Mixing, Mastering

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Daniel Abanico is my audio soul mate. He will be able to handle things

Q: Analog or digital and why?

A: The head room alone is a big reason to use analog. Furthermore there are some facts that digital can not reach the analog sound.

Q: What do you like most about your job?

A: That I can listen to music and to work on it.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: My degree production while I studied in SAE Institute Bochum, because the lecturers were astonished about my mixing result.

Q: Can you share one music production tip?

A: My philosophy referred to audio engineering is that there is no "This must be like this" but "Everything varies from case to case". So try all methods you can.

Q: What type of music do you usually work on?

A: It's totally widespread. Starting with my main genre Jazz, Gospel, K-pop over Rock to Instrumental Metal.

Q: Tell us about your studio setup.

A: I am using a Motu 828 mk II audio interface. For an analog signal flow while mixing, I've connected my Motu to a Dangerous Music D-Box. As a main Monitor I use Focal Alpha 80 and ESI nEar05 classic as sub monitor. Not to forget my headphones Focal Spirit Pro and Beyerdynamic DT-990 and AKG K 271 MK II.

Q: What's your strongest skill?

A: My strongest skill is (I think) vocal tuning and create a harmony to the main vocal.

Q: What's your typical work process?

A: Each time I've got a different approach

Q: What other musicians or music production professionals inspire you?

A: Fab Dupont is my favorite music producer.

Q: Describe the most common type of work you do for your clients.

A: A lot of vocal tuning request are incoming from Korea concerning to Gospel/ Worship, also K-pop.