Songwriters Hall of Fame "Buddy Holly Prize" recipient. Featured on Disney Channel, Good Day New York, the GRAMMY Foundation. Continually played on rock radio across the U.S. (including Sirius XM). Studio owner, audio engineer, multi-instrumentalist. Sells out theaters internationally, singing the songs of Simon & Garfunkel and The Everly Brothers.
Perfect for songwriters who need to bring their song ideas to life, or need an authentic analog touch. I specialize in fully arranged tracks, demos, vocal harmonies, guitar parts in many genres and retro-style mixes. My recording studio is filled with vintage equipment from the '50s and '60s. Let me know how I can help your project!
REVIEWS
“Analog, vintage, and cool, with a sincerity” - American Songwriter
"a skilled and engaging musician who’s here to stay" - Big Takeover
"He understands rock ‘n’ roll.” - Star Ledger
"Rich and raw... Beatlesque" - New Jersey Stage
My SoundBetter Reel - anything other than Vox / Guitar / Engineer is noted:
0:00-0:45 Rock - “Still Life” by The Skullers
0:45-1:12 Americana - “Echo” by Jack Skuller (ALL TRACKS, MIX)
1:09-1:32 Country/Rockabilly - “Bye Bye Love” by The Everly Set (HARMONICA)
1:32-1:49 Folk Rock - “America” by Forever Simon and Garfunkel
1:49-2:13 Rock - “I’m Your Man” by The Skullers
2:13-2:37 Pop - “Watercolor Rain” by Jack Skuller (BASS)
2:37-3:02 Folk Pop - “River” by Jack Skuller (ALL TRACKS, MIX)
3:02-3:27 Blues Rock - “Real Good Time Together” by Jack Skuller (ALL TRACKS, MIX)
3:27-3:51 Rock - “Brittany Let Go” by The Slim Kings (BGRD VOX)
3:51-4:21 Reggae - “Rock On” by Eddie Skuller (ENGINEER FOR VOX)
4:21-4:59 Pop - “Think About Us” by Stigs - (GUITAR)
Contact me through the green button above and let's get to work.
Credits
Languages
- English
5 Reviews
Endorse Jack Skuller
Jack is phenomenal! His gentle yet direct suggestions in my song's arrangements really pushed the project to the next level. Not just because of the extra sauce he was able to add with his fantastically tasteful guitar and harmonica playing but because of his friendly and professional level of communication every step of the way. The tracks were sonically clean and creatively brilliant. 10/10 will work with him again!
Jack produced five tracks for me, playing guitars, bass, and singing multiple harmonies. He is a creative wiz, totally responsible and punctual, and a great guy. HIGHEST RECOMMENDATION.
Jack is extremely professional and easy to work with. He's helped me on numerous projects spanning a variety of genres. He's multi talented, and very versatile. He's really a one stop shop when it comes to all things music. I will be coming back to him again!
Sometimes using remote tracks from other people's studios can be a nightmare, but with Jack it's always smooth sailing. I write scores for TV shows and movies at my studio in Los Angeles, and I've used Jack for vocals countless times. Not only is he an incredible singer, but I know that the tracks he sends me will sound incredibly great and fix into my mixes without any problems. In both sound and performance everything he does is flawless.
Jack is the consummate guitar player. He can adapt to many different styles. He has performed on many tracks for me ranging from acoustic to heavier rock/pop with excellent results. Jack know his instrument and also is well versed in the recording process. He has a wonderful voice and has also provided both lead and backing vocals for me. Jack is extremely easy to work with. He has a wonderful attitude and is very easy going. I refer to him as the Chillest Guitar Player I Know. I love working with him and will continue to do so.
Interview with Jack Skuller
Q: What's your typical work process?
A: I keep everything in my studio readily available so that the creative process can flow smoothly, and uninterrupted by setup time. I start by locating the key components of a project - the sounds I'll support and build around. I'm very conscious of balance, and I enjoy creating tracks that are both interesting and focused. I love hooks!
Q: Analog or digital and why?
A: Analog (with the exception of recording to tape). I've always enjoyed capturing audio sources with as complete of a picture as possible. I love the sound of my recordings passing through wires, circuits, and tubes on the way to the computer.
Q: What was your career path? How long have you been doing this?
A: I got my first record deal when I was 14 years old. Later, I had a several year stint with Disney Records. I've been releasing my own original music ever since. I've also been touring my tribute acts to Simon & Garfunkel and The Everly Brothers for 9 years. I received my bachelors degree in music production at Stevens Institute of Technology, and quickly built my own recording studio. It wasn't long until I was recording tracks for other artists, too!
Q: Can you share one music production tip?
A: Always take a break for lunch!
Q: What type of music do you usually work on?
A: Typically any brand of Americana, blues, country, rockabilly, pop and rock n' roll.
Q: Tell us about your studio setup.
A: I have a comfortable studio that's filled with vintage recording gear, and it's perfect for my needs and my clients. I'm able to capture really tight, controlled sounds that are easy to manipulate in post-production. Lots of vintage microphones, preamps, compressors, guitars, basses and amplifiers. A sizable portion of that gear is broadcasting equipment from the 50s, 60s and 70s. My recording style is most heavily influenced by my favorite hit-makers: Motown, Muscle Shoals, Chess Records and The Beatles.
Q: Describe the most common type of work you do for your clients.
A: I'm most often singing, either on stage or in my recording studio, or crafting complete demos for songwriters who need to flesh out their songs. I also get hired to play guitar and harmonica for other artists.
I was the Singer, Guitarist, Engineer in this production
- ProducerAverage price - $250 per song
- Singer - MaleAverage price - $100 per song
- Electric GuitarAverage price - $100 per song
- Full instrumental productionAverage price - $400 per song
- Mixing EngineerAverage price - $150 per song
- PercussionAverage price - $100 per song
- HarmonicaAverage price - $70 per song
Includes 3 rounds of Revisions, all within 48 hrs of 1st recording so notes can be addressed before the studio is reconfigured. If you need more (we usually don't), I can do it for a small fee.
- Vintage Ribbon Mics (Altec 639B "Bird Cage" / Coles 4038 etc.)
- Condenser Mics (Soundelux U95 / Neumann KMS105)
- Vintage and Well-Known Mic Preamps (Gates / Western Electric / Ward Beck / BAE 1073 / API 512C)
- ProTools
- Gibson & Fender Guitars/Basses
Special bulk rates for multiple songs, or multiple duties on one song!
