Top-tier Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I’m proud of a 2024 freelance project where I mixed and mastered a 3-song indie album for a Cagliari artist. My role was to balance 100+ tracks per song, adding sound design to create a unique atmosphere—seeing it gain local buzz was a thrill!

Q: What are you working on at the moment?

A: I’m currently mixing a 5-track pop-rock EP in my Cagliari studio, blending live drums and electronic loops, aiming for a release by April 2025—exciting stuff! I’m currently mixing a 5-track pop-rock EP in my Cagliari studio, blending live drums and electronic loops, aiming for a release by April 2025—exciting stuff!

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I haven’t connected with many yet, but I’d recommend exploring profiles like Cory "Soundmason" Doan for top-notch mixing—his expertise complements my skills if you need additional support."

Q: Analog or digital and why?

A: I lean toward digital for its versatility and plugin power, like my Audient and Pro Tools setup, but I appreciate analog warmth when recording live instruments with my AKG mics—best of both worlds!

Q: What's your 'promise' to your clients?

A: I promise to deliver broadcast-quality results, tailored to your vision, with up to 10 flexible revisions and a turnaround that respects your deadline—your satisfaction is my priority!

Q: What do you like most about your job?

A: I love the moment a raw idea turns into a polished track that excites the artist and audience. Collaborating globally and seeing my work come to life is incredibly rewarding

Q: What questions do customers most commonly ask you? What's your answer?

A: Clients often ask about turnaround time. I respond that it varies by project (2-4 weeks), but I work quickly while ensuring quality, with flexibility for revisions.

Q: What's the biggest misconception about what you do?

A: The biggest misconception is that mixing and mastering are just technical fixes—it's an art form that enhances emotion and intent, requiring a deep understanding of the artist’s vision

Q: What questions do you ask prospective clients?

A: I ask about their genre, desired sound, current demo stage, and timeline. I also inquire about their references or inspirations to align my work with their expectations

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for a provider who listens to your vision, offers flexibility (like my 10+ revisions), and has a proven setup. Check their portfolio and reviews to ensure a match for your genre and goals

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: I’d take my MacBook Pro with Logic X, Audient Interface, Yamaha HS Monitors, AKG Overhead Microphone, and a MIDI keyboard—enough to produce and mix anywhere, even on a desert island!

Q: What was your career path? How long have you been doing this?

A: My career began with a childhood passion for music, turning pro at 12-13 (around 2012-2013). I’ve freelanced since 2018, performed live (2016-2019), trained at the London School of Sound (2017-2018), and now work in a Cagliari studio since November 2023—over a decade of growth!

Q: How would you describe your style?

A: My style is a blend of precision and creativity—clean, dynamic mixes with a modern edge. I infuse tracks with vibrant energy, drawing from pop-rock roots and electronic innovation, tailored to each artist’s vision

Q: Which artist would you like to work with and why?

A: I’d love to work with Coldplay because their emotional storytelling and dynamic arrangements align with my strengths in mixing and production, offering a chance to elevate their iconic sound with fresh ideas

Q: Can you share one music production tip?

A: My top tip is to always reference your mix on different speakers—studio monitors, headphones, even car systems—to ensure it translates well across platforms. It’s a game-changer for broadcast-quality results!

Q: What type of music do you usually work on?

A: I usually work on pop-rock and electronic music, drawing inspiration from artists like Coldplay and Skrillex. I also enjoy exploring indie and experimental genres, adapting to client needs with versatility

Q: What's your strongest skill?

A: My strongest skill is mixing, where I excel at balancing multiple tracks—often 40 or more—into a cohesive, radio-ready sound. My ear for detail, honed over a decade since 2012-2013, ensures every element shines

Q: What do you bring to a song?

A: I bring emotion, clarity, and energy to a song, enhancing its dynamics and structure. Whether it’s adding lush sound design or tightening the mix, I aim to make each track stand out with a professional polish that resonates with listeners

Q: What's your typical work process?

A: I start by discussing the client’s vision, then dive into tracking or refining their demo. I focus on layering sounds, balancing dynamics during mixing, and finalizing with mastering to ensure broadcast-quality output. I iterate with up to 10 revisions, delivering within 2-4 weeks depending on complexity.

Q: Tell us about your studio setup.

A: My studio in Cagliari, Italy, features a MacBook Pro 15” 2015 and Windows setup, running FL Studio, Studio One, Reaper, Cubase, and Pro Tools. I use an Audient Interface, Yamaha HS Monitors, and AKG Overhead Microphones, complemented by a MIDI keyboard and a wide range of premium plugins, creating a versatile production environment since November 2023

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by producers like Rick Rubin for his minimalist approach and Max Martin for his pop perfection. Artists like Coldplay motivate me with their emotional depth, while the innovative sound design of Skrillex pushes me to explore new electronic frontiers

Q: Describe the most common type of work you do for your clients.

A: The most common work I do for my clients is mixing and mastering, transforming multi-track recordings into polished, broadcast-quality tracks. I often start with 80-100 track sessions, blending live instrumentation and electronic elements, and deliver radio-ready results tailored to their vision.