Dance Music Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I play keys in a theatre production of Mamma Mia! It’s a great feeling being part of something much bigger than yourself. Even though I don’t always agree with every creative or production decision, I still enjoy every performance and take a lot of pride in being part of it.

Q: Analog or digital and why?

A: Digital. Analog can sound great, but it’s expensive, takes up space, and in most modern productions, the difference isn’t really a deciding factor for listeners. That said, plenty of iconic records were made on analog gear, but for my workflow, digital just makes more sense.

Q: Can you share one music production tip?

A: Don’t get too fixated on a single song. Don’t try to make it perfect, because it never will be. Avoid endlessly going back to fix tiny details. Focus on making the track good and actually finishing it instead of tweaking it forever. If you notice mistakes later on, remember them and try to avoid them in your next project.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Take the time to listen to my music. It’ll give you a clear idea of what you like, what you don’t, and where my strengths are. I’m very flexible and can produce almost anything, but I always believe the best results come when we lean into those strengths. If we’re on the same page, we’ll likely make something great together.

Q: What do you bring to a song?

A: I usually bring chips, but don’t eat them in the studio. That’s disrespectful and unprofessional... No, seriously: unique taste, sound, and a strong sense of composition. Anyone can make you a song, give you a clean mix, or deliver a loud master, but taste and musical direction are what make the biggest difference.

Q: Describe the most common type of work you do for your clients.

A: Clients send me references and share their requests. Based on that, I produce a track from start to finish. Clients usually ask for a revision or two, so we spend some time refining the track and taking it all the way to the finish line. The whole process usually takes about a week or so.

Q: What's your typical work process?

A: I usually start with vocals (either a Splice sample or an original recording) and figure out the harmony. Then I move on to the lead melody, which is usually the toughest part. Programming the drums and bass comes more naturally, but it's essential for the groove. Once that's done, I work on the arrangement and add auxiliary elements to finish the track.