Mix and Master Engineer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: It was a small project i did it for free. They ended up loving the guitar tone and I created their tones ever since.

Q: What are you working on at the moment?

A: Going through NTMs Tutorials. Always learning something new.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Nope not at this moment.

Q: Analog or digital and why?

A: Digital because I'm broke but I'd love to upgrade to Analog. I love the depth, warmth, and organic feel that analog gear brings.

Q: What's your 'promise' to your clients?

A: My goal is to make your music sound its absolute best while staying true to your vision. I listen, I fine-tune, and I won’t stop until your track sounds exactly how you imagined—or even better.

Q: What do you like most about your job?

A: Nothing beats the moment when an artist hears their finished track and says, ‘Damn, this sounds insane!’ Being part of that creative journey and helping them achieve their vision is what keeps me hooked.

Q: What questions do customers most commonly ask you? What's your answer?

A: "Can you make my mix as loud as [insert big artist]?" "Do you offer discounts for multiple tracks?" Haha, not judging it's alright. They can be sure I will do exactly that.

Q: What's the biggest misconception about what you do?

A: None. No room for misconceptions. I'm direct and concise.

Q: What questions do you ask prospective clients?

A: First, I get a sense of the client’s vision and goals. Then I make sure I have the right materials to work with. Revisions & Workflow Expectations. Finalizing the deal after everything is clear to make sure we’re on the same page payments and formats.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Have a theme if possible, and be clear and concise of what they want, possibly a reference track I can refer to

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Macbook Pro Midi Controller Fabfilter Suite A Massive Solar Battery – Because my laptop doesn’t run on coconuts. A Satellite Phone – To get off the island… but only after I finish my mix.

Q: What was your career path? How long have you been doing this?

A: Was local for the longest time. Been pushing towards getting online audience now.

Q: How would you describe your style?

A: Experimental, tracks you could imagine listening in a film

Q: Which artist would you like to work with and why?

A: Aespa, They're a kpop group that has been experimental since their debut.

Q: Can you share one music production tip?

A: 1. Layer your drums with anything you think will add up to the overall texture 2. The devil is in the details

Q: What type of music do you usually work on?

A: Modern Metal and EDM

Q: What's your strongest skill?

A: Mixing, Guitar Tone, Sound Design, Drum Programming

Q: What do you bring to a song?

A: I make sure it's ready to be commercially listenable across all platforms possible

Q: What's your typical work process?

A: Basic Cleanup, Turning down levels and gain staging, EQ, soundstage, Compression, making the mix commercially ready

Q: Tell us about your studio setup.

A: I have a simple setup with an audient audio interface and a couple of 6 and 7 string guitars.

Q: What other musicians or music production professionals inspire you?

A: Mike Stringer, Buster Odeholm, Every member from the NTM team to be honest. Great people.

Q: Describe the most common type of work you do for your clients.

A: I mostly deal with Mixing and mastering of a track. And sometimes I'm involved in drum programming.