Sax- Flute Production

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I’m proud of all my releases — each is a testament to my craft and creative vision. Explore my work here: Siraj Plays | Bliss Stream | Cinematic Power

Q: What are you working on at the moment?

A: My fourth studio album.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Not currently.

Q: Analog or digital and why?

A: Digital — ultimate flexibility, instant recall, and a cleaner workflow without the cost and upkeep of analog.

Q: What's your 'promise' to your clients?

A: Love it, or it’s free.

Q: What do you like most about your job?

A: Bringing ideas to life and watching them evolve into music that moves people.

Q: What questions do customers most commonly ask you? What's your answer?

A: Q: Can you make it sound radio-ready? A: Absolutely — as long as the source material is solid.

Q: What's the biggest misconception about what you do?

A: That it’s easy — decades of mastery make it look easy.

Q: What questions do you ask prospective clients?

A: What’s your vision, and what do you want your audience to feel?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Work with someone who sees your vision — and won’t stop until it’s fully realized.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Saxophone, flute, microphone, digital recorder, and a portable production setup.

Q: What was your career path? How long have you been doing this?

A: Over 50 years of creating, performing, and producing — constantly evolving to stay ahead of the curve.

Q: How would you describe your style?

A: A blend of tradition and innovation — timeless techniques with fresh, eclectic influences.

Q: Which artist would you like to work with and why?

A: Hans Zimmer — for his unmatched ability to compose cinematic worlds that resonate emotionally and sonically.

Q: Can you share one music production tip?

A: Mixing begins long before the mix session. Start with clean, perfectly performed tracks — it’s the foundation of a great record.

Q: What type of music do you usually work on?

A: Jazz, Smooth Jazz, Hip-Hop, Neo-Soul, R&B, Cinematic, Latin & Brazilian, Gospel, and Meditation — always tailored to the project’s unique vibe.

Q: What's your strongest skill?

A: Turning innovative ideas into polished, market-ready productions.

Q: What do you bring to a song?

A: Distinctive creativity and that signature “spark” that makes a track unforgettable.

Q: What's your typical work process?

A: Every project begins with the client’s vision. From there, I shape every note, tone, and texture to match the mood, message, and emotional impact the artist wants to deliver.

Q: Tell us about your studio setup.

A: A powerhouse Mac Studio M2 setup, Apollo Interface, Avalon Mic Pre, Bricasti Reverb, Crane Song Avocet Monitor Controller, Eventide H3000 DSE, CLA-200 Amp, Yamaha NS-10M, Genelec monitors, plus an arsenal of synths and controllers — all tuned for pristine, professional sound.

Q: What other musicians or music production professionals inspire you?

A: From the soulful mastery of James Moody and Jaki Byard to the orchestral brilliance of Hans Zimmer, I draw from legends who push creative and technical boundaries.

Q: Describe the most common type of work you do for your clients.

A: I deliver complete music solutions — composition, production, mixing, mastering, and performance — blending technical precision with creative artistry to produce tracks that stand out and connect with audiences.