Mixing & Mastering Engineer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I have worked with one and only Brooklyn's Silent Knight on a project called Ceasing Greatings available on spotify and to listen to on my profile.Artist was featured on Wu-Tang An American Saga

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: N/A

Q: Analog or digital and why?

A: ​Both analog and digital approaches offer unique advantages in music production. Analog equipment is renowned for imparting warmth and character to recordings, often through natural saturation and harmonic distortion. This can add depth and a pleasing coloration to the sound. ​ Mixing Monster On the other hand, digital tools provide precision, flexibility, and convenience. They allow for detailed editing, easy recall of settings, and seamless integration with modern workflows. Digital systems also offer a higher dynamic range and are less susceptible to degradation over time. ​ Wikipedia +1 Chosen Masters +1 Many professionals adopt a hybrid approach, leveraging the strengths of both analog and digital technologies to achieve the desired sound quality and workflow efficiency. ​ Chosen Masters Ultimately, the choice between analog and digital depends on the specific needs of the project and the desired sonic characteristics.

Q: What's your 'promise' to your clients?

A: 🎧 My Promise to You I will treat your music with the same care and dedication as if it were my own. My goal is to deliver a mix and master that not only meets but exceeds your expectations—bringing clarity, punch, and vibe to every track.​ You'll receive: Timely delivery within 3–7 days Limited revisions to fine-tune your sound Open and honest communication throughout the process A final product that translates well across all playback systems​ Your satisfaction is my top priority. Let's make your music shine.​

Q: What do you like most about your job?

A: ​What I love most about my job is the opportunity to transform raw recordings into polished, impactful tracks that resonate with listeners. There's a unique satisfaction in enhancing the clarity, balance, and energy of a song, ensuring it translates well across various playback systems. Being part of an artist's creative journey and helping bring their vision to life is incredibly fulfilling.​ Additionally, the dynamic nature of mixing and mastering keeps me engaged. Each project presents its own set of challenges and learning opportunities, allowing me to continuously refine my skills and stay updated with evolving music trends and technologies.​ Ultimately, the joy comes from knowing that my work contributes to the music people enjoy and connect with, making all the effort worthwhile.

Q: What questions do customers most commonly ask you? What's your answer?

A: 1. "How long will it take to get my mix/master back?" I typically deliver within 3–7 days, depending on the project's complexity and my current schedule.​ 2. "How many revisions are included?" I offer limited revisions to ensure the final product aligns with your vision.​ 3. "Can you make my vocals stand out more?" Absolutely. I specialize in enhancing rap vocals to ensure they are clear, present, and sit perfectly in the mix.​ 4. "Do you provide mastering as well?" Yes, I offer both mixing and mastering services to deliver a polished, radio-ready track.​ Gearspace +4 Mr Mix and Master +4 Pitchfork +4 5. "What file formats will I receive?" You'll receive the final mix in WAV and MP3 formats. Additional formats or stems can be provided upon request.​ Wikipedia +3 Mr Mix and Master +3 ProSoundWeb +3 6. "Do you need reference tracks?" Yes, providing reference tracks helps me understand your desired sound and ensures the final product meets your expectations.​ 7. "Can you work with my home recordings?" Yes, I can work with home recordings. However, the better the initial recording quality, the better the final mix will be.​ 8. "What genres do you specialize in?" I primarily work on rap and hip-hop, but I'm open to other genres and always aim to bring out the best in every track.

Q: What's the biggest misconception about what you do?

A: ​One of the biggest misconceptions about mixing and mastering is that these processes can "fix" a poorly recorded or unbalanced track. In reality, mixing and mastering are about enhancing and polishing a well-prepared mix, not rescuing a flawed one. ​ Another common myth is that mastering is solely about making a track louder. While achieving appropriate loudness is a component, mastering also involves ensuring tonal balance, dynamic range, and consistency across various playback systems. ​ Additionally, some believe that mastering presets or AI tools can replace the nuanced decisions made by a skilled engineer. However, these tools often lack the contextual understanding and adaptability that a human professional provides. ​ Understanding these misconceptions helps set realistic expectations and highlights the importance of quality at every stage of music production.​

Q: What questions do you ask prospective clients?

A: What’s the vibe or message of this track? (Any reference songs?) How do you want your vocals to sound? (Clean, gritty, upfront, spacious?) Is this track part of a bigger project or a standalone single? Do you have a deadline or release date in mind? Any notes from previous mixes or feedback I should know about? What format do you need the final files in? (WAV, MP3, stems, etc.) How many revisions are you expecting? Would you like mastering included or just mixing?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Know your vision. Before hiring an engineer, ask yourself: What do I want this track to feel like? The clearer you are with your vibe, references, and goals, the better I can bring that to life. Also, don’t stress about using “studio terms”—just be honest about what you like. Great communication = great results. And remember, quality mixing/mastering is an investment in how the world hears your music.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: MacBook Pro – for my DAW, plugins, and everything in between. Can’t mix without the brain of the operation. UAD Apollo Twin – clean conversion, solid preamps, and built-in DSP for pro-grade sound anywhere. Yamaha HS8 monitors – honest, reliable, and perfect for dialing in mixes that translate. Beyerdynamic DT 1990 Pro headphones – for when the coconuts get loud and I need that isolated clarity. SM7B mic – versatile, rugged, and smooth on rap vocals—plus it doubles as a volleyball if I need a Wilson moment.

