I produce music that rocks, and I'm here to engineer for you as an artist or your band.
I have been producing music since 2013 and always stay up with the current trends. With access to thousands of samples and over $3,000 in synths and production libraries, I have a wide-range of production techniques and styles to meet your project.
Simply send me your recording stems, song tempo(s), key(s), any reference material and I'll send you a fully-produced song(s) for your next release(s).
I always strive to be an excellent communicator, so you'll always know when your project is being worked on and when it will be done. We will work together to create the best song and crush everyone else.
Tell me about your project and how I can help, through the 'Contact' button above.
ReviewsEndorse Nick Cesarz
Interview with Nick Cesarz
Q: Analog or digital and why?
A: I'm a huge proponent of digital and I truly believe that the differences one may be able to hear only occur at the very top plateau of the audio spectrum (mastering compressors, high-end EQ, etc). For my world, digital synths and SSL Channel work fine for me.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Apollo Twin, Shure SM7, my monitors, laptop, and a Kemper.
Q: How would you describe your style?
A: Edgy and technical.
Q: Can you share one music production tip?
A: If you're working on an idea straight for hours, it's good to take fifteen minutes and walk away from the monitors. You need that time to clear your ears and head. If you don't, you'll begin overthinking things and it will get into your head.
Q: What type of music do you usually work on?
A: Indie, alternative, and pop.
Q: What do you bring to a song?
A: I bring another set of ears to a song. In certain situations, artists can't see the forest for the trees and it results in music that they may well love, but does require an objective opinion. I'd like to think my productions are modern and fresh.
Q: What's your typical work process?
A: It depends on the song. Some songs call for more guitar and some call for synthesizers. If we move to production, I may be browsing patches and presets for a while until we hit gold and then begin tweaking. If that isn't creating a spark, I'll sometimes begin from scratch with Sylenth or another subtractive synthesizer.
Q: Tell us about your studio setup.
A: I'm an ITB guy. My setup consists of a UAD Apollo Duo interface, Focal monitors, and Cubase 9.
Q: What other musicians or music production professionals inspire you?
A: Mike Hart is a fantastic up-and-coming producer from LA that I look up to quite a bit. I've always been a big fan of the sounds CLA engineers. Who isn't though?
Q: Describe the most common type of work you do for your clients.
A: My current area of focus resides in song production. I've found that less tends to be more and I've applied that to my production as of late. I do a lot in the synthesizer and sample world and have amassed a large collection of libraries and synths. It's easy to go overboard.