
Hi! I’m Ezequiel Poli, a professional drummer with 15+ years of experience. I record high-quality drum tracks remotely from my own studio, combining professional gear, solid musicality, and attention to groove, feel, and dynamics to bring your song to life. Let’s make great music together!
Hi! I’m Ezequiel Poli, a professional drummer and music educator from Buenos Aires, Argentina, with over 15 years of experience as a musician.
I specialize in remote drum recording for artists, songwriters, producers, and bands. My goal is to deliver expressive, professional drum tracks that serve the song and bring your musical vision to life.
My approach goes beyond playing the parts. I pay attention to groove, feel, dynamics, song structure, and musical details to create a performance that fits your track naturally. I work mainly with rock, alternative rock, pop, and indie, always adapting my playing to the needs of each project.
What I offer:
• Professional remote drum recording
• High-quality multitrack WAV stems
• 48 kHz / 24-bit delivery
• Careful attention to sound, timing, and dynamics
• Clear communication and a personalized approach
I record in my own studio using professional drums, microphones, and audio interfaces, delivering tracks ready for your production workflow.
Every song is different, and I believe great drumming is about serving the music, not just playing notes.
Have a song that needs drums? Send it my way. I’d love to hear your project and help bring it to life!
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Languages
- English
- Portuguese
Interview with Ezequiel Poli
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently recorded full drum multi-tracks for an independent artist's album. My role was session drummer and drum tracking engineer. The client came in with programmed demo drums, and I was able to translate those ideas into a dynamic, organic live drum performance that gave the entire record a deep groove, emotion, and sonic punch. Seeing the final master come to life with real drums was incredibly satisfying.
Q: What are you working on at the moment?
A: I’m currently tracking acoustic drums for a few indie rock and pop singles for international artists, as well as recording custom drum parts for a film soundtrack in my studio.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No
Q: Analog or digital and why?
A: Both, because they serve different purposes. Analog is unmatched for tracking real drums—capturing air, real room acoustics, preamps, and natural compression. Digital gives us speed, flawless editing, phase alignment, and easy remote collaboration with clients worldwide. Combining analog tracking with a digital workflow gives you the best of both worlds.
Q: What's your 'promise' to your clients?
A: My promise is to treat every song with care, dedication, and musical honesty. I’ll listen closely to your vision, communicate clearly throughout the process, and deliver a professional drum performance that serves your music. I’m committed to quality, attention to detail, and making sure every part I play adds something meaningful to your song.
Q: What do you like most about your job?
A: What I love most about my job is the opportunity to work with new artists, discover different musical visions, and take on new challenges with every project. Every song has its own personality, and I enjoy finding the right sound, groove, and feel to bring it to life. I’m always learning, growing, and connecting with people through music.
Q: What questions do customers most commonly ask you? What's your answer?
A: **Question:** *"How will I receive my drum tracks, and will they fit directly into my project?" **Answer:** *"I deliver fully aligned, phase-coherent multi-track WAV stems (Kick, Snare, Toms, Overheads, Room, etc.) exported from zero, so you can easily drag and drop them into any DAW seamlessly."*
Q: What's the biggest misconception about what you do?
A: That programming VST drums or using samples sounds just as good as a real session drummer. A real performance brings human dynamics, subtle groove micro-timings, and genuine cymbal/drum room acoustics that software simply cannot replicate.
Q: What questions do you ask prospective clients?
A: Do you have a reference song that represents the exact drum tone and feel you are looking for? Is the song recorded strictly to a metronome/click track, and what is the exact BPM? Do you prefer a raw, live acoustic kit feel or a polished, modern production sound? Would you like multi-track raw stems (for your own mix) or processed/mixed drum tracks ready for your master?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Provide clear reference tracks and a clean guide track with a click/metronome track. Make sure your arrangement is mostly locked in so I can craft groove choices and fills that perfectly serve the song rather than guessing the tempo or structure.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My 22" vintage bass drum, a versatile 14" snare drum, a great pair of hi-hats, a high-quality condenser microphone (or stereo mic setup), and an audio interface/recorder to capture the natural acoustic sound of the drums wherever I am.
Q: What was your career path? How long have you been doing this?
A: I studied music at TAMABA, a professional music school in Buenos Aires, Argentina. I started recording my first albums at 15 and continued performing and recording throughout my early twenties. Over the past several years, I’ve dedicated myself professionally to music, both as a drummer and an educator. I’ve never stopped studying, learning, and refining my craft. Music has been a lifelong journey, and I’m always looking for ways to grow as a musician and bring more to every project I work on.
