I have a BSc Audio Production from SAE and located in London.
I specialise in clear, dynamic mixes that feel natural, balanced, emotional and true to your sound.
I've worked in multiple disciplines ranging from DJing to theatre and film production
SERVICES
MUSIC
Stereo file mix & master - £60
10 stem mix & master- £150
20+ stem mix & master - £300
FILM
For Post Production Services, please send me a message to discuss pricing.
QUALIFICATIONS
BSc in Audio Production
SAE Institute, Glasgow – 2021
Music Educator Level 4 Diploma (Distinction)
- Access to Music, London – 2011
CTLLS (Music Bias)
City & Guilds, Access to Music – 2011
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Julie-Anne Murphy
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Sound Recordist and Sound Assistant for Chrystal Roses’ feature film “Reparations”.
Q: What are you working on at the moment?
A: This week I am; Sound recording for a feature film and working on post production mixing a short film
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not sure, still browsing!
Q: Analog or digital and why?
A: Best of both
Q: What's your 'promise' to your clients?
A: To keep their sound authentic and not detract from the original message and vibe
Q: What do you like most about your job?
A: The geek factor!
Q: What's the biggest misconception about what you do?
A: Mixing can fix a bad recording
Q: What questions do you ask prospective clients?
A: What are your expectations for the mix?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Establish what your needs are - budget, vision, timescale Check the providers work Assess Experience and their gear Communicate clearly
Q: What was your career path? How long have you been doing this?
A: DJ > Music Production studies with various learning establishments > Theatre production > Film production. Been at it a few years!
Q: How would you describe your style?
A: Balanced
Q: Which artist would you like to work with and why?
A: An experimental artist I haven’t heard of yet
Q: Can you share one music production tip?
A: Less is more
Q: What type of music do you usually work on?
A: Various
Q: What do you bring to a song?
A: The glue
Q: What's your typical work process?
A: Prep Routing Mix Processing Automation & FX Mix Bus Treatment Final Checks Export & Deliver
Q: What other musicians or music production professionals inspire you?
A: Too many to mention!
Q: What's your strongest skill?
A: EQing for clarity
Q: Tell us about your studio setup.
A: Roland Jupiter X Roland FA-08 Logic Pro X Avid Pro Tools Izotope RX.Advanced 11 Zoom H6 Essential Zoom F6 Rode Go II mics + lavaliers (Omni) Rode NTG5 (Condensor/Supercardiod) AKG C7 Mic (Condensor/ Supercardiod) Universal Audio Preamp Genelec Monitors Audio Technica Headphones Seinheiser Headphones Various software plugins (Waves, Abbey Road, Scheps, UAD, Izotope etc)
Q: Describe the most common type of work you do for your clients.
A: I have most recently been working in film after working in theatre for some time, getting back into track mixing after a break. You can find a list of my projects on my Mandy profile here; http://www.mandy.com/crew/julie-anne-murphy
I was the Mixing Engineer in this production
Delivery scope - 7 days from receipt of stems