Q: What was your career path? How long have you been doing this?

A: My journey started in a home studio, fueled by a passion for hip-hop and a love for shaping sound. What began with trial, error, and late-night sessions turned into a serious path. I’m now almost finished with my HND1 in Sound Design at Edinburgh College, where I’ve deepened my technical skills and refined my ear. Each step—from bedroom mixes to pro-level sessions—has been about growth, hustle, and making every track sound its best.

Q: How would you describe your style?

A: My style blends old school funk vibes with modern punch. Think tight grooves, warm bass, crisp snares, and vocals that ride the beat just right. I love bringing that classic feel—soulful, rhythmic, and full of character—into today’s sound. Whether it’s a West Coast bounce or a smooth throwback vibe, I keep it funky, clean, and full of life.

Q: Which artist would you like to work with and why?

A: If I could work with any artist, it’d be Eminem—hands down. His lyrical precision, intensity, and creative flow are unmatched. Mixing his vocals would be both a challenge and a dream. Every word matters with Em, so bringing that raw emotion and clarity to his delivery would be next-level. Plus, crafting a soundscape that supports his energy without overshadowing it? That’s the kind of work I live for.

Q: Can you share one music production tip?

A: Less is more. Don't overcrowd your mix—every sound should have a purpose. If a layer isn’t adding value, mute it. Space = clarity, and clarity = impact. Especially in rap, where the vocal is king, make sure it has room to breathe.

Q: What type of music do you usually work on?

A: I mainly work on rap and hip-hop, from underground bangers to melodic trap and drill.But have wide experience in recording live rock bands and drummers. I love the energy, the storytelling, and the punch that comes with the genre. Whether it’s gritty street vibes or polished commercial sound, I know how to bring the best out of a beat and make vocals shine. I also touch R&B and urban pop when the vibe’s right.

Q: What's your strongest skill?

A: My strongest skill is bringing vocals to life. In rap, the vocal is the message—and I know how to make it cut through the mix with clarity, presence, and power. Whether it’s raw and gritty or smooth and melodic, I dial in every detail so the artist’s voice hits with emotion and impact. I also have a sharp ear for balancing low-end energy, making sure the bass and 808s knock without muddying the track. Every mix I deliver is clean, loud, and built to move people.

Q: What do you bring to a song?

A: I bring clarity, punch, and emotion to every song. My job is to make your track hit the way it’s supposed to—whether that’s making vocals sit perfectly in the mix, giving the bass that chest-thump, or ensuring every element has its space to shine. But beyond the technical, I bring a deep respect for the artist’s vision. I listen with intention and mix with purpose, so the final result not only sounds pro—it feels right. I help your music tell its story, louder and clearer than ever.

Q: What's your typical work process?

A: My process starts with critical listening—I get a feel for the track's energy, flow, and message. Then I clean up the session, organize stems, and lock in the gain staging. From there, I shape the vocals first—EQ, compression, de-essing, and effects to make them cut through without losing character. Next, I focus on the beat—balancing the low end, enhancing dynamics, and creating space. Once the mix feels tight and alive, I move into mastering—bringing up the loudness, final EQ tweaks, stereo enhancement, and making sure the track hits hard across all platforms. Throughout the process, I check in with the artist to make sure the vibe stays true to their vision. Turnaround is usually 3–7 days, with limited revisions to keep the flow efficient and focused.

Q: Tell us about your studio setup.

A: My studio is a hybrid space designed for precision and vibe. I mix in the box with industry-standard plugins from Waves, FabFilter, and iZotope,SSL and Slate Digital, paired with an audio interface that delivers clean, accurate conversion. For monitoring, I rely on Yamaha HS8s and Beyerdynamic DT 1990pro, so I can catch every detail whether it’s the low-end punch or vocal clarity. I keep the setup streamlined but powerful—focused on workflow, quality, and delivering radio-ready mixes every time.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by legends like Dr. Dre for his clean, powerful mixes and unmatched ear for detail, and Mike Dean for his insane work with synths and atmosphere in hip hop. Young Guru’s approach to vocal clarity and his work with Jay-Z always pushes me to refine my vocal processing. On the newer side, producers like Metro Boomin and Alchemist constantly remind me how emotion and vibe drive a great mix. I aim to blend that classic precision with modern grit and texture.

Q: Describe the most common type of work you do for your clients.

A: I specialize in mixing and mastering rap vocals to hit hard, sit perfectly in the beat, and translate across all platforms. From tightening punchlines to enhancing 808s, I bring your track to industry standard. Whether it's raw underground energy or polished radio-ready sound, I got you. Clean, loud, and full of vibe—every time.