Jacob Flint on SoundBetter

House music producer with releases on BeLove and Relyt, and a track recently sent to Fisher.

I’m Jacob Flint, a house music producer who turns rough ideas into fully mastered tracks. I’ve signed multiple records, including four in a single quarter, with releases on BeLove and Relyt. One of my tracks was recently sent to Fisher, which pushed me to raise my production standards even higher.

I focus on modern dance music and can create toplines that take a track from basic to memorable. You can come to me with a loop, a Suno idea, or a half-finished demo, and I’ll help you finish it fast.

Would love to hear from you. Click the contact button above to get in touch.

Credits

Discogs verified credits for Jacob Flint

Endorse Jacob Flint6 Reviews - 1 Repeat Client

by Lucia
Verified
Jacob was great to work with. Fast results and high quality work. He made recommendations for my track that I didn’t think of before which elevated the final result.
100% recommended.
by Conor W.
Verified
I think Jacob is a great producer. He is very friendly, experienced and I feel his production style is very very modern, yet theres something really special and unique about it. I really dig it and would recommend him to anyone. Especially with a decent song to begin with, he will elevate it to the next level.
by Conor W.
Verified
It was an awesome experience with Jacob, he has a super modern style and I think he put his all into the track. I was actually surprised at how good he is.
by Hoa H
I started working with Jacob as a complete beginner, and he quickly became an incredible mentor. He met me exactly where I was skill-wise and helped me grow step by step as a music producer. We worked on multiple songs together, and he explained why things worked, how to think about sound design, arrangement, and mixing, and how to level up my ideas into real, finished tracks.

Jacob is patient, knowledgeable, and genuinely invested in helping you improve. Definitely recommend him for anyone looking to grow!
by K K
Jacob was an incredible mentor to work alongside. His passion and energy he brought with him to his mentorship was such an exciting part of my week during my time under his wing. He left me with technical knowledge and a better understanding of what I needed to understand to bring my mixes and arrangements from amateur to club worthy bangers. Could not recommend him enough wouldn't be anywhere as far along as I am
by Manny Olivenza
Jacob has been super reliable and communicative throughout my journey so far. I’m only getting started and he’s helped me stay motivated and focused. I have my first gig coming up and he’s been prepping me to get more. I always look forward to our chats and can’t wait to see where I’ll be because of his help and guidance a year from now and so on :)

Interview with Jacob Flint

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked on a project where I did 25 revisions of the song and had a top engineer mix it. It then got passed on to Fisher after his label's A/R heard it.
Q: What are you working on at the moment?
A: Original releases, DJ-focused tracks, and client projects that are pushing toward higher-level labels and real-world playability.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Kamino is a top SoundBetter Producer I would recommend to anyone.
Q: Analog or digital and why?
A: Digital for speed, flexibility, and recall. Creativity flows best when nothing slows the process down.
Q: What's your 'promise' to your clients?
A: I’ll treat your track like it matters — and help you move it forward quickly, honestly, and without unnecessary fluff.
Q: What do you like most about your job?
A: Helping artists break through creative blocks and hearing their music finally sound the way they imagined.
Q: What questions do customers most commonly ask you? What's your answer?
A: “Is this track worth finishing?” Almost always yes — it just needs clearer direction and fewer competing ideas.
Q: What's the biggest misconception about what you do?
A: That finishing a track is just technical polish — in reality, it’s about creative decision-making and knowing when not to add more.
Q: What questions do you ask prospective clients?
A: What references are you aiming for? What’s holding this track back right now? Is your goal a label release, DJ tool, or personal project?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Hire someone who understands your goal and can help you finish, not just tweak sounds. Clarity and momentum matter more than perfection.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, Ableton Live, headphones, a guitar, and a simple audio interface.
Q: What was your career path? How long have you been doing this?
A: I was a software engineer for 12 years and I've been making music professionally for 2.
Q: How would you describe your style?
A: Groove-driven, clean, emotional, and modern — focused on feel first, polish second.
Q: Which artist would you like to work with and why?
A: Chris Lake — because his music consistently balances club impact, clarity, and musical restraint, which is exactly what I aim for in my own work.
Q: Can you share one music production tip?
A: Sample selection fixes a lot of problems across the board.
Q: What type of music do you usually work on?
A: House, tech house, electronic, garage, and modern dance music — but I enjoy projects that push beyond strict genre boundaries.
Q: What's your strongest skill?
A: Finishing music. I’m especially strong at arrangement, groove, bass relationships, and making tracks feel complete without overproduction.
Q: What do you bring to a song?
A: Perspective and momentum. I help artists move past overthinking, make confident creative decisions, and turn ideas into complete songs that feel intentional and playable in real DJ sets.
Q: What's your typical work process?
A: I start by understanding the artist’s reference tracks and goal for the song. From there I focus on groove, low-end clarity, and arrangement early so the track feels good fast. Once the core idea works, I refine sound design, transitions, and energy flow before final mix polish.
Q: Tell us about your studio setup.
A: I work primarily in Ableton Live with Push, professional monitoring, and a hybrid workflow of high-quality plugins and carefully curated samples. My setup is optimized for fast idea-to-finished-track turnaround rather than overcomplicating things.
Q: What other musicians or music production professionals inspire you?
A: Artists like Chris Lake, Fisher, Four Tet, Bicep, Jamie xx, Fred again.., and Daft Punk inspire me because they balance groove, emotion, and simplicity while still sounding forward-thinking and timeless.
Q: Describe the most common type of work you do for your clients.
A: I most often help artists turn rough ideas into finished, release-ready tracks. That usually means taking a loop, demo, or half-finished song and helping with arrangement, sound selection, groove, bass, vocals/topline ideas, and final polish so it’s competitive with current releases.

Production Reel 1

I was the Artist and Producer in this production

ProducerAverage price - $250 per song
Mixing EngineerAverage price - $100 per song
Mastering EngineerAverage price - $50 per song
Top line writer (vocal melody)Average price - $100 per song
Sound DesignContact for pricing

Right now turn around time is about a week depending on the size of the project. Generally at most 2 revisions however I want you to be happy, let's talk.