and if you don't provide strong feedback, it's difficult to make what you envision. Don't worry about hurting my feelings.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: long range transmitter, electrical generator, cords, med kit, and my Cello
Q: What was your career path? How long have you been doing this?
A: I have been developing my skills for 7 years; I started working with creators and developers about 4 years ago.
Q: How would you describe your style?
A: Modern Soundtrack Orchestras, something you would hear in Final Fantasy, or a recent adventure game like Legends of Zelda
Q: Which artist would you like to work with and why?
A: Michael Allen, they are a small artist, but they make music that is really catchy yet calming and their recent project Jumplight odyssey he uses one of my favorite genres of music.
Q: Can you share one music production tip?
A: get very familiar with your DAW knowing the ins and outs of it can help you go a long way.
Q: What type of music do you usually work on?
A: slow and melancholy, or very fast pace jumpy action.
Q: What's your strongest skill?
A: Being able to melt multiple instruments really well into a song
Q: What do you bring to a song?
A: strong melody, use of multiple instruments, and can be enjoyable background music
Q: What's your typical work process?
A: Compose the melody and build off of that then do sound mixing and finish off by refining any parts that need it.
Q: Tell us about your studio setup.
A: I use a Komplete Kontrol 88 keys MK2 keyboard and use Ableton as my primary DAW
Q: What other musicians or music production professionals inspire you?
A: Michael Allen, George William, Hiroshi Miyagawa
Q: Describe the most common type of work you do for your clients.
A: Video game soundtrack composing
I was the sole composer in this production
- Composer OrchestralAverage price - $50 per song
- Songwriter - MusicAverage price - $50 per song