Q: How would you describe your style?
A: My style is powerful, groove-oriented, and song-focused. I love the energy and punch of rock drumming, but I also pay close attention to dynamics, feel, and musical nuances. I believe in playing with intention, knowing when to push the energy and when to leave space. My goal is always to serve the song and bring out its best.
Q: Which artist would you like to work with and why?
A: I’d love to work with Dave Grohl. He’s one of my biggest idols, not only because of his powerful drumming and unmistakable musical style, but also because of his passion, energy, and genuine love for music. His approach to songwriting and performing has been a huge inspiration to me as a drummer and musician.
Q: Can you share one music production tip?
A: Don’t let every instrument fight for the spotlight. A great production is about balance, space, and dynamics. When recording drums, focus on the song first: choose the right groove, tune your drums to complement the arrangement, and remember that sometimes playing less makes the whole track sound bigger. Serve the song, not your ego!
Q: What type of music do you usually work on?
A: I mainly work with rock, alternative rock, pop rock, indie, and pop. I love powerful guitar-driven music, dynamic arrangements, and grooves that bring energy and personality to a song. I’m also comfortable adapting my playing to different styles, always focusing on what best serves the music and the artist’s vision.
Q: What's your strongest skill?
A: My strongest skill is combining a powerful rock drum sound with musical sensitivity and attention to detail. I excel at shaping dynamics, adding the right nuances, and finding the perfect groove to enhance a song’s energy and impact. My goal is always to make the music stronger while serving the song.
Q: What do you bring to a song?
A: I bring freshness, attentive listening, and a thoughtful musical approach to every song. I believe great drumming is not about playing more, but about playing what the music needs. My goal is to enhance the song with the right groove, feel, dynamics, and energy, always serving the artist’s vision. I listen carefully, respect the musical identity of each project, and aim to add something meaningful without ever losing sight of the bigger picture: making the song sound its best.
Q: What's your typical work process?
A: First, I listen carefully to your song and discuss your musical vision, references, and preferred drum sound. Once I receive the final instrumental or drumless track, I work on the arrangement and record a performance tailored to the song’s groove, dynamics, and style. I then edit and export the individual drum tracks as high-quality WAV stems (48 kHz / 24-bit), ready for mixing. I keep communication clear throughout the process and welcome feedback to ensure you’re happy with the final result.
Q: Tell us about your studio setup.
A: I record in a professional, acoustically treated studio in Buenos Aires, Argentina, featuring high-end drum kits, including DW Collectors, Mapex Black Panther, and Rogers Vintage, a wide selection of 12+ snares, and premium Zildjian cymbals. The studio is equipped with a PreSonus StudioLive 16-channel system, professional microphones from Shure and Audio-Technica, subkick, and Pro Tools 12. I can capture up to 16 channels simultaneously, typically using 12–14 microphones for drums, delivering detailed, high-quality multitrack recordings tailored to each song.
Q: What other musicians or music production professionals inspire you?
A: Edu Giardina, Ezequiel Ghilardi, Andy Vilanova, Gabriel Pedernera, Dave Grohl, Travis Barker, Nate Smith, Tano Cavalletti, Steve Jordan, Vinnie Collaiuta
Q: Describe the most common type of work you do for your clients.
A: I specialize in remote drum recording for artists, songwriters, producers, and bands. Most of my work involves recording professional drum tracks for original songs across rock, alternative rock, pop, and indie. I provide high-quality multitrack WAV stems, tailored to each song’s style, groove, and dynamics, ready to be integrated into your production. I focus on delivering musical, expressive performances with professional sound quality, clear communication, and attention to every detail.
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I allow up to 2 revisions.
If you want to add some percussion elements or electronic sounds, just let me know and we'll make it work for your song
I'm available to answer all your questions.
- Divididos
- Foo Fighters
- Red Hot Chili Peppers
- Sonor AQ1
- Gretsch Catalina Club Jazz & Tama Starclassic kits. Up to 12 separate raw mic stems: Kick
- SubKick
- Snare Top/Bottom
- 2 Toms
- Stereo/Mono Overheads
- Room
- Crunch & Hi-Hat. Custom mic selection and placement available.
- Drums Recorded for “Move On” by Emmanuele PintoOct 15, 2026
Hi guys! Recently, I recorded drums for “Move On” by German artist Emmanuele Pinto. I’m thrilled with the final result, and Emmanuele was very happy with how it turned out! Thanks, Emmanuele, for trusting me with your music. Looking forward to more collaborations! 🥁
